Hi all I'm an actor based out of NYC. I've produced and created a decent body of work, have had a few projects go on to festivals. But I've lately felt like I've been in a rut. I believe I'm ready for an agent but don't know where I would even begin applying. However, I could definitely use a manager because I feel like I'm lacking proper guidance and just end up taking the same type of roles and want to be able to expand. So I'm curious, where did you guys start your search? What are the best methods for obtaining a manager or an agent?
I’m having a mid life crises. I have a career as an accountant and I’m starting to think it was a mistake. I had quit my job since I couldn’t take it anymore. being someone I’m not. I wasn’t born to sit in cubicles all day long taking crap from my boss. I need advise as to starting as an actor. Now I know plenty of people want to do that but- I have been told many times I should try acting, modeling- things like those. I have seen movies from Cagney decades to recent times and I would like to atleast give it a try or regret it for the rest of my life.. How do it start? I’m from New York (born and raised), 29 years of age, white male 6 feet. In good shape. I don’t if it’s a plus or minus but I don’t have a General American accent(CNN, MSNBC) but rather a nyc/nj accent (baritoned- But I cant sing) . Acting is natural to me, but from what I hear it’s not all about acting anymore. I’ll appreciate any comments to help me steer in the right direction. I’m in the process getting a portrait shot and a reel. Thanks for reading.
Hello, I find it difficult for me to get in a state of anger in a scene , I struggle every time I have to get angry , do you have any tips ? It always feels as if I’m forcing the emotion , and I cannot recall a memory that triggers that emotion ! Please heeelp fellow actors
Hi fellow actors! I have to perform a mute monologue tomorrow and am having trouble deciding what to do... And how. The character has to have an objective, an internal conflict and an external conflict and we cannot speak but we can scream, cry, laugh... It is important to make as many of physical actions to let people know what is going on with the character. An example made by prof: Objectice: suicide Internal conflict: depression, isolation, etc. External conflict: picture of his daughter. My first idea was a drunk girl who realizes she just killed someone on the way home by car. Her objective is to call police on herself but then she turns the TV and sees that the people are fine, she just hit a post or something. Still I am a bit doubtful on it because of the speaking limitation...I don't know if people will get what happened. Any ideas? Thanks:)
Hey everyone, I’m studying for my MA at Drama School, and we’re just nearing the end of the first term here (we started in September). Our tutors are very adamant that we shouldn’t be competitive with each other but to try and lift each other up and learn from each other’s successes and mistakes. And this was the case for a while, but in the last few weeks there’s been a shift: everyone’s suddenly becoming incredibly competitive, trying to be better than everybody else, fighting flesh and bones to one up each other, and even not-so-playfully teasing each other. It’s as if, if someone fails, the others will start disregarding them and ignoring them. I don’t feel like it’s bad enough for me to complain to our head of year or anything but, I think this environment is against what our tutors have advised us to behave like. It feels like we’re in Love Island or another reality series where people are getting kicked off each week and there’s bitching and criticism and negativity. Is this what the industry is like? Is that the right attitude for future actors? Is that how I should start behaving even though I’m naturally more quiet and shy? I’d love to hear fellow actors’ and creatives’ opinions on this, and start a discussion about what an actor’s behaviour should ideally be.
Hey folks, I’m starting a screen acting vlog and podcast and I’m seeking questions from actors to end cap each episode. Some background on my self. I started out as a child actor, worked through to my teen years, took a break. Came back and realized the business is totally different and decided to make my own content. Ended up liking production so much I ended up assistant directing. In the end acting is my passion and I just want the opportunity to share and talk about it. If anyone has any questions around film acting, from how to get started, technique, experiences, anything really, let me know and I’ll give you a shoutout in the episode and answer your question. Thank you!
Your thoughts and feelings? Any preferences? I'm signed up with AA now but I'm wondering how much different Backstage is
I've taken courses with the Hideout for improv, but I'm a bit wary of some of the other schools here after interviewing for positions with a few. Where are y'all taking your acting courses? Any reccos for private coaching are also more than welcome.
CURRENT STATE OF THE UNION: \-I've yet to submit for any kind of work, as I've focused my introductory months here in LA on whipping myself into shape craft-wise by putting my all into my classes & educating myself on the ins & outs of the business/industry via books & other online resources. \-I'm now ready to make the initial investment in some high-quality marketing materials to add to my package, enabling me to begin submitting for work, connecting with casting directors, networking with entertainment professionals, etc. etc. etc... \-While I know it isn't exactly necessary to have anything of higher caliber than self-tapes for submitting to student films & other unpaid gigs, I *will* be given the opportunity to form relationships with casting directors via CD workshops which are periodically held at my acting school. MY QUESTIONS: 1. Is it wise to financially invest in producing a high-quality demo reel for myself in order to avoid waiting around to accumulate choice footage from student film work? 2. If investing in a reel is a go, would you recommend that I go with one of those local demo reel production companies? Could I potentially save some money by doing the pre & post-production work (screenwriting, storyboarding, editing, etc.) myself & just hiring a freelance DP/crew members for the actual days of the shoot? (I believe I might be decently capable of doing a lot of the work myself as I've been gathering educational resources/personal knowledge on how to create my own work, however, I'm not sure if it's worth the investment of my time/money to do so if it'll equate to the same costs in the long-run & if my blood/sweat/tears might be better allocated towards creating my own short for iMBD credits or something...) 2. How do casting directors feel about actors with "mock" reels? I've seen/heard differing opinions both online & through word of mouth via my peers. Which of these opinions (if any) are more valid/carry more weight in a situation like mine? Are there any other scenarios you have to add to the following opinions? : ... the first opinion is that you can't fool a CD into thinking a mock reel is composed of professional work since a quick look over one's resume would show a lack of credits, THEREFORE, paying to produce your own reel might come off as unprofessional &/or highly reflect the fact that you're new to the business, in which case, self-tape demos work just fine.... ...second opinion is that your reel MUST be of high-quality/professionally done in order to stand competitively against the rest of a CD's roster, THEREFORE, having a mock reel like this then, in turn, places you above actors that do not.... 3. Even as I'm building up my credits via student films & non-paid work, it would still be worth it to invest my time/money in producing a reel perfectly catered to showcasing my best work + targeted types + range, yes? Because eventually having this in my package would enable me to level-up on a faster timeline vs. someone who has to wait around to accumulate footage, right? And even if I did have the footage, it's best to have footage that sells me in the best light, correct? 4. Ultimately, would investing in a mock reel enable me to book paid work faster than if I did not? 5. Do you have any suggestions for reel production companies, DPs for hire, other resources, etc? Thanks in advance for taking the time to read & answer accordingly; you are appreciated !!
This book offers insights on actors' websites, casting companies, agency recommendations, how to get an agent, how to join SAG-AFTRA, and mucho more.
This book offers insights on actors' websites, casting companies, agency recommendations, how to get an agent, how to join SAG-AFTRA, and mucho more.
Hello Reddit, I am currently in the middle of a dilemma. I am 19 years old and my whole life I have dreamt of being an actor. I was convinced that I should have a normal job though and never really went for it, until two years ago when I started going to acting classes. I played the lead in one short film and a smaller but still big role in another short film that are both premiering this week. I absolutely loved making the movies, I loved acting, it felt incredible. My dilemma is however that whenever I daydream (which I do a lot) I dream about being a successful director and screenwriter. I usually become a successful actor first, but the screenwriting and directing are the main things. I come up with a lot of ideas for movies and have just started writing my first script (only about five pages in right now though). I love acting, but I also love writing and telling a story, but I don’t know if I’m any good at that, I haven’t seen myself act yet because the director wanted us to wait to see it until it has its premiere. From what I’m told I am a great actor though and it comes naturally to me, for some reason I can’t believe I am a good actor, but that’s another story. Is it possible to make it as an actor if my dreams lie somewhere else? Can I do both? There is obviously not any great urgency to this, since I am only 19, but I would like to go to film school or acting school, which takes a few years, so I would like to decide pretty soon. I am posting pretty much the same exact post to r/Screenwriting Thank you very much for reading this post, it means a lot. Sorry if it didn’t make sense, I was just rambling and English is my second language.
So I've been working BG on a currently filming TV show. I'm keeping it somewhat vague to cover my ass a bit, but it's for a major cable network, with an Oscar winning lead actress. So far I've worked three days as background, over the last few weeks. The casting company uses an online portal for their casting process and basically once you mark yourself avail, they send you a text and if you can work the day they request you, you just respond "Y". Then in their database your date/role gets moved into the "Booking Requests" section, and you await a text message with booking details and for it to move into "Bookings". You are not "officially booked" until that last part happens. Thus far it has been a situation where that last step often doesn't occur until midnight the morning of filming. Today I was in "booking requests" for my fourth day, and it's STILL in "requests" and I had to call to confirm they had cancelled shooting for the day because I'd not gotten any info. It also says to look for "BG" signs on set to find where to go, and production has not put up any signage, ever. At my last shoot they were filming in an abandoned building with fencing all around it. I arrived 20 minutes early and was still 15 minutes late, because I was left to my own devices to figure out I had to walk around the entire block and approach the massive building from an adjacent property, and go in an obscure back door, and even once inside there was no signage on where to go next! Then on that particular day, I didn't even make it in front of the cameras (which is fine and normal) because wardrobe had not been given a full enough range of sizes to fit my body type (which is NOT normal.) People were also getting hurt on set. In the BG holding area, a folding chair broke apart under an actor and he literally fell flat on his back. Leaving set that night a petite woman walked face first into a shadowed rear-view mirror from a truck because of how precarious this giant abandoned building was in the pitch black darkness. This is not my first time at the rodeo of chaos that is background extra work, but this particular production - which again I cannot stress enough is for a major network with a major star - is a MESS.
Thanks for answering!
Seriously though, if you're a talented actor, have the skills and know the business but have NO connections, your parents weren't actors or filmmakers or directors or in any way close to being in the show business, can you make it as a famous actor?
Amateur and Professional welcome to apply! Need female voice actors for 10 minute animated pilot. High-fantasy, hero's tale type story. 5 teenage protagonists become accidental heroes. 2 female characters still need voicing. Details and reference images can be given upon request. Job offers $200 per character Apply through DMs or ask for email. Send sample reels with: -Introduction snippet in normal voice. -commercial sample showing ability to stay in character. -character sample to show range. Also please give any contact info you'd like to use. Thank You! Hope to hear from everyone soon.
so I'm a 17 year old girl who lives in a really small town (small as in most people who are born here stay their entire lives), and I want to be an actress. I do plan to relocate to or close to a big city after college (nyc most likely) but I wanna start as early as I can getting myself out there, I wanna know what I can do at this age, also taking into consideration the fact I'm a senior in high school and have a part time job. right now I'm working on some small one person skits for youtube (the kind where I play all the roles) just for fun, but I feel like theres more I could be doing to gain experience. there are some small theaters within an hour or so of where I live but they either cast really small kids or adults only, so does anyone else have experience with this? should I just wait until I'm 18? thanks in advance for any help!
So about 2 or so weeks ago, my family scraped together enough money for me to fly out to NYC and audition for a conservatory program(New York Conservatory for Dramatic Arts), as well as visit another school(NYFA). **Story about the visit:** I had been sick the week of the audition. It was on Saturday, and I had been sick since Tuesday. My throat was extremely sore(thank God I wasn't auditioning for musical theater), and I was nervous that I wouldn't be able to perform as well as I had been practicing. On top of this, I was a little unsure about the fact that after being unable to find a monologue that I really liked online, I just chose to perform a standalone one that I found online. Anyways, we got there, and I had been chugging green tea all day long. Eventually, the president of the conservatory, Richard Omar is talking about the program. I really liked a lot of what I heard, and started getting more nervous for the audition. He eventually mentions that there will be a couple of people who do their auditions before everyone else, and in front of all of us that were there(probably 25 people between all the prospective students and their parents). This got me a little bit excited. I knew that a lot of people in the industry(or so I've heard/assumed) like confidence in their talent, and that it would look good if I volunteered. A few minutes later, after he had left the room and returned again, he asked, "who is (my name)?" I raised my hand and said, "that's me." He had randomly selected me to audition in front of everybody. I was like *alright* and was sort of preparing myself. When the time came, I stood up and walked to the front of the room. For more setting context, he had a camera pointing towards stage center with an HDMI out to a TV so that people could see through the camera's *eye*. There were a couple of back and forth jokes between President Omar and I, and then I did my monologue. He told nobody to clap/applaud, but a couple of people almost did. He told them to *shut the f--- up* and started to workshop my monologue. I was really impressed with my work here, because he gave me different actions to complete throughout my monologue, which I remembered, along with my lines, and without breaking stride. I had a great time, and when meeting with him later(as the "second part" of my audition where he just wanted to get to know me, he told me that he wanted me to come to the conservatory. Later that week, I received a call saying that not only was I accepted, but they wanted to offer me their highest audition-based scholarship as well. More about me and acting: I have always dreamt, as many have, about being on the big screen. Making major motion pictures, telling stories through film, and exploring what life is like through other peoples' eyes; those are the things that I want to truly accomplish throughout my lifetime. But I didn't start pursuing anything until this year. I'm in my first year of university in the US, and I put a lot of thought into where I'm at. I think that I've always known that being an actor was my dream career. I've just been much too scared to go for it. I got bullied a fair amount in school for just being myself(I don't think I was that bad, eh?), and really never found "my people" in high school. I was really hoping to change that in college. But once I got here, I really realized that if I actually want to pursue my dreams, *I should start now*. And so I did. I found out about a play that was being put together here at my school, auditioned, and got a part! I was super happy about it, because I knew that it was my first step in getting to where I want to be. It was the first play that I had been in since the 3rd grade. And then this whole success getting into the conservatory! *Especially* with the scholarship? I'll be thinking about where I was last year, the dark place that it was for me, and imagine how crazy it would be to tell that boy that he'd be living in NYC in 2 years. It really is unbelievable. I really want to share this to tell those out there contemplating just following their dreams, whether its film-related or not, to go for it. Even if you have to start small, like a 9-person production of a student-written play. Start. Go.