We have found 19,247 posts across 4 actor forums:
Why is some acting so far from what real people act like? by dungeion • last post Nov 10th
How could pretending turn into something so far from reality? I love actors, this isn't hate. But how is something like this just accepted as a final production, does nobody care or is a lack of realism a style..? I'd give an example but I don't want to be rude, of course. I LOVE ACTORS PS: not talking about comedy or scifi or fantasy.
Rules and ways of joining SAG? Also contract questions. by OsageOne • last post Nov 10th
My wife is being cast as background on a show at a major studio. But sort of specific background. They have her filming for 4 days, for one episode, as the assistant to one of the main characters, who happens to be a very big name actor. BUT so far no lines or anything, though she is getting a voucher for each day. We know that there has been a little talk of bringing her back for later episodes in the same role, and that down the road she may even get a line or two. Please tell me if I’m wrong, but once/if she gets a line is that not when they have to offer her an actual contract and she is no longer background? And they pay the union dues as well? This is all slightly confusing haha, so any help on how this may work would be greatly appreciated!
Voice Actor by Pattihanno • last post Nov 10th
Go Bag by curtisclone • last post Nov 10th
What do you bring to set each time to make sure you are prepared, regardless of being an extra or featured actor? Things that come to mind is: book, chapstick, water bottle, ...what else?
Is it possible to over-rehearse? by Ahmed11105 • last post Nov 9th
For some scripts, an actor/actress has to be very sensitive right? So would too much rehearsing desensitise them from the emotional impact of the scene. Reason I’m asking this is because the more we’re exposed to something, the less sensitive we become to it. For example, a sad scene in a movie is massively impactful the first few times you see it in comparison to the 100th (I’m exaggerating), which at that point just becomes an image on the screen rather than an experience. Just want to hear people’s thoughts on this and how they would go about it.
Hello my fellow actors, what are some good YouTube channels for starting actors looking to expand in their abilities? by Nazon6 • last post Nov 9th
As a frequent YouTube user, I think it would be nice to find some channels that cover any apsect of acting, so if you have any, let me know!!
Deferred Pay by evergracelessone • last post Nov 9th
Just saw this on Actors Access. Meaning?
SAG Eligibility Question by SSkenderbeu • last post Nov 9th
I’m not sure if there’s an area for SAG related questions but if there is please let me know! So I recently became SAG eligible after working 6 days as a background actor on a SAG set. I have the opportunity to work as background on another union movie but they have only Union vouchers for the day I was asked to be a part of. I’m not ready to join yet as I have only had one day player role and then just background roles. I also live in a smaller market area for film. Will working on this movie as background when I’m already SAG eligible make me a must-join? Would working on this movie as a photo double or stand-in make me must join?
Acring scene in Shanghai? by rubidium-314 • last post Nov 9th
Hi. Here's the thing: at this moment I live in Europe and I've been offered a job (unrelated to acting) in Shanghai. I'm not a professional actor, but I've taken some classes and landed a few roles in short films in the past year. And I really really like it. And I want to keep doing it and to keep growing as an actor and an artist, even as a side job/hobby. I'd like to have your opinion on this: could a European non-professional actor find productions to be a part of in Shanghai? Thanks
Getting into acting with a foreign language degree? by Winter_01 • last post Nov 9th
Hi everyone, In September/October 2020 I'll be starting a German degree at university. I always thought being an actor would be a great profession, but in the end I decided not to pursue it. However, I recently came across an article by [timeshighereducation.com](https://timeshighereducation.com) stating that *"language degrees also appear to be a good requisite for a career in acting,"* which got me thinking: is the idea of launching an acting career through a foreign language degree a realistic one? I imagine that being multilingual would be at least somewhat beneficial in that it allows you to find work in non-English speaking countries, but how much would a foreign language degree actually help me to become an actor?
LA Background Acting: The Un-Ultimate, Unofficial Experience from a Newbie! by Timsierramist • last post Nov 9th
Over 48 hours, I started my new hobby. Background Acting. With 3 goals in mind. 1. Perform law enforcement type backgrounds such as police officer, deputy sheriff, FBI agent, etc. 2. Obtain my SAG-AFTRA card, but enjoy the ride until then. 3. Take acting classes and start co-starring with small lines, first in student films and finally in T.V. or movies. I wanted to share my experience from the last two days for anyone: A. That is interested in doing the same for x, y and z. B. Experienced actors considering it background acting for some for extra money in between, but who have not done so yet. \*I realize of course that Background acting is not acting. And "Background" is just a nice word for "Movie Extra". \*Of course, I cannot give detailed information about the project I was on, dates, locations, etc. But I will fill in everything else as best I can without breaking non-disclosure. **CENTRAL CASTING:** I started as virtually everyone does. Central Casting. I registered online and had a tough time finding availability on their calendar, which only opens 3 days out. On top of that, you have to try and register as soon as "3 days out" opens up on the calendar, because it will fill up very fast. I kept checking back and finally managed to snag a day. There was no specified parking, so I parked on the street and entered the line about 20 minutes early just outside their main entrance. There was already a guy standing outside checking your name on a list and looking to ensure you have proper identification. If you don't have a passport, you will need a drivers license AND an additional document such as a Social Security Card or Birth Certificate. See: https://d1u6g1e1nisfhs.cloudfront.net/wp-content/uploads/doc-I-9-Form-Acceptable-Documents-190714.pdf If you pass the identification "test", you get a blue card and will be admitted right at 9:10 AM. It goes in order. The earlier you line up, the faster you will be processed and leave. Once we get inside, there are 3 row of chairs. The first row has desks and the second two rows you'll have to hope you can get your hands on a clipboard. From here you will get about an hour brief and start to fill out paperwork so that you can work. This will all be done step by step on a Powerpoint side so you don't get lost. At the beginning of the brief, they asked us to look into several CCTV cameras they had in the classroom and wave, stating that casting directors were watching us at that moment and picking people for roles already. Everyone waved. I pointed. They must have been telling the truth because I got selected with about 10 other people I registered with for the same project the next day. The hour in the classroom will go over your paperwork, explain essentials your duties while working on projects through Central Casting. Basic stuff you would think would be common sense, like not leaking plots of T.V. shows you are working on, Asking for an autograph when your favorite actor walks on the set, following directions from Production Assistants and the Assistant Director, showing up at time (or at all), along with a few partially hilarious, partially sad stories as examples. After this rows will be excused to check the paperwork at two tables inside the classroom. If they doubt your sizes you listed, you will measure yourself here. If you printed "Tim Alcoser" on some papers but put "Tim Alcoser Jr" on others, you will make it uniform and be chided about it like I was. After your paperwork is done, all you have to do is Some people brought a small wardrobe of outfits. You should not. They will only be taking TWO photos today of whatever you are wearing. A face shot and a body shot. They will do updates with a bathing suit, dress clothes and a tuxedo, but that is it. However, they did say you could submit photos to them to be added. They have to be hard copy, color though, because they are concerned about viruses via flash drives. After taking my pictures, I was finished. Be advised, the entire process took just over two hours, and I was in the second row. There are restrooms and vending machines for snacks and drinks if you need it. **EXTRAS! MANAGEMENT & THRIFTY RENTS** My next appointment was at EXTRAS! Management, which was directly across the street from Central Casting. EXTRAS! Management is kinda, sorta, maybe like a talent agency for EXTRAS!. Except you pay them for the service. More on that in a minute. However I had 3 hours to kill. I decided to pick up two wardrobe items from a company called Thrifty Rents. An LAPD uniform and a Sheriff Uniform so that I could take some photos at EXTRAS! Management with them, which unlike Central Casting, they permit. I found the address and was expecting either a warehouse or a shop. Instead I found a house. I texted the owner and he welcomed me inside. Turns out he has his uniforms stored in a small warehouse, but gets them cleaned and set up ready to go in a house. Seemed sketchy to me at first, but it turned out to be okay. The uniforms were great, they fit and I took them with me to EXTRAS! Management. I was able to rent them for $20 each per day for the shirt, pants, badge and name tag, and already had my own duty belt to use to finish off the look. They rent other stuff. Police equipment props, duty belts, medical profession costumes, janitor, etc. You get the idea. I charged my Tesla at The Americana at brand and walked around like I was homeless compared to how everyone else was dressed. Then I headed over to EXTRAS! Management. After arriving, I was greeted and sat in a back room with about 6 or 7 other people. A man came in and explained to us how EXTRAS! Management worked and helped us fill out paperwork. Essentially, EXTRAS! Management works with Central Casting and about 20 other casting agencies as well as casting directors to fill roles for you automatically. You give them available days and what you are willing or not willing to work and they do the rest. For example, my availability is currently Mondays and Tuesdays and I am not willing to work a production if I have to shave my head. There are a lot of options you can choose. Comfortable in gay bars? Nudity? Partial nudity? This is followed by your attributes. For example, I can Scuba Dive, am just about in expert in weapons handling, Can Ski, Served in the Marines and am a certified California Peace Officer. They have 4 changing rooms so that you can change into different uniforms or outfits and can specify Unlike Central Casting, they automatically assume you are available for roles on the days you specify and book you automatically, then inform you of you. This gets you in immediately so you don't miss out, but you have to be able to manage your schedule and give them a heads up if you can't work a certain day or a certain period of time. It's a lot more convenient for me, because I often cannot access my phone at certain times depending on what I am doing. The entire attitude of the staff was completely different than it was from Central Casting. You really do feel like their clients versus just cattle being processed like across the street. They also create a profile you can access with all your information, attributes, wardrobe, skills, etc, so that you can double check everything a casting director sees. Next to your uniforms, casting directors can click on an image to see what you look like, say, in an LAPD uniform, if they desire. EXTRAS! Management explained that if you had your own uniforms, casting directors were more likely to hire you in general, because they could save money by cutting out their own wardrobe. Total cost per month is $84.00. They will charge you the day you start, but pro-rate based on what day of the month it is. Also, if they don't book 4 jobs (I believe) for you, they lower the charge you have to pay that month. Not being able to book you any jobs would be $10 or $15 for the service, which they explain never happens. \*Note: I don't get any kickbacks from either EXTRAS! Management or Thrifty Rents. Just wanted to explain my experience and what I went with. **WORKING MY FIRST JOB:** Alright. Here we are to the fun part. My very first background acting role. I am going to be careful here because I want to give you folks an idea of what its like to work Background on a major T.V. Production without violating any non-disclosure agreements or the trust placed in me when I was hired. While on my way home from EXTRAS! Management, I got a text from Central Casting asking if I was available to work the next day on a Major T. V. show at 4:13 PM. By chance, I did have the next day off, so I replied "YES". At 4:34 PM, I got a message from the same automated system that said I was "BOOKED". It stated "Do not reply YES" if I worked the job recently. I replied YES. At 5:44 I got a new message with my role and a code I could punch in to monitor the call back times for the next day. The phone message had the time and another code I could punch on Central Castings website for the details on my role and what to bring. After I got home, I punched in the show name and code and discovered I needed to bring dress clothes, but not a full suit. So I got my setup ready and went to bed. The next day, I put on my dress clothes and drove to the studio. After I got there, I parked and checked in with Security. They gave me a pass and I reported to a parking area near the stage I would be working in. I checked in with a Production Assistant at a table and she gave me my "Non-Union" voucher, then directed me over to wardrobe. Wardrobe asked me I brought a jacket with my dress clothes and I said no, I was instructed not to. So they issued me a jacket and took one of my vouchers to ensure I would return the coat. After getting cleared by Wardrobe, I waited in a group to be escorted into the stage. I immediately recognized several people that I registered with on the previous day at Central Casting, including the guy that sat next to me. We were escorted into the stage, and instructed to set up chairs in our holding area, which was along the walls on one side of the stage. The entire center of the stage building was a maze of different rooms, hallways, and other areas pertaining to the show. Breakfast was set up on another side of the stage and it had just about anything you could want for breakfast. Hot food, cold food, coffee, Juice, Fruit, Snacks, Cookies, Soda, Water, pastries, etc. I was shown the way to props and obtained a Man Purse (briefcase) to go along with my uniform. I turned in the remaining two vouchers and returned to holding to await further instructions. It wasn't long before I was ready to shoot my first scene. It would take place in a hallway. The main actors would be walking down the hallways and my job was to come out a door and walk directly behind them. They turned one corner and I turned another and continued into another door. We did this scene about 7, 8 or 9 times. I never got yelled at or asked to change something, but a lot of other background actors did. I think one thing that makes this job easy for me is I do not goo-goo over celebrities or follow celebrity news. Outside the very top talent, I generally have no idea who you are. I might even pass you in the hallway and will give you a nod, and will pretty much treat you like every other commoner. It was the little things I thought was cool to see. The stuff you don't see in the T.V. shows or movies. An elevator door that is supposed to take you to some other floor but just empties out into a wood box instead. The sets look fantastic however. They look amazing on T.V. and they look even more amazing when you are actually standing there. I actually thought the window in the hallway was looking outside, but when I got a closer look, it was all lighting and background. Other little details were fun to observe. The little problems that pop up like an elevator door that doesn't open automatically like it should had to be supplemented by hand. The cool cameraman with his goatee and Metal Mulisha T-Shirt. The frustrated director telling the cast and crew "Okay, now let's actually do this right this time" (if memory serves). The two hours I had to hear about 20 retakes on the same crucial 3 minute scene until they got it right. Almost being knocked over by the cute star actress when she messed up here scene, and immediately turned around to reset, almost plowing right into me. Luckily I was able to jump out the way. She laughed and said sorry. Some famous person laughed at me and said sorry! You know. The cool stuff you only occasionally get to hear about through commentary if you are lucky. After the hallway scene, I went back to holding...and stayed there...for NINE HOURS! When I went back to holding, they wrapped (let go) almost all of the background actors, including the guy I say next to at Central Casting. They went through and selected about six of us to stay. For some reason, I was chosen to stay. I like to think I did something right and was following directions well, as I do. But in reality, I probably was just a fit for another upcoming scene. Still. Through the next nine hours, I kept thinking "If they aren't going to use me anymore, let me go". I am, however, responsible and discipined enough not to ask to leave. If I take a job, I finish it. Period. As I was taught in the Marine Corps. General Order #5. To quit your post only when properly relieved. They were now filming a scene in a room (about all the details I can give). The Production Assistants (P.A.'s) would come back in here and there and select people to take part in the scene. I was selected a few times, but when I got there, I was always sent back by the Assistant Director (A.D.). The A.D. was so calm through the entire day, I could have sworn she was on Xanax. I don't mean that in an offensive way. She was relaxed, calm and in control. In stark contrast, the P.A.'s were constantly on the move, often looking stressed and yelling at background members to be quiet during rehearsals and filming. It was highly frustrating to have to watch how unprofessional some of the background was and watch it in turn frustrate the P.A.'s. I'd even watch as P.A.'s walked away, some of the background actors rolled their eyes like teenagers. I also witnessed two adult ladies face timing with their boyfriends while a scene was being shot not far away. Why they were not walked out is well beyond me. I come from a military and law enforcement background. I could never deal with an undisciplined group of people working for me like that. It was just unacceptable to me. Nothing tells you how low you are on the totem pole on a production like a Nice Hot Meal! P.A.'s told us multiple times to not eat until everyone else had eaten first. Actors, directors, crew, grips, cameramen, maintenance people, P.A.'s, etc. Background was permitted to eat about 30 minutes after the food was set up. This was different to me. In the Marine Corps, it's the exact opposite. You let the Junior Marines eat first. Privates WILL eat first and all the way up the chain of command. If there is anything left, the commanding officer gets to eat. In my current occupation, for a major law enforcement agency in SoCal, whether you are a sworn officer, a secretary, medical staff, etc. Everyone gets to eat at the same time. Different cultures. I ate very little. One of the hard lessons I had to learn about Background acting was just how long it can take to finish a job. I assumed Hollywood, like any Capilalistic setup, despises overtime, and assumed I might get 8 or 9 hours in. NOPE. If you are doing background acting, don't schedule anything else for the day. I got on set about 6:30 AM and didn't leave until about 8:30 PM, which really, really sucked because I had scheduled my very first REAL acting class with Katt Shea Acting. I sent an email informing them I wouldn't be able to make it and evidentelly they didn't see it in time. I really needed to be there to round out the 3 other folks where were there that day, and I'm sure she had everything planned out. I felt very bad. Lesson learned. When I take her class in the next few days, I won't be scheduling ANYTHING else except that class. I'm grateful for the fact I get to have a fantastic director teach me the ropes in acting. In any case, I ended up pulling a 14 hour day. I consider a 14 hour day very long when I am (dodge)balls to the wall at work. But 9 hours just sitting in holding is the equivalent of eternity. For you Catholics out there, I think Holding is meant to simulate Limbo. They kept me around all day to walk in circles so I could finish a scene at the end where I am chatting with someone in a room directly in view of the camera. It will look like we are having a very serious discussion related to the topic of the show, but we aren't. We're talking California Crime and Politics. And if I do say so myself, i'm sure it will be great for the camera! ;-) It's inevitable all the different people you will get the opportunity to talk to in holding. Even for a Introvert like myself. You will get to meet all kinds of people from many different walks in life, but by and large poor folks just trying to make it. In Hollywood and to the next paycheck. The retirees, The laid off, the young aspiring actors with stars in their eyes, the college students...and people like me with a decent paying middle class job, pension and benefits just trying something new. In any case, we wrapped up at around 8:30 PM. Turned in my man purse, and got two of my vouchers back. Turned in my coat and got my third voucher back. Had the PA sign my paperwork and I was off. Will I do it again? Despite the agonizing wait times in holding, I can genuinely say I had fun. Its a job, but it definitely feels more like play time. Only you get paid for it. Working with all you professional actors on set is an incredible experience very, very few people in the world get to do. Suggestions: Bring a phone charging cable. I suggest a battery pack, because you will probably be on your phone all day long. Just hopefully not face timing while they are filming a scene not 30 feet behind you! I also saw some people brought their own camp chairs that fit into their backpacks and garment bags. This is also a great idea, as the hard plastic chairs aren't the most comfortable thing in the world after 14 hours. If you can't manage to keep your phone on quiet, just turn the dang thing off or leave it in your car. There is nothing more painful than hearing ACTION! and then a few moments later a phone ringing. I was actually surprised they let us bring it into the stage anyways. Fact is, you are replaceable. A necessary evil. And expect to be treated as such. Just do what the P.A.'s and D.A.'s ask you. Nothing more. Nothing else. It's not hard, and you will make their jobs so much easier and by extension, yours. If you are planning to branch out into acting from here, these are the relationships you are building now. We all know Hollywood runs on relationships and these folks aren't going to be P.A.'s and D.A.'s forever. Overall, I learned SO MUCH in just one day of shooting. The different positions on the Totem Poll and their functions. different commands and what they mean. What that big red light at the stage exit and entrance means! On that note, before I wrap here, I want to share with you the biggest takeaway I got from my first background acting job. It's you guys. Although most major T.V. and Movie stars live in a bubble (in my humble opinion), they are extremely hard working, dedicated human beings. I always envisioned they did two or three takes, said a few lines, called their assistant to book dinner reservations at Fig & Olive, then retired to their trailers for a nap before the next scenes. **HELL NO!** *You folks work your butts off, giving it your absolute all, not long after I got there. And when I left tired out of my mind 14 hours later, they were still at it. As I almost hit the door to the stage I heard again "ACTION!" and stopped so they could finish the set. I have a newfound, incredible respect for the work you folks put in just for my approval and entertainment. I was so impressed, I may yet join you if the cards align and Hollywood is diverse enough for a Conservative.* \~Tim
[RANT] So close by Anubidayz • last post Nov 9th
I feel like me being a minor is seriously holding me back. I go to auditions, get multiple callbacks, but they always comment on me being a minor and I never hear back. This one in particular I thought I had in the bag. I went to several callbacks, even a makeup test, but this morning they offered for me to play an extra. And the last one they actually called me and told me they couldn’t cast me because I’m a minor. I’m 17 years old and legal 18, and I have asked my parents if I can get emancipated in the past but they said it’s a hard no. I do all of my acting stuff myself, including transportation and what not, while juggling college and regular work. I’m gonna be paying for my own classes (they start at the new year). Anyways, this role in particular I was extremely psyched about because it would be for the role of a trans woman and I like to cross dress and I recently came out to myself as bi and the role would allow me to explore my gender which i’m questioning right now and my sexuality. But the role required me to kiss a guy, which i totally would want to do, but I feel me being a minor held them back from casting me. I’m not even sure who they cast because at the point of the makeup test, I’m pretty certain it had been narrowed down to me and another actor, and that other actor was cast for a different role. I also don’t know why they keep telling me they aren’t casting me. I’d prefer to exist in that limbo of not knowing instead of being told you want me as an extra. On an unpaid project. It feels like a slap in the face. And my friends from high school are getting roles right now, and I just keep missing the mark. I’m just feeling like I’m not good enough. So that’s my mental breakdown rn Edit: I really just want to crossdress or present as feminine without being scared shitless that my family will catch me, and this project was the perfect excuse
This is me! I aspire to be an actor in an Arab or American sitcom, like FRIENDS. Any advice for becoming an actor? by haya_mohsin1 • last post Nov 8th
Fellow Torontonians by IntelligentCrew3 • last post Nov 8th
Where are you guys going did casting calls? All throughout the summer to around the end of September I had about 4-5 auditions. Most casting sites now (actors access, backstage, eboss, etc.) have been either dry or not as diverse. It may be just a drought but if you all have any recommendations, please let me know. I enrolled in a class to keep myself working in the meanwhile.
anyone ever done “philip glass buys a loaf of bread”? need some help by shorttinsomniacs • last post Nov 8th
in my drama class (in high school) we’re performing one-acts and i’m playing philip glass in the above mentioned “philip glass buys a loaf of bread”. i was hoping for some tips on how to go about this production; unfortunately we can’t sing it (like i would prefer to; i’m also music director for the whole show) because one of the actors is musically unable (she has trouble with the counting and i doubt she would be able to find pitches by herself) which is fine but we’re mainly struggling with the following few things: 1. most of the others hate the piece. i like it and think it could be very funny and emotional if we did it well, but they seem either unmotivated or unsure of how to make it work. how do we fix that so people are interested in the piece enough to want it to succeed and know how to work on it so that it does succeed? 2. i’m the only person in our group (five people, including director) who has been in the drama class before. i’m trying to help out the other actors by giving them tips and giving the director suggestions for what we could work on or what might work for the piece. however, i feel i’m taking over a bit too much and i should step back and let the director do her job. is it more important to push the show to improve or let the director do what she wants with the show? (for example, i’ve been making some suggestions on blocking, like trying to get us to move more overall and trying to get people to do their repeated stage business while they’re saying the lines, but she seems to either think simple blocking is fine or doesn’t want to work on it more) 3. we have a lot of absences, especially since one of our actors is directing another play as well. it would be a problem if those were a normal play, but this play is impossible without everyone here. anyone have any ideas for how to make this not such an issue?
How’s the acting scene in the UK? by ThunderCatKJ • last post Nov 8th
Howdy, So I recently applied to study at the second best acting school in the world. I made it to the call back and now have to wait until after the 10th of December to see if I’ve made it into the actual school. But realistically speaking, I’m not too hopefully. Only 20 people will be chosen, and they’re going to multiple states to audition the applicants. There’s only about a 4% acceptance rate or something into the school. So I’m being realistic and am just really pleased with myself for making it to the callback. On the high chance I don’t make it into the actual program, I was thinking about going to the UK and pursuing acting there. I’m Australian, and can get ancestral citizenship due to my grandparents being from the UK. So my question is to any uk actors. How’s the scene there?
Can anyone help me to get started by Pesetas000 • last post Nov 8th
I'm 17 yers old boy i want to a great actor I think i am a piece off shit because everytime i post people start roasting me Anyways plz for the last time in my life help me to get to LA plz
I Don't Feel Emotions by gawok08 • last post Nov 8th
Ever since I was a kid, I’ve never really felt or experienced emotion. Whether something very good or very bad happens, I feel pretty much the same on the inside. I’ve been told I have no empathy and have trouble reading other people. I’ve also been told I have a poker face and never express any emotion. ​ That being said, I do have an ability to fake certain emotions and expressions if I really want to. I’ve found this makes me good at job interviews and dating. (I'm likely on the spectrum for autism and sociopathy/psychopathy, though I've never been formally diagnosed.) ​ Can someone with my personality/traits be a successful actor? Is there a "method" suited towards my personality?
starting off. by ScruffyNerd25 • last post Nov 8th
Hey all, I know this is probably asked a lot, but I kind of wanted to hear from all of you what is some advice for a voice actor who is just starting off? (I know vague question)
What questions do agents ask when interviewing actors? by 35364461a • last post Nov 8th
I have my first agency interview on Sunday and I’m really freaking out, I feel so unprepared. Any tips would be greatly appreciated too!