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We have found 19,407 posts across 4 actor forums:

Advice Needed by cvx2148  •  last post Feb 22nd

I (M25) am currently preparing for a short film. Its a action-thriller concept. There's going to be a fight sequence between me and the other actor, where I would be getting bashed by him. I would like to know how do I prepare for the fight sequence? Can I find some acting partners who are willing to practice a few fight scenes with me? Anyone here?

A little voice acting gig by hepari00  •  last post Feb 22nd

Hello everyone, I am running a little VA gig for a friend of mine (for a PC game) We are looking for 3 female voice actresses and 5 male voice actors. [I'd like you to have a look at the list of lines to record, and if interested, please send me a message with your portfolio material and rates.](https://docs.google.com/spreadsheets/d/1OFXYLJkwol3y7ccFL_5FupZy0vmcK3drkDJfrFD-9-k/edit?usp=sharing) ​ Right now it's a fairly small gig, **with 30\~70 words to record for each VA**. If the rate is reasonable and doesn't blow the budget, I might add more lines for your character group.Thank you in advance for your interest!

What does it take to be a voice actor? by Milerski  •  last post Feb 22nd

Hey guys! Got a little backstory to this question, nothing too long. Basically, I've been working in media for some time now, and I've been hearing the sentence "You should do voice acting jobs" for quite some time now. During my training, I'd do voiceovers for all kinds of productions, and time and time again a lecturer would tell me I've got a great voice and could express a lot of things with my tonality. I've just gone to pursue the jobs I wanted to do in the first place, until a sound engineer told me the same thing just yesterday. To be honest, I'm somewhat considering the option now, but I just don't like doing things badly if I invest time in them. This would just be a side job, but...you know. So...what does it actually take to get into voice acting? Is there an educational book I could focus on learning with to keep up with the swarm? I'm a male baritone, 21 years old, could provide samples if you want to judge for yourself. In german though. I'm....german.

Voice over artists: What’s your best response to “You’re a voice actor? Ooh do a voice!” by katrice349  •  last post Feb 22nd

Sorry for formatting, on mobile. I have been voice acting for years, and I ALWAYS get asked the same irritating question once someone I meet realizes I’m a voice actress, “Can you do a voice?” or, “Do a line from a script you’ve read!” Sometimes I will humor them, but most of the time I am not in the mood to randomly think of something and voice act so I just say, “I don’t have a script right now.” And yet they still demand something. It’s like if I went up to someone I just found out was a singer or dancer and was like DANCE MONKEY DANCE! Anyone have a witty response without being too rude to this irritating question? Would love to hear any good responses you all may have!

Getting an agency without acting school diploma by xMijuki  •  last post Feb 21st

Trying to make this as short as i can make it. I‘m from Germany and i wanted to become an actress for more than 10 years. I was in a free acting group and acted in front of ~300 people. Once i had the main role. Due to ptsd that happenend to me in school i can‘t go to an acting school. Which sucks because there is not once agency in germany that takes actors that don‘t have a diploma from going to acting school. There may be open castings for being an extra, but i don‘t know if that would be enough to get the attention of an agency somehow. I really don’t know what to do, despite me even having experience with acting.

Headshot-Age Range-Character Type Post - Feb 21 by AutoModerator  •  last post Feb 21st

Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.

Reaching out to agents by VLRlaughs  •  last post Feb 21st

I am starting the process to reach out to local agents to seek representation. I am in acting school and want to get representation now. Anyone have any sample cover letters for a new actor? Any tips for making sure my headshot, resume, and cover letter make it into the right hands? Most agents here want them mailed no in person submissions or electronic. Worried about getting lost in the shuffle.

Dedicated sub for casting and branding advice. r/whatsmycasting by adderlad  •  last post Feb 21st

Hey everyone. I started the subreddit r/whatsmycasting for us actors to post headshots and receive advice on our casting bracket, branding advice and general first impressions. I think it’s so important for us actors to know what people think about us when they first see us and what vibes we give off in headshots so hopefully this sub will help. Any advice on the sub or tips do let me know. Enjoy! Look forward to the first few headshot posts!

USC Film School Projects by surfdogg  •  last post Feb 21st

I am an actor currently building my reel through student films and other small production parts. I've noticed on Actors Access that USC projects always say SAG-AFTRA as the union status. Are these for union members only or is there a certain amount of slots allowed for non-union actors?

What are some really good agencies in the United States? by JakeAMcGuire  •  last post Feb 21st

Good evening, my name is Jake McGuire and im an 18 year old actor based near Pittsburgh, PA. I currently go to a Performing Arts School for Theater. I've checked out a few agencies around the area (Talent Group, Docherty Agency, Etc.). I went to an audition for The Talent Group, and I submitted some things in for Docherty not too long ago, but those didnt work out. I'm just wondering what some of the best agencies are (pretty much anywhere in the U.S.) For a sort of experienced actor to check out? Im willing to travel for them as well. I appreciate anything you guys can tell me!

LF: Ideas on pulling myself out of the emotional fallout of a character by butilikeadacookie  •  last post Feb 21st

I am currently doing a 'challenging for me' monologue for class. It's a eulogy. I have been using imaginary circumstances, not real memories, but I am stuck in the feeling of grief and loss. Does anyone have any tips or processes they go through that helps pull them out of the fallout of the emotions of a scene? Background: I was an extra on set a few weeks ago, and it suprised me watching the main actors psych themselves up for the really sad emotionally draining horrible scene they had to do. So I wanted to challenge myself for class and decided on an emotional monologue. I feel I have jumped in the deep end and forgotten how to swim.

FL actors is it slow right now? by SteamedUpJoe  •  last post Feb 21st

I haven’t seen many auditions for age 25-35. Is this time of the year slow? When can we expect it to pick up? I might just apply to Atlanta agencies and drive further for more.

Where should the focus be during a performance? by Upvancing  •  last post Feb 21st

Looking for input from experienced voice actors. I'm trying to develop a totally serious, authoritative voice - think medical narration style. (although I'm not going to be doing medical narration) I have practicing voice acting for about 5 weeks (complete newbie). My biggest problem I suspect is inflection / pitch modulation throughout a script. It just doesn't sound come out right in the recordings. I have performed a quick diagnosis the other day, and here's the problems I have identified: \-incorrect inflection for the intented intention/scene (awkward sounding) \-repetitive inflection patterns (not enough variety) My ideas was that I just focused intently on modulating my inflections, I would be better able to get them right. I pretty much visually/mentally plot out all of the inflections within a sentence first, before I deliver it. Now my question is, is it a mistake to focus on inflection / pitch modulation? What does a competent voice actor mentally focus on instead? Thanks!

Do actors have to be versatile or can you get jobs that fit your personality? by Red2340  •  last post Feb 20th

So without giving too much away about myself, my current career involves a TON of acting. This is because it's extremely rare I get to practice my actual job in real life, so 99% of my time is spent training. This training involves a lot of role-playing, though all of the role-playing is me doing my job in a specific context, however I often may have to study a role and my background in the role to play a part. That being said I have like 8 years of experience as a plumber (not actually just picked a random job title to stay anonymous) that role-plays random plumbing scenarios with actors in all kinds of real life environments. Many times I have been part of large scale events where administration actually hired actors to interact with me and people I work with. So I have found I can do a great job of "acting", especially "improv acting" but I do a horrible job if I am not given a role that suits my personality. If I get a role that is more touchy feely (I'm very cold and matter of fact) I do poorly in it, mainly because I'm irritated I was given the role. I guess I've never actually tried to do a role that wasn't catered to my personality because it seemed like I wouldn't be good at it. ​ That being said, suppose I wanted to try acting as an actual actor. Can you be successful if you only work roles that fit your personality? Like suppose I always wanted to be the cold, business-like villain (think of Gus Fring from Breaking Bad, or really any cold, emotionless and intimidating character) Or do most actors have to be able to do any role? ​ ​

How likely is it to make around 100k-150k yearly as an actor? by wingsith19  •  last post Feb 20th

So we all know it’s super hard to become an A-list celebrity making millions of dollars a year, but I was just curious as to how hard it is to make 100k-150k yearly as an actor in Hollywood. It seems that a salary like this would make living in Los Angeles at least comfortable, so you wouldn’t have to continue working as a busboy or waitress or whatever. Plus you’d get to do what you love for a living. Is there anyone with experience as an actor who can speak on this? Just thought of this out a curiosity, so thank you to anyone who answers.

Podcasts for actors? by 5mokey  •  last post Feb 20th

As the title suggests I’m just wondering if anyone has any recommendations for good podcasts for actors?

Resources for improving your acting skills/abilities besides classes? by throw-away7654321  •  last post Feb 20th

Hi! Before anyone says just take classes I am going to but right now I'm working a lot more shifts so I can save up and afford them, and be able to afford to take time off to actually attend them. I'm also moving so I'm waiting to sign up for classes in my new city. I'm basically looking for any kind of resource, podcasts, books, YouTube videos, exercises you can fo alone, even things like reddit posts that helped you, really anything. My problem with most of the books that I've read is that they're about the business side of things. Things like agents and how to audition and what it's like on set and all of that is really great and I'm very thankful for the advice but I really want to focus on resources to help my actual acting abilities right now. I will definitely focus on business information later on but I really just want to become a better actor first. Thank you so much for reading my post and for helping me out, any suggestion is appreciated. Also it's kind of early where I live right now so for all the people about to wake up, Good morning!

Wild Emotional Slump Encountered at Rehearsals by biscottitheactor  •  last post Feb 20th

Community theater hobbyist here, I've been doing a lot of supporting roles in mostly comedies and a few dramas, of which my most significant role to me was Mitch in Streetcar. I am now currently acting as Amir in Disgraced by Ayad Akhtar. It's my first lead role, and I'm beyond excited to get in front of an audience! My issue with my current role is that I have hit that slump in the rehearsal process where I can't seem to connect with my fellow actors as well as I had done when we were first exploring the script. I know it's due to my overthinking my lines and my director's notes, but I'm having a hard time turning the noise off and focusing on my fellow actors. What techniques/tips/actions do you all like to employ in this stage of the process? Any references you like to use?