​ Hello everyone. I am putting the call out for any people interested in taking part in a web series project with the intent of being profitable eventually. The main intent of the project is for a fun environment that creative minds can go hog wild in that also provides them with free show reel material every week. I have a few interested actors but am currently looking for one more actor. I have access to funding (unfortunately not enough yet to pay the people who would be present, but enough to pay for the venue and all necessary equipment.) and access to a venue. That being said I have a sponsor lined up and am currently in talks with another right now, so who knows, it might not take long for everyone to be paid. Any interested parties in the Wellingborough/ Northampton area of the UK, feel free to respond to this post and I will be happy to private message you the relevant details. P.S. Fans of Dungeons and Dragons would be a definite plus. ​
Premise: An abridged/satire of the first episode of the Megaman NT Warrior anime. - [Rockman.EXE, the Japanese version, here for reference](https://www.youtube.com/watch?v=sNae0e9uElo). So i've been wanting to create an abridged-type video for the longest time, and i'm sure most people know about DBZ abridged, but one of my favorite YouTubers is an abridger named [soulbrothanumbah3](https://www.youtube.com/channel/UC0BNMeyXj5EtqrkIp6VpZFQ). If you haven't checked his videos out, I would most definitely do so. He’s most Notably known for his ”[Batman Beyond ill](https://www.youtube.com/playlist?list=PLxgaXdE6V1HB7YrIp16CCiijV4MKqYVWB)” and ”[DBZ Saiyaman Saga Was Sick](https://www.youtube.com/playlist?list=PLL3afaS7MG9jqERu1BaReaPMeohSU8hX_)” series. His quality when it comes to the way he makes his videos is stellar, and it's that kind of quality that i'm trying to go for in regards to my own style. This will not be professional af, but it will by no means be an some amateur-rank video slapped together for the lols. [My Notes/Script ideas, for those curious. Feel free to leave comments!](https://docs.google.com/document/d/11i3MBALjDgyqYllwwMqOHwSxws5X2CD4aIrRAy7AB3o/edit?usp=sharing) This would be my first time requesting voice actor work, so i'm not sure what kind of compensation would be adequate. I don't wanna break my bank, but I know you guys do great work, and I want to make sure you're compensated for that. If you're really interested, Send me a PM, let's talk details if you're interested in playing any of these characters. - * [Lan](https://megaman.fandom.com/wiki/Lan_Hikari) * [Megaman.EXE](https://megaman.fandom.com/wiki/MegaMan.EXE) - * [Mayl](https://megaman.fandom.com/wiki/Mayl_Sakurai) * [Roll.EXE](https://megaman.fandom.com/wiki/Roll.EXE) - * [Dex](https://megaman.fandom.com/wiki/Dex_Oyama) * [Gutsman.EXE](https://megaman.fandom.com/wiki/GutsMan.EXE) - * [Mr. Match](https://megaman.fandom.com/wiki/Mr._Match) * [Torchman.EXE](https://megaman.fandom.com/wiki/FireMan.EXE) - * Masa * Lan's Mom
How are the nerves and how did they go? I applied to five schools and got nowhere on 4 of the 5 lol.
I have the daily breakdowns of what’s casting in NY/LA. This is the breakdowns that agents and managers see. It’s looks like actors access.. but the good stuff that we can’t see. How would you benefit from this? It helps you see what casting agencies are casting RIGHT NOW and not down the road. At that point you can strategically go after those CD’s. Or if you see a role that fits you, you can make sure your agent or manager is hopefully submitting for that role. This has helped me 10 fold as I’m not wasting money targeting CD’s that aren’t currently casting anything. I knew pet cemetery was being cast before it was even announced. If interested please feel free to message me and I will tell you how I can get that info to you.
In terms of work ethic, timeliness, etc. If any vets can share that'd be great. I just want to be better. Nailed my audition but I haven't heard anything back but I want to knock them dead every single time till someone believes I'm the one. ​ What's your process on prep? and timeliness or audition room manner?
I've read that unlike in other industries, successful actors do not help struggling ones, because acting jobs are so limited and the industry so oversaturated that they would risk directly harming their own careers. Is this true, and does that extend to this subreddit? ​ A note: I'm reminded of \[this episode of Louis Theroux's Weird Weekends\]([https://www.dailymotion.com/video/x6r1ws0](https://www.dailymotion.com/video/x6r1ws0)), where he meets an organization of struggling actors attempting to help each other - which in turn reminds me of \[the incel episode of Replay All's\]([https://www.gimletmedia.com/reply-all/120-invcel](https://www.gimletmedia.com/reply-all/120-invcel)) explanation of the pitfalls of a support group whose members leave as soon as they succeed - although I hasten to add that struggling actors aren't like incels, because at least struggling actors are still trying to succeed instead of giving up and continuing to feed each others' bitterness.
Hi all, ​ My boyfriend and I are actors living in Sydney. He's fairly well known in the scene (in that he's at that point where people call him up to be in productions, not the other way around - I don't think he's had to audition for something in years), but he's found he's stagnating - the pay just isn't much for a lot of the productions he's working in right now, and he's not progressing beyond the level he's at which is frustrating to him. For me, I'm just starting out in Sydney after working indie theatre in London and a brief health hiatus, and I'm not going to lie, a lot of the work I've gotten in the past year is through his connections. I'm finding the Sydney scene very small as opposed to where I was in London, and to be frank it seems a little bit incestuous - everyone knows everyone and only works with certain people. I'm finding it very hard to break into the fold and that's with my boyfriend's connections. Long story short, we're both kind of burned out on the Sydney scene right now. We're also sitting on a little bit of money and we're in the position at work where we could move away in a few months. I know Melbourne's always been seen as the "performing arts" centre but I was wondering what the scene is actually like there? Is there anywhere else in Australia that we should consider? My friend in Brisbane tells me the arts scene there is up and coming, but she also really wants me to move to Brisbane so we can hang out all the time. Alternately, we're still young enough to get the Working Holiday Visa to Canada - is that a better option? ​ TL:DR - Do I stay in Sydney and try to break into the scene here using my boyfriend's connections, or move somewhere where the grass is greener?
Hey guys, I'm a 43yr old Houston based Marine Corps vet/actor versed in the realms of theater, film, television, & commercials. Let's talk shop! I'm down for advice (giving & taking), making new friends, new relationships, collaborating on projects-let's NETWORK guys!!
Cello I'm a VA, but also have theatre/commercial credits and still have an interest in pursuing other acting opportunities in that vein. (Theatre is how I got started in showbusiness). I want to create a website for VO purposes, but I'm wondering if I should combine that branch of my work with everything else and create a general actors website. Is there any advantage to having a voice over specific website? Also I read elsewhere on the subreddit that casting directors don't usually bother to go further than your homepage, so would it be helpful to upload demo's and reels right to the front page?
Hey! I posted a while ago about being disappointed about being cast as Milky White in my school's production of Into the Woods. I took your amazing, wonderful advice and I killed it. Not to humblebrag, but I kind of stole the show and had an amazing few months with my fellow cast (and all the techies!) Thank you all so much for supporting a young, inexperienced, and admittedly over-emotional actor. Now that our run of Into the Woods is closing, I auditioned for the non-musical production of Clue On Stage at my school. I had a strong audition and got called back for Green and Mustard. I was feeling really good about Mustard until I remembered that the director is known to let seniority play a role (ha ha) in casting, which means that the role is probably going to my senior friend who is also a strong contender for Mustard. Right now I'm angry and upset that the one place in my school where I feel like I belong is so ready to spit me out. Logically, I know it's not personal and it's not about my audition and I'm a good actor but emotionally, I'm wondering why I even auditioned in the first place. I don't want to be jealous of my friend, but the post-show depression from Into the Woods is going to be huge and this is my only viable opportunity to do another show in the near future. I know it's petty and stupid, especially since the cast list hasn't even come out yet, but that doesn't change the fact that I'm an anxious, sad mess about this. How should I cope?
programs that a relatively inexpensive, and specialized for actors wanting to act in film and tv. Anything with a camera. I can't afford to attend a 4-year university, and am unable to take out a student loan. My choices include.... Lee Strasburg theater and film institute... (1st choice due to Part time cost/flexibility, dedicated to film actors, and overall prestige. Notable alumni list is insane) 1).New York Film Academy 2).Atlantic acting school 3).Stella Adler Studio 4).HB studio 5).The Barrow Group 6).AADA and AMDA (Dream schools, if I can magically afford them...) 7).William Esper Studio I want one that's part time, and won't require me to pay 30,000 in tuition in one lump sum. I would have to take classes part time, and work the rest of the time. I'm thinking the best fit schools for me are Lee Strasberg or The Barrow group... Any other ideas?? any advice? is the Barrow Group a good program? Do you think the Lee Strasburg institute is a good fit for me?
Hey all, Tomasz here! I created this service for actor and would love to hear what you think about it. It connects to your free website via [webforactors.com](https://webforactors.com) and can be utilized for social media sharing. Here's an example: [http://tomasz.link.actor/](http://tomasz.link.actor/) I created few layouts already, and soon I will be adding: \- mailchimp signup form - so you can have your visitors sign up to your mailing list \- soundcloud integration - so you can showcase your VO reel Anywho, I'd love some feedback... ​ [link.actor service for actors](https://reddit.com/link/aoough/video/eydnawjdwgf21/player) ​
Hey guys, I always looked up to Brando so much. I read his auto biography and wanted so much to be a method actor. 'Waterfront' is such a great movie. After reading about the method, I think I'm more Adler naturally, but my dream would be to study at both schools in l.a. However, I think I'm more of a James Dean fan. I'm always affected by 'Rebel' whenever I see it. It stays with me for days. Who's yours and why?
Hello! Acting is my passion and I love to share advice on launching an acting career and creating your own success. I wrote it all down in my free e-book Insight For The Actor. I created a site [www.ActorPlaybook.com](http://www.actorplaybook.com/?fbclid=IwAR3fLJdsXp1NMCaeWVdKonV-j4hL0qCbHpqX0YtaUMPHg_SteNqkpGZTqug) with courses, resources and monthly private coaching so actors feel 110% supported in their craft. Follow your heart and do your art. If you have any questions regarding the content or the industry, please reach out! Available on [www.ActorPlaybook.com](http://www.actorplaybook.com/?fbclid=IwAR3fLJdsXp1NMCaeWVdKonV-j4hL0qCbHpqX0YtaUMPHg_SteNqkpGZTqug)
So I know eye contact is essential in acting but should you make eye contact as if the panel is the other “actor” you are talking to on stage? Say Romeo Act 2 scene 2, should I direct my dialogue in the distance off centre as if Juliet is in the corner of the room or should I direct it towards the panel as if they are Juliet themselves ?
Hi! So I have a script. There are some sections that are kinda long (10 long sentences or so) and near the end of them I find myself short of breath. This makes me sound tense. Pausing to draw my breath isn't going to cut it - it's taking too long because I just consumed all my air reserves. The only trick that somewhat works is to keep talking while in-breathing. That too sounds a bit unnatural. How do actors do it? How do you guys do it with long chunks of a script? (I'm not an actor myself). ​
I've seen COUNTLESS forums discussing the nicest/meanest celebrity that fans have encountered. I never see voice actors mentioned in these, so I'd like to know specifically about encounters with them. To those who have met any VAs, who was the nicest? Be it a chance encounter or at a con.
A few of my friends and I got together to put together a short film to showcase some stunt acting work. Let me know what you guys think! https://www.youtube.com/watch?v=-2XL7Jz8Y6s&feature=youtu.be&fbclid=IwAR1vYTrKbPcMWEIeVIiqiADooXT1eUqLZSfOcAka5B5Dw67-S8penHe8wBE