There are a lot of podcasts out there, but none of them are really geared towards highlighting the rising stars who are grinding their way to the top. That's what my podcast "Slate Your Name" does, by interviewing aspiring actors and musicians, while working in interviews with professionals working in the field. Check it out! [www.slateyourname.podbean.com](https://www.slateyourname.podbean.com) https://i.redd.it/caiaj8rpavg21.jpg ​
Hello! I've gotten a role for my first play ever. It's at my school, so it's not the most professional. I'm not super picky with roles. There was one role I really wanted. We'll call this role S. S was a main role. She was smart and funny. One of my friends wanted to smaller roles, F and T. It turns out that I got F and T, and she got S. She was mad, and originally I was to. I've come to terms with it, and I love my new roles. I don't know how my friends feels still. I'm worried that she'll bother the director enough to get our roles switched. She is a better actor than I am, and I think she'll do better as this role. She also looks the part much better than I do. If she still wants to switch roles, how do I react?
Not sure if this is the right space for this but can't help but think that there might be many like-minded folks here! Theatre. Immersion. Education. (T.I.E.) will be in New York, Atlanta, Miami, Tampa, and Chicago between June & December 2019. With a 24-hour theatre workshop as its core,...
Location: Brooklyn, NYC Type: Film / Stage / Audiobook hybrid Pay: rates starting at $20/hr (or per finished hour as appropriate) Seeking local talent for ongoing work. Must be local to the NYC area, and able to work 3-6 hrs per week in studio located in Bay Ridge, Brooklyn. First round audition would be either a submitted link to your vocal talents, or you may schedule an appointment with us to use the recording studio (at no cost). Schedule available upon request. Message here or chris@actorseverywhere.com for more details. ==================================== That's the official line, above - on a more personal note, Reddit, you're a kickass community in general and I always try to give back to the people who have helped me out. So, before listing on Backstage and Actors Access and all those regular joints, figured I would offer here first. If you're interested in seeing what's what, shoot us a message and I will definitely be in touch asap. Cheers! -Chris
I'm a 6'6" 42 year old guy. My playing age is a lot younger (no kids, don't go in the sun!). But I've 'lost' a few roles cause I'm too tall. Can other tall actors tell me that it gets better :) Just having a down day. I'll be fine tomorrow, bit would love to know I'm not alone.
I have accounts on Behind the Voice Actors, Casting Call Club, ACX and Voices.com. Is there anywhere else that I can go? I'm very new to this game so I'm trying to get myself out there as much as possible. I'm also willing to do unpaid work. I'd appreciate any help on this. Thanks.
Hello my fellow actors. I am posting this from a bit of a vulnerable place, so I am hoping to get some empathetic responses. I am playing a lead in a play right now who is dying. It’s a dark comedy, emphasis on the dark. The death happens onstage in a non-sensationalized, un-cliche way, but the build up is intense (lots of emotional dialogue/monologues and deep places to sink into). I am also personally going through some pretty major life changes, and the weight of the role and everything going on seems to be merging into a bit of a emotional storm. On the business/logistics side: it is a great professional gig at a respected theatre with an amazing director and cast. I was surprisingly invited to audition because the director was familiar with my work, and ended up being cast in this major role. Often in rehearsals, our discussions come back to my character and that the play revolves around the fact that she is dying. The other characters are brought together because of this death. It is ensemble-based and all of us pretty much never leave the stage. The script is really beautiful and touching, and I feel lucky to be a part of it. On an emotional level, I am struggling not to bring the character home with me. I am preparing for a big move soon, going through a tough break up, and graduated from a four-year acting program just last year. It’s just... a lot. Mostly based on coincidence. I am finding myself confused on whether or not it’s the play, or just my life that is making me so emotionally overwhelmed. I just feel this weight and pain in my chest and, at times, very lonely and isolated in it. We are early in the rehearsal process and I don’t want to slip into an unhealthy mental space and have it negatively affect my performance or health. I have played large, heavy roles before, but have never had it weigh on me in such a significant way. Normally I’m good at closing the script when I need to, and finding ways to separate the character from myself when necessary. So really, my questions are: how do you find ways to not let your life and character bleed into each other? How do you protect yourself as an actor while still giving yourself over to the character? Has anyone else experienced something similar? Thank you ahead of time for any and all responses.
I’ve asked to meet with him and he said he’s “too busy right now”- makes sense, it is pilot season, but he did have time to sit and chat for an hour with myself and a friend of mine who is also on his roster but is in another league (multiple series regulars on her resume). I wouldn’t be too concerned about this, except that I’m best friends with another actress on his roster. We have literally the same resume (3 actor/under five roles) and she is filming practically every day. She is very ethnically ambiguous so that made sense, but then I found out that her friend, who is very much in my category and has less credits than the both of us, is going out for all of the roles she is. I’ve spoken to other more prolific actors and they say this is super not cool and he’s essentially shelved me and I don’t know why. I’ve improved so much since he’s signed me, I’m booking... I’m just so confused. I’m also afraid to leave because I’m with a pretty big agency. How can I ask him what the deal is and why isn’t he submitting me without getting dropped?
So we've looked around and around some more and haven't quite found anyone who's doing what we're doing, and we're posting here to see if we can connect with likeminded individuals! We've done several live performances, find it hilarious to go out and public and be completely ridiculous and foolish. We have fun pushing boundaries and sharpening our image. ​ All the acting, characters, improving, radio show, podcasting, voicing, some of the songs and all videos (including editing) behind [www.milhip.rocks](https://www.milhip.rocks) are done by us, a wildly compatible couple based out of Toronto. We have a wide range of characters and are constantly trying to develop our skills while juggling full-time jobs and you know, just life in general. We invite you to get lost on our website! ​ Since it's been super cold out we've been experimenting with hosting live videos using graphics through OBS that we stream through Facebook (we don't have enough YouTube followers to do it through YouTube yet) and have loved doing this in the comfort of our living room using our "green screen couch". ​ Our views on YouTube are kind of embarrassing right now but we're working on it. Our characters vary so much that it's hard to stick to just one thing and one demographic. ​ Here's an example of our character Chickin Jim thanking our first Patron! [https://www.youtube.com/watch?v=VqJSOmzxQCg&t=49s](https://www.youtube.com/watch?v=VqJSOmzxQCg&t=49s) ​ Try to guess who plays which character ;) Cheers, \- V
I’ve been accepted into both courses. I do believe I would have more fun doing the MT course but I want to be taken seriously as an actress. I’ve heard a lot of MT student complain that they haven’t been taken as seriously as people who took the acting course. After my 2 year course, I would be going to a drama school (if I get in!) Either doing acting or MT, so I’m guessing that doing MT wouldn’t really affect my chances of being taken seriously just yet. I do ultimately want to just act, not MT but for now it seems really up my street and seems like a fun 2 years Opinions?
I'm getting ready to move back to the United States after finishing my MFA in the UK. I've been away for awhile so I need some help. Aside from NYC and LA, what are the cities actors are actually making livings in these days? Just want to see what my options are, if any. Thanks!
I'm looking for a female voice actor for a new brand video my company is producing for a College in my area. Not sure if this is allowed but I thought I would check here.
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
I’m sure most of you want to focus on your own work and don’t to think about Leonardo DiCaprio, but I need an actor’s mindset on this so please humour me briefly. He was last in a movie in 2015 (The Revenant) and has just finished shooting his first movie since then (Once Upon A Time In Hollywood). Part of me’s scared that going 4 years without acting will affect his next performance negatively, but then part of me also thinks he’ll be even better as he has had time to let the emotion well fill back up after “spending” it all. What’s your opinion on this? Does it depend on the performer? Does taking time out always have a negative impact? Or could it do his performance the world of good? Thanks!
Hi! I’m a Brit living and working in NY. A friend in the U.K. works for an agency who may be interested in repping me for some of the US roles that get sent their way. I’m presently looking for an agent in NY. So my question is about conflicts. Is it OK to have an agent in the U.K. AND an agent in NY who would both be submitting me for US roles?
Looking for info on actor training programs that don’t take place in the us/uk/or Europe, possibly in Asia or Africa or South America?
I have an audition this week at Hollywood Casting and Film studio here in LA. I always try to google the audition place, so I can see the street parking situation ahead of time. I found out that Hollywood Casting and Film lets casting directors use their casting rooms for free, in exchange to calling in 4 of the actors in their database, per hour of use, in addition to whatever other casting sites the CD wants to use. So after a little more research, I found that they offer a casting board service at $13/month with a free month trial, so I signed up. Has anyone ever used this? I mean I'm not expecting TV and Film auditions from them, but I figured this would be a good way to build up a new reel for myself. You can either submit yourself for projects, or the casting director can go through the data base and invite you to an audition as part of there 4 per hour rule. I submitted myself to a few projects, but none of them have the casting date listed (when the casting notice was posted). This confused me, because I submitted to a project that was about 10 auditions down, and after doing a google search, I found out that filming for it was already completed a year ago, despite having the audition notice saying its filming in May 2019. So what are your thoughts? They got really good reviews on yelp, but it was based off the casting director room use VS the actors services.