Editing post cause I think I’ve confused you all. I don’t need help crying or making that believable. Just enquiring about vocals and actors having their voices crack. Take this scene for example with Liam Hemsworth and Jennifer Lawrence. At 3:55 Liam’s voice cracks in the work “pain.” I just wanted to know if anyone knew tips or tricks to manipulate your voice to do that. https://youtu.be/17Dre3nrkj4 Furthermore. To me acting is all about pretending. Pretending to be sad. Pretending to be happy. You’re portraying a character and acting how they would act in that scene. I don’t think it’s a requirement to get a good scene by producing real emotions from your own personal experiences. Method acting is all fine and swell. But it’s not the route I take.
Hello there! We are a small group called Actogram Studio that are currently looking for staff! We are looking for: ●Social Media and Promotions Manager- in charge of our Social Media's: Instagram, Discord, Reddit ect. You have to post atleast 1 post a week and promote Actogram Studio! ●Script Managers and script Writers- The writers will think of new ideas for a series ect. Pass that idea to the Script Manager and they will start writing the script! ●Voice Actors- Not much to say here; Voice act for us! ●Board Of Directors: The guys in-charge! Any and all new ideas need to be passed (and approved) by the Board Of Directors! They can hire and fire! ●Quality Insurance Manager- Before we post something on our Social Media's or YouTube, it must be reviewed and critiqued by the QIM (Quality Insurance Manager). If you want infornation on any of the job roles or want to apply yourself, DM us @actogram_studio on Instagram All ages, race, gender and locations can apply! No pay
I am auditioning for a part in a production of Flanagan's Wake this Sunday. They say they prefer actors who can do an Irish Dialect. Can anybody recommend good resources to learn this without sounding like a racist stereotype?
I have studied acting for a number of years in college and out of college and decided to take the Manhattan plunge a few months back. Joined a number of facebook groups, Mandy etc and casting networks. Checked out some classes with Penny Telmpleton, 1 on 1 and Actors connection. Was going to take a workshop I saw on TMFA - Talent managers for actors, with one of the group owners, actor James Ciccone. Has anyone googled him? I checked a few pages in google and saw that he was arrested for scamming thousands dollars off students and schools back in the mid 2000's, and was sent to prison for a while. There are a number of articles on google if you do your research. I work for the SBOE (DC-BOE) here in DC and would be really offended if this is the same guy with another scam as I was going to take his classes. as recommended by the group
I have been asked to interview for a TV ad campaign for Redfin (real estate company). I am an untrained actor and my wife and kids would likely also be featured in the ad. The marketing supervisor reached out to me yesterday and asked to do a video chat/interview. How much pay should I expect or ask for if selected? Thanks for any advice!
Hey everyone, I would love to get some opinions on something I've been debating. I am an actress and recently started training for stunts. I am going to have to join SAG soon in order to work in stunts so I need to pin down my professional name. My current options are: Brittany Cardoza Brittany Daley-Cardoza Brittany Daley Cardoza Brittany Daley I have gone by Brittany Cardoza my whole life but I've never loved my name. I like my mom's maiden name "Daley" better so I wanted to incorporate it, so I've worked under Brittany Daley-Cardoza for the last year, but I am afraid all three names together might be too much of a mouthful? I have gotten feedback from people who love Cardoza and think I should keep it, and others who think Daley flows better. Does anyone have any input? I know at the end of the day it's all preference, but I really want my official "stage name" to have a nice ring to it. (Added my headshot in case my look influences your opinion) https://i.redd.it/196o3j0vt7n31.jpg
I tried to act as a flat earther ( Yeah it was tough), I think the video is funny, but I was trying to make it as real as possible. I am looking for some tips and tricks for any acting skills. Here is the link to the video: [https://youtu.be/uHSWGZ3ImgA](https://youtu.be/uHSWGZ3ImgA) Obviously, now that I told you I am not a real flat earther, you'll know I was faking it, but could you tell me, how realistic it felt and if you would have believed it if you watched this with no background knowledge. Thanks!
Hey everyone! I'm looking for two male actors to play the two main characters in an indie short film I'm producing and directing. Filming dates are 1st-4th of October. DM me for further details. Age 20-30
Today while shooting a dialogue heavy scene, I honestly forgot most of the script. I knew generally what I was supposed to be talking about but forgot specific lines. So, improvised. Surprisingly, my fellow actor started improvising too, mainly because what I was saying didnt quite fit the lines he was gonna say. At the end of the scene, the director actually told us he thought the improvised dialogue was better than what was originally wrote, and we're keeping it. This got me thinking, how much of what you guys do turns out to be improv?
We all love acting. And it's a hard thing to achieve sometimes, a good career in it. Do you ever watch shows that you love or movies that you love and then get really sad, because you can just *see* it. You can see how you would act, how a character you play would fit in. And then the sadness hits because it's probably not going to happen? It's not jealousy, although it's close, but it's not because it doesn't stem from the thought of being better than the actors on the screen, because they are amazing and perfect for the roles and doing a fabulous job. It's more of a feeling of lacking something within the self. If that makes sense. I'm not explaining this super well. It's difficult to push through that, at least it is for me. Of course, never give up, keep fighting, but it's ok to admit that sometimes it is really difficult. And this is something that is difficult for me. Does anyone else feel like this?
hello, I have been writing ideas for video games for a little while, but I don't know how to make them, I am looking to make a team of 5 to 10 members (that number is including me), but big problem, I don't have enough money to hire anyone, so if anyone would be willing to be paid by percentage of sales, like 10 to 20 percent (depending on number of members) of how much the game makes, so I need a male and female voice acter
[William Esper Studio](https://esperstudio.com/) is a world-renowned acting school in New York City. Part of a great legacy of American acting, William Esper Studio has trained some of the greatest and most well-known actors of stage and screen. In teaching the Meisner Technique, William Esper Studio is one of the top schools to carry forth the tradition of truthful behavior in acting. William Esper began his relationship with Sanford Meisner at the Neighborhood Playhouse in New York City. The two maintained a professional relationship that continues to ripple through the acting world, now generations later. Esper was trained as both an actor and teacher by Meisner, and Esper and Meisner taught side by side 15 years. Esper then began his own New York City classes, further tuning Meisner’s teachings for the next generation of actors. William Esper Studio was established in 1965 with one acting class and four students. It has since grown into a world-renowned acting studio offering students the opportunity to pursue a full conservatory-style training program. As an internationally recognized authority on the work on Sanford Meisner, training was incredibly important to Esper. He built his studio to be a place where artists collaborate with experienced, dedicated teachers. A strong artistic community of actors blossomed in this place where passion and hard work thrive side by side. Mr. Esper strove to create an atmosphere of freedom in his classrooms – it’s important to have the freedom to fail and find spontaneity in the work. This sense lives on in The Studio with a faculty of acting teachers trained by Mr. Esper himself. The teachers work to help develop and nurture a truthful actor, one of the hallmarks of the American style of acting. Esper proposed that acting is a creative art and true excellence in its practice may only be achieved through total mastery of technical craft. That means training is absolutely essential and Esper believed that this training should be accessible. Because of this philosophy, The Studio offers a variety of programs to ensure students can be part of excellent classes with excellent teachers regardless of their personal or financial situations. Located in Times Square, the heart of New York City, students at William Esper Studio have access to some of the greatest art in the world. Being dedicated to the craft of acting means more than just training in the classroom; it means attending live theatre, going to museums, reading books, seeing movies and experiencing as much life as you possibly can. Since actors must portray the full spectrum of the human experience, it’s important to live life fully and openly. In New York City, students have the opportunity to engage with other artists of all kinds both inside and outside of the classroom. As an internationally recognized authority on the Meisner Technique, Esper created a haven for dedicated artists at William Esper Studio. Today, the William Esper Studio is known for being one of the [best acting schools in New York City](https://esperstudio.com/) and amongst the best acting schools in the world. Excellent training, a dedicated faculty and an engaged student body combine to create an atmosphere where artists embark on a life-long journey in the pursuit of the mastery of the technical craft of acting. The Studio is a place to begin training and it also helps artists with their transition into the professional world. William Esper Studio is serious, intense training for actors looking to live a full life as an artist. Using the Meisner Technique as the foundation for this life-long process, William Esper Studio continues to foster artistic growth for the future generations of American actors.
I have a few noticeable tattoos and I was wondering how casting directors feel about actors/actresses with tattoos?
I'm a 26 year old woman who lives in Portland, Oregon currently. Not a huge city but not small bananas either. I want to get into acting, but am wondering if I'm shooting myself in the foot by being in a smaller city. Any thoughts? Thank you so much for your input.
I’m in need of a voice actor for top 10 style videos. There should be about 8 mins of voice over per video and would ideally have you do the scripting aswell. Please contact me about the payment. Thank you
I'm 20 years old and I've wanted to act since I was a little girl. I was in school plays all throughout high school, but other than that I do not have much experience other than a radio commercial from years back and a small extra role in an independent film. I did win a statewide talent show by reenacting a scene from The Great Gatsby (I was Daisy) with a few other kids from my drama class too, but I'm not sure how to even list that on a resume. I live in Lexington, Kentucky and am represented by a regional agency that provides great training opportunities and connections, but I have not received any serious roles from the agency yet and I've been with them for half a year now. I'm sure I'm just being impatient though. I take acting lessons with Joshua Lebar via Skype (his in person lessons take place in LA) and I attend workshops whenever possible. Today I signed up for actor's access and submitted myself for various roles and sent my acting resume in to a few of the local college's film departments. I would like to build up my resume with independent and student film credits throughout the next two years. After that I want to make a move somewhere that will benefit my career, but I'm having trouble deciding on where. New York, LA, or Atlanta? I want to do film and television. I've heard that the Atlanta marker mostly hires actors from LA and not locals, is that correct? I can afford LA, but it will not be comfortable. I'm willing to make the sacrifice if I have to, but if I would have just as good of a chance somewhere else I would prefer that option.
My first name is very short and common in America but my last name is Sklíri. I'm contemplating whether i should use a different stage surname before starting to build up my resume. Since a lot of you are from English-speaking countries - do you think that my name is WAY too hard? I mean we have actors with "weird"-er/harder names like Timothée Chalamet and Saorise Ronan but i still feel like they're easier than mine.