We have found 19,295 posts across 4 actor forums:
Headshot-Age Range-Character Type Post - Feb 28 by AutoModerator • last post Feb 28th
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
We need casting sites for the UK for our sidebar by thisisnotarealperson • last post Feb 28th
Hey folks! We've got some US-centric casting sites (Actor's Access, Backstage, etc) in our sidebar but we need things for the UK since plenty of people over there frequent the sub. Help us out and list the best ones here!
Wanted: Female voice for indie game narrator/radio companion. [PAID] by Nagoni • last post Feb 28th
Hey! I'm reaching out to try and find a female voice actor to play the role of the narrator/radio companion in our game. The character in question can talk to the player's character but the player character can't talk back, meaning that the role involves a lot of monologues and essentially takes on the form of a one sided conversation. The character is in her late 20's and is the pilot of an interstellar research vessel. We want her to come across as self-assured. upbeat and charming but without being overbearing. The role is a significant one for the project. The script is still being written, so whilst I can't provide an exact length, I can say for sure that the VA's character will have a staggered but healthy presence though what is shaping up to be a 15hr + experience. As we're new to the world of voice acting, we aren't sure how much something like this is going to cost. We're a small start-up on a tight budget but I do want to emphasise that this is a paid role, and we're looking to provide fair compensation for the work. As for location, we work out of London, England. In an ideal world we're looking for somebody local enough that we can get together in a studio or your preferred work-space, so that we can provide direction and work together on a more personal level. That being said, if you're not from around here but we think you're a great fit, we're happy to provide that direction over Skype. If this sounds like the role for you then please drop me a message! I'd be happy to listen to any portfolio material, or provide a few short paragraphs of script for auditioning purposes. Cheers! ​ ​ ​
Business Cards by elitegenoside • last post Feb 28th
Have any of you had any luck with business cards? I’ve met a few actors who have had them and am curious if that seems like a worthwhile idea. I was about to give it a go, but wasn’t really sure how to go about it. I just had two headshots (one front, very different look on the back), and my name and email. Not sure what else I would put on it. Thought?
If you were to estimate as a new actor (<1 year actively auditioning) how many times do you audition per month, and how often do you book? by justsomethrowawayacc • last post Feb 28th
I’m coming up on my 10th month of actively auditioning with my talent agency, and although my agent gets me a lot of auditions, (a lot being maybe 2 a week if it’s a good week/month, as I’m in the Seattle market) I feel like I’m just not booking. I’ve never booked through an in-person audition, and the only things I’ve gotten are a couple voiceover spots and one commercial where I didn’t even audition, and was just picked to play a “real person.” I have gotten callbacks, but again, nothing booked. I know every actor who auditions regularly will go through hundreds of auditions, but I feel like I’m not booking as much as I should be. I feel like every one of my actor friends is constantly involved in projects, and I’m here doing classes 4 times a week with seemingly nothing to show for it. Anyone else have this experience? What would you estimate is the proportion to you auditioning and booking a role?
Self-Submission and an Agency by meemow • last post Feb 28th
I submitted myself for a role on actors access which was received and accepted. They asked for my agents info and email to confirm. I do have an agency on there however since it was a self submission, do I still have to give them my agents information? Thank you Edit: I’ll loop them in, I appreciate it guys.
I want to start. by Resuron • last post Feb 28th
I've been acting since elementary up until I graduated high school about 8 months ago. Although I never gave it a legitimate thought I have a deep passion for acting and would love to make a career out of it. Any advice for someone like me who has the experience but just doesn't know where to start? I am located in Houston Texas so any fellow actors out here that are a bit more educated on starting, would love to hear your advice.
Lines...and Memory by LilleeJean • last post Feb 27th
Hi! I have heard often times of the actor/actress changing up the script as they go along, but WHAT do you do if A) you are given a script with typos or a lack of fluidity w/ no table read and B) You forget your lines, but they came out...
Technique. What do you prefer? by blondelamar • last post Feb 27th
Personally, I’ve been studying in a Strasberg based class in Atlanta for a year and I absolutely love the methods I am learning. I am curious as to what other techniques most actors here are training in? I know that Meisner Technique is very popular in today’s world. I would love to know what you are all studying or if you rely on just committing to the role itself.
Film scene in Chicago? by tyler35855 • last post Feb 27th
I'm originally from Pittsburgh, and was set to move to Queens, NY and share my friends apartment, until he decided to move back to his hometown... Now I currently don't have a place to move to, and am back at square one. I've I don't live in NYC, I would like to live in Chicago. Haven't been to LA, so I don't really know what to expect there. I have a lengthy resume, but no agent. I'm not a huge theater actor, and prefer acting with a camera. How is the film scene in Chicago? Any jobs? Any reputable agents? I've done a few plays, a few short films and a ton of background extra work along with schooling. I'm not saying I'm a 100% pro... but I'm not an amateur either My teacher says you move to NYC to learn how to act... and you move to Los Angeles to become famous. Why do people move to Chicago? I know the improv scene is huge there, but that really isnt my thing... I adore Queens, and would love to live there, but I'm starting to like Chicago too. Any advice?
MFA acting: Pace vs The New School? by gretzii • last post Feb 27th
I am not completely sure of the history of these two schools and how they are both related to the Actors Studio, but which one do you think is best?
Issues with Voice123 new UI - Unable to cast a winner among auditions. Why? by Dracomies • last post Feb 27th
Prior to the Voice123 UI change, the casting director was able to choose an actor. On the actor's profile, it would show as a "Hire" button. I currently have anyone I've cast on Voice123 shown as "Winner selected!" with a trophy icon. Recently I had a casting call (58 auditions) but noticed there was no option to cast an actor. I sent a message to the Voice123 support team and I was given the response: ​ **Daniella Requena** (Voice123) *Feb 25, 17:25 -05* *Hi!* *Thank you for reaching out!* *We no longer have the select a winner option.* *Please contact the voice actor directly from the link provided on the proposal sent by the voice actor. Once the proposals process has been completed all the negotiations will be between you and the voice actor you choose.* *Please let me know if you need anything additional, I will be glad to follow up.* *All the best,* *Daniella Requena* ​ The question I have is ...why? Why would Voice123 make it so that an actor can't be publicly chosen as a winner? Just seems like a huge oversight. Incidentally I've already gotten in contact with the actor and we are go but I honestly don't see why Voice123 would remove this feature. ​
WEIRD question regarding headshots... by TheRealAnnaBanana • last post Feb 26th
https://i.redd.it/ntp046tf00j21.png HELLO fellow actors of reddit!!! <3 OKAY so I have a **really weird** question regarding headshots... My hair is pretty long and It's something I'd like to display in my headshot. My only issue is that I'm not sure how to go about showcasing my hair in a headshot. My hair touches my knees, but if I were to show it all while it hung down, I think it'd be considered more of a body-shot then a headshot. Any ideas on how I can showcase it without looking weird? Should I just hold it up in the frame? HELP PLEASE! Here is a picture a friend took of me for my instagram, just to give an example of the length of long my hair is...
Type. by ForTypeOnly • last post Feb 26th
No clue if anybody is even remotely interested in talking about this. And as much as “type” is talked about, I know there is a large portion of those who don’t think an actor has to establish a type via headshots/etc. Me personally, I don’t think a type can be fully expressed in a headshot. I believe in finding material that resonates with your understanding is far more important than how one looks. I know for commercial(actual commercials) use, type is important, but is branding yourself with a specific type and taking headshots that fit that, ultimately limiting your job market?
Auditioning for student/short films in SF by jay0819 • last post Feb 26th
Hello! I’m currently starting out as an actor with 4 productions under my belt, but all of them have been theater productions. I want to audition for student or short films but I only have one headshot from Senior year of high school(2017). Should I use that headshot for the time being or get new professional headshots? My plan is to gain a lot of experience here then make arrangements to move out.
An ad agency copywriter talks about his criteria for hiring talent by WordAndCopySayer • last post Feb 26th
He's pretty honest. Some good insight here for those working in commercials. [http://www.actinginchicago.com/advice-for-actors/how-to-get-a-voice-over-job-according-to-an-ad-agency-copywriter/](http://www.actinginchicago.com/advice-for-actors/how-to-get-a-voice-over-job-according-to-an-ad-agency-copywriter/)
Beginning's of a Voice Over Demo! by arussell817 • last post Feb 26th
I see a lot of people asking about the beginning's of a Voice Over demo so I decided to try and help out! ​ **Beginnings of a VO Demo** Voice over demos are an ever evolving vital piece of every VO artist's repertoire. The most important thing to remember when thinking of what to put on your demo is **YOUR PERSONALITY**. That's right, as I said before, you don't need the most amazing, perfect voice to be a voice actor... casting directors and producers want to hear what **you** have to bring to the table.**You are enough.** You have worked your butt off to get where you are... and your voice will fit in somewhere. No need to over produce or add on crazy effects... that isn't what this is about. **---Demo Types.** We went over the majority of voice over styles (Part 1A). You already know these, and these styles should be included in your demos. ***Do not make a compilation of different styles*** *(Animation, commercial, audio books, etc)***.** No one wants to hear your diaper commercial, followed by your bugs bunny impression, followed by your excerpt from Hamlet. Narrow down your demos to one focused area and leave it at that. Although having many demos in different categories is wonderful.. **everyone should start with a commercial demo first.** Commercial VO acting will offer you the most opportunities for work when you are first starting out. **---The Facts.** The people who matter, that are listening to your demos will likely only listen to about 10 seconds. If they don't like those 10 seconds... "Next." That may seem hard to hear but consider this... Imagine you are a successful agency. Hundreds of people send in demos, even more so, terrible demos for consideration. Your inbox will be flooded daily with hours of things to listen to... and this isn't even your job. An agent's job requires so much more than finding new talent, they need to work for the talent they have. So you aren't high on their priority list. If your demo is not well done... nobody will care about it. Professionally recording your demo is important. VOICE123 and VOICES.COM have nice guides on creating a good demo. I recommend finding professionals that produce demos in your area and comparing their prices. I also highly recommend if you have your own microphone to start practicing and deciding on the exact copy you want to perform for your demo. If you don't have a mic yet... use your phone or something to record yourself so you can listen to it before going in. Check out those guides and get a demo done. ### VO Artist Deb Munro's list of ### Demo DOs and DON’Ts: * **DO use original material only or actual work that is amazingly directed and produced.** * **DON’T use local spots (agents don’t want to hear local)** * **You can use company names – but there are risks in doing this. I personally use company names but only national and only on original copy!** * **TALENT should NOT produce or direct the demo** * **DO keep it short. All demos have different time requirements but you should have a one-minute version for easy internet use (for most demos).** * **DON’T produce a compilation (mixing genres) demo.** * **DO hire a top-notch production team that does not use old music libraries/sfx etc.** * **DO showcase your personality (not your director’s)** * **DO show variety but, you must also entertain the decision makers, agents and producers**. *\*\*You can produce your own demo, however 90% of the industry suggests that you don't.* ***I did make my own demos.*** *However, I have had six years of practice editing, recording, cutting, splicing, adding sfx, among many other things. If you want to make your own demo, put in the practice hours before submitting a sub-par demo. A plus side to creating your own demo is learning about every single part of your industry. An important piece of this puzzle is being well rounded enough to take care of yourself, and make your business profitable. Work won't always be there so.. learn to create it... If you do want to do this it is very possible! It saves a lot of money.. but takes a lot more time, coffee, patience and energy to learn how to get quality demos produced. Either way... you will need a demo. Keep in mind that once you have your demo and you begin submitting for agents or online projects... you will need some form of an in home studio to begin submitting auditions. High quality demo... mixed with low quality audio delivered to your clients is the quickest way to form bad impressions with clients. So while you wait to make your demo... keep up that research, reading, studying, and practice. If you want to talk about this with me come chat on [twitch.tv/acebox](https://twitch.tv/acebox) or on [instagram.com/arussellactor](https://instagram.com/arussellactor) I will try to help you out!
Hello Everyone!! by arussell817 • last post Feb 26th
My name is Andrew I am a Professional Voice Actor in Los Angeles. I have voices in several animes, video games, commercials.. so on and so on.. ​ I am here because I like to share, I'm always surfing the web mainly on reddit or streaming my games on twitch so I may as well be active in a community here!! If there's any questions I can answer about getting started or whatever I will be glad to!! I just wanted to drop in and say hello.. introducing myself :) See you all in the subbreddit!
What's the best source you know for reading about how improvisation is used in scripts to enhance acting immersion? Or your favorite examples? Or the philosophy of it? I'm used to this in comedy, but interested in when it's used elsewhere (drama, horror, by Seakawn • last post Feb 26th
Disclaimer: Not an actor! Just an amateur writer with an amateur interest in film. Had a curiosity and didn't know a better subreddit to ask. I was just reading a comic and envisioning a live action adaptation. And I've had this thought before, which is that despite the dialogue being good, it's somewhat straightforward as well. And IMHO knowing the lines in advance makes it trickier, to an extent, to pull off the conversation and reactions naturally--*as naturally* as otherwise, at least. Of course, acting is literally to act, but immersion brings out higher potential in some (all?) actors (e.g. even though they couldn't show anything like a death star exploding in the original Star Wars, before it was edited, they drew it on paper and ripped it in half during the filming for that event--I think on Carrie Fischer's request, just to have SOMETHING that can assist her). So my specific thought was, some lines of the back-and-forth dialogue being cut? Are there examples of where scripts do this, or is done at the director's or even the actor's request? E.g. the script is something like: >A: "What are you doing? You look like you're looking for something?" >B: "I saw it on TV." >A: "What... what'd you see?" And give actor A the following script, >A: "What are you doing? You look like you're looking for something?" >B: [Line] >A: [Respond] Why? Well, it seems to me like this could just be one of things that can help and give people those natural "microexpressions" at best, or just helps make it easier to act well at worst. I hope this makes sense, I'm just interested if this sort of thing happens, what examples there are, and if so, the purpose behind it. Or if it's been talked about and usually or never is a thing. Or if just anyone has a good resource that hits at these things that I can read about! But I realize this would be a one-shot thing... once you know the line, you know the line. So I don't know. Not worth it? Why not? Time, budget? Or just not a big deal in the first place? Only other example that comes to mind is a scene in Haunting of Hill House, where at one point they didn't tell the actors when specifically something was going to happen--so that when it did at random, they appear genuinely surprised. But I think that's a bit different from my specific example of that script dialogue. Thanks much for any input!
I have just been accepted into The American Academy of Dramatic Arts! by Tonton646 • last post Feb 26th
I just wanted to share my excitement with my fellow actors. I'm so happy!