Looking into survival jobs for myself and wondering what other actors have done and what schedules for their jobs ended up working best for them (working days, nights, weekends, etc.)
I recently listened to [Kristen Bell's episode of Off Camera](https://tunein.com/podcasts/Film--TV-News/Off-Camera-with-Sam-Jones-p1121725/?topicId=121113228) and in it she mentioned her niche: the ability to play characters that no matter how horrible they are...viewers are not alienated (and even are able to find a way to empathise with the character). I can definetely see that in her role as 'Eleanor Shellstrop' in 'The Good Place'. I couldn't say I can be able to [Spoiler](#s "nod while Eleanor left a dog on its own when she promised to look after it or all those other things she does while not taking an iota of responsibility while she was alive. What I do like are Eleanor's epiphanies: realising that she blames others when she is embarrassed by something because she is scared to be vunerable") Who are the actors (aka the gender neutral term) you have come across (either as a colleague or an observer) who can pull this off. I don't usually have that sort of character in my viewing list because they are rarely done well (though I guess if Kristen fits that niche...then Ted Danson should too (I'm not going to compare if [Michael](https://www.imdb.com/title/tt4955642/characters/nm0001101?ref_=tt_cl_t6) or Eleanor is worse!) PS: To view spoiler information just hover your cursor over it! :)
I need a voice actor to say these two paragraphs: [https://docs.google.com/document/d/1jnk3j76mS5vh3-TNVggKEHeqFJP\_ow77LGtZ6QLdfzE/edit](https://docs.google.com/document/d/1jnk3j76mS5vh3-TNVggKEHeqFJP_ow77LGtZ6QLdfzE/edit)
I want to start off by saying I love this subreddit. I have been posting questions a lot lately and I have always gotten feedback and answers that have leveled me up as a voice actor. Thank you. My question: What are you all marketing strategy and is it working? I want to put out my marketing map and I would like feedback on it. What I can add/remove or try/stop doing. What I want to accomplish: I would love to get into video games, cartoons, and overall character acting. I do not mind commercials, corporate narration, etc What I am on Fiverr Voice123 Reddit Casting Club Upwork ACX (Just made profile today) ​ What I have done so far: Small things from this reddit community Have a commercial demo Did voice over training Going to Improv (Starts this weekend) Started going to a Radio Theatre Company ​ Where I am: I have not quit my day job LOL X) but I want to one day. I have made a couple of dollars via reddit. No bites on any of the other sites :P ​ Any feedback is helpful and feel free to share your business/marketing strategy ​
Hello, Doing a Podcast where we answer questions called Surviving Hollywood. We are not experts by any means, but we are just working actors in LA and in this episode we will be taking the community's questions. Does anyone have any questions about 'surviving hollywood"? Thanks
I'm looking at Actor's Access for NYC today and there's not a single union post, but I see that at least two of the CDs are members of CSA.
Hi, does anybody studied at Lifebook academy at "Two Roads Theater" ? [https://www.facebook.com/LifebookActing/](https://www.facebook.com/LifebookActing/) Slightly weird they promote their classes on Surkus/Groupon etc etc. All their FB/yelp reviews are REALLY good. And there's no info about them on Reddit. Would like to hear some opinions :) I went there today for audit, I walked out with mixed feelings, and can't really say if I like it or not. It was just different for me. I really liked work of some actors, and I had a chance to chat a bit with my scene partner - he's been in this studio for 2 years or so and really likes it. All actors at studio are working actors. Just want to hear your opinions :)
In the midst of family and friend advice I wasn’t listening to myself and my vision. Being able to hear Arnold swareznegger speech on making it as an actor and his visions was extremely motivating. Although the odds of making it big are obviously slim to none my mind is still set on working my ass off daily after moving to LA and making a dream a reality! Just felt like sharing my motivation with you all and hearing your thoughts of encouragement or negativity both help lol!
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
hi there! i'm a video game dev, just starting out, and i'm thinking about hiring voice actors. They're not going to voice the whole game, don't worry, just a few lines at the end. Two voice actors, voicing around 5-10 lines each, around 30-40 seconds in total. I'm not going to hire professional voice actors, because (1) money and (2) i know a place that's full of people that wants to start doing voice acting! so i'm gonna find two there. ​ I've done a little research, but im still unsure.. please help?
Hi everyone. I am from Georgia and am interested in becoming a full-time actor. I'd prefer to mainly focus on theatre with more minor focuses on film and musical theatre. I'm more interested in going to a 2 year conservatory than attaining a bachelors. Would it be best to attend somewhere around here? Or somewhere else? I have looked into many conservatories in NYC and LA, and none seem to be in my price range. I guess my main question is: Does conservatory location have anything to do with career success? And what are the best conservatories in Georgia/the Southeast?
hi there! i'm a video game dev, just starting out, and i'm thinking about hiring voice actors. They're not going to voice the whole game, don't worry, just a few lines at the end. Two voice actors, voicing around 5-10 lines each, around 30-40 seconds in total. I'm not going to hire professional voice actors, because (1) money and (2) i know a place that's full of people that wants to start doing voice acting! so i'm gonna find two there. ​ I've done a little research, but im still unsure.. please help?
Hi everyone! I made a post a few days ago about auditioning for theatre school even if I didn’t feel ready, well I have some more questions haha. Basically I am 18 and am planning on going to theatre school (I have done one theatre class and am doing one right now as well). After I am done with that my plan is to move to L.A from Sweden to try to make it there. I’ve always wanted to live in the US, even if it wasn’t as an actor, but I have a few questions about it to someone who has maybe done something similar as what I am planning on doing. First of all, how hard is it do get a green card? My stepfather is American, which hopefully helps a little bit, but I am not sure at all, and I’ve heard it’s basically impossible to get a green card as an actor. Second of all, is it possible to live inside of L.A or do you have to live outside of it at first, before you (hopefully) start making money as an actor and not only from a part-time job. I am currently planning on moving there with two friends (not actors), which probably helps because it is two more sources of income, but it also increases the price on the apartment. I read that you don’t really want to live outside of LA since it means that it might be a little hard to get to auditions and meetings and stuff. Do you want to rent or buy an apartment? In Sweden we usually buy apartments instead of renting, but maybe it’s different in the US. Maybe it is different because I would be living with two friends as well. If there is any other information I should know that I didn’t ask about, please tell me. Thank you very much!
Hello everyone. I'm looking to hire a child voice actress (approx. 7 years old) for some voice acting to be synced to an animated short. There will be no dialogues, but it involves a lot of expressions -- happy laughter, heavy breathing, gasping, sick coughing, and crying (from holding in to crying very expressively). Please drop me a message along with the rate charged if you are familiar with any suitable candidates. I'd be happy to listen to any portfolio. Thank you very much in advance.
Hey Everyone. I posted earlier this week looking for voice actors willing to get on bored with my machinima project to play the main cast. Since making that post I have found many interested people with talent and it's great to see such a pique in interest. As a result I have devised a list of side characters that will appear in the series. In the file presented you will be able to see their bio and some audition lines. Feel free to send me your audio on discord; GOBBO#0844 https://docs.google.com/document/d/1OZSybqNfqBnAYE1OuISlHhIz2nuSa8dVLze70q7mH9Y/edit?usp=drivesdk
I’d love to hear what everyone thinks is critical for an actor to bring to set. I recently PA’d on a short film and at the end of the weekend, wrote down a list of things a reliable PA brings to set. As an actor primarily though, I realized I hadn’t made a list of things I should bring as an actor. Two things I would bring are a self-awareness of everyone else on set and lines memorized! Might go without saying, but its possible that what sounds obvious to me may not be the first thing others think. What would make your list of things to bring?
I have an audition for a summer program with a well known theater in my area. I auditioned last year and wasn't selected so I spent a lot of the past year preparing and would really love to get into the program. It's fairly competitive (last year there were around 40ish applicants and they accepted around 15-18) and my concern is that I'm just not good enough. I havent been able to get to my voice teacher because she's a professional actress herself and in show and I'm just not sure if my monologue is 'perfect'. My vocal coach did tell me that I need to focus on how far I've come in that year and show my growth. I feel more prepared than last year but I'm still nervous about screwing up and am overly critical of myself. Thanks in advance for all your advice
Hello, we are working on a sequel to The Little Engine That Could, the 1991 film obviously with Tillie and all those characters. It will be entirely 2D and frame by frame so it literally will live up to the classic is what we’re hoping. Anyways we are in need of people to the voice of Tillie, the voice of Farnsworth, Jeepers, Rollo, and all of the cast. Not a single person obviously haha, just a bunch of people. This gig will be $50 a session. Contact us if you’re interested at: kaijaackanimationcontact@gmail.com Take care! Have a nice day! -KAIJAACK
\[originally posted to r/legaladvice\] ​ Hey team! ​ I'm a self-represented stage, film, and voiceover actor with well over a decade's experience. I just booked a gig **in Chicago** for a commercial spot for a national brand. I am a character actor/student of the Stanislavki System by training, and this will be my first commercial. Edit: **I have not yet signed the contract.** ​ I know that for union commercials, residuals are pretty standard. As well, there is a finite length of time \[usually 13 weeks\] after which the actor is either released from a non-compete clause or is offered a further buyout for the next cycle \[another 13 weeks\]. Moreover, additional compensation is usually offered for each mode of usage \[broadcast rate = x, digital rate = y, online rate = z, combinations of those = combinations of x, y, and z\]. That said, this is a **non-union** gig, so I want to make sure that I'm getting a fair deal, and could use some advice for negotiating the terms of my contract. I am running the contract by a few friends in law and film production, and **would love any tips on resources for pro-bono or small-fee legal advise from agents or entertainment lawyers.** ​ Important info: 1. The compensation being offered is $800, which includes a $50 fee for a wardrobe fitting and $750 for a one-day filming session. **This is over 6x the normal daily rate in Chicago for leading roles in non-union short films and features--I definitely don't want to pass on this.** 2. The release does **not** currently include any terms for residuals/royalties. 3. The "Scope of Use" is listed as "Broadcast/Digital/Online", the "Term of Use" is "In Perpetuity", and the "Territory" of use is "Global". 4. The contract includes the following clauses: * "The Licensed Parties shall have the right, without limitation, to use, re-use, publish, and re-publish such photographs or video in which the Actor may be included ... without restriction as to changes or alterations ... made through any medium *at the Photographer's studios or elsewhere, and* ***in any and all media now or hereafter known for ... any other purpose whatsoever.****"* * "The Actor warrants and represents that this license does not in any way conflict with any existing commitment on his or her part. The Actor has not heretofore authorized (which authority is still in effect), *nor will the Actor authorize or permit, the use of the Actor's name, picture, portrait, likeness, actions or testimonial statement in connection with the advertising or promotion of* ***any product or service competitive to or incompatible with The Product.***" ​ The release I've been provided seems straightforward w.r.t. accident/liability, and the initial terms of compensation. My main concerns involve: 1. **Is this a fair rate/how does this compare to non-union and union commercial rates for a one-day non-union commercial filming session?** 2. **Do I have room to negotiate residuals, and how should I approach these negotiations?** 3. Given that this is a **national brand** and the scope of use of the commercial includes *global* Broadband, Digital, and Online, **should I negotiate a higher rate?** 4. The "In Perpetuity" term of use seems like it will limit my eligibility for future work if, for example, in a year's time I am offered a role in a competing brand's commercial. I would like to avoid closing doors to future work if possible. **How should I negotiate an amendment to the contract that will release me from the non-compete clause after some finite term?** ​ Really grateful in advance for any advise or resources y'all can provide. Thanks! ​ ​
So I have really good reps who I've been with for YEARS and believe in me who get me out constantly. I recently received a self-tape request for a sci-fi role, the dialogue is muted with personality (think Star Trek-style), and I really love this genre so I made sure to get a good tape together. I LOVED my self tape, the tape place that I go to loved it, the teacher who coached me on my audition was really impressed with the tape, I showed a few actor friends who also loved it and think I'm really fit for the role. My agent and manager called me today telling me they sent it, but didn't think it was my "best" work. They have never once told me this, even for the self-tapes that I KNOW were "meh". It's left me feeling in a funk. Has anyone received this sort of feedback when you really thought you put your best foot forward? My agents aren't actors.... is their opinion a good judge of my acting? Should I not take it to heart? I'm wondering if they just didn't understand this type of dialogue... anyone who read the sides with me thought it was a great representation of the genre. It's one of the few tapes in my whole history that I was really excited I did lol