Hello everyone! I have been reading this subreddit regularly, but have been shy to join this reddit community, until today! I am actually a classical musician (from the traditional and, at times, snobbish music world). I always felt something was missing in music study that I was only able to find out what it was through studying Stella Adler's books and observing great actors like Marlon Brando, Monty Clift, Cate Blanchett, and Charles Laughton. I have great respect for the world of acting and I am envious that the norm currently is realism (what I like to call internal conviction). I feel that because classical music is so abstract and so hard to understand, a lot of times, classical musicians don't approach things with the same conviction/honesty and rely too much on instinct which has caused interpretations to become so dull (not to mention all of the unnecessary and absurd facial expressions!!) One of the most wonderful videos I watched online was Daniel Day Lewis talking about how he found his voice for Lincoln--he read all manners of biographical books, journals, etc. until he was finally able to speak with the voice/soul of the great American president. In a way, classical music should be approached like this for realism, but many people want to do and present the most difficult and virtuosic pieces rather than find nourishment from smaller works. This, or, many musicians who do study, end up constipated many times. Of course, I am speaking generally as there are many wonderful musicians out there. I hope to learn a lot from this thread and anyone should feel free to ask me anything as well! I am more than happy to discuss about music works, composers, and etc. I love finding relationships between acting and music. tl;dr: I am a classical musician who finds that there is an overwhelming amount of information to learn from actors
Hi there, I'm C. I am an experienced actor and of course I am wanting to do it full time, as most actors do. If there is anybody in need of a voice actor I would be ecstatic to fill the role. I do not have any standard rights as of now, in addition to the fact that workload from project to project differ. I have been a stage actor for 4+ years and have received multiple thespian competition awards, so my projection and annunciation is great! I have decent equipment, nothing crazy professional but something I am generally happy with. If you are ever in need of a voice actor/actor or just wanna chat, feel free to PM me. Thanks!
Even mods can have basic questions! I asked this in someone else's post but didn't get an answer so I thought I'd throw it out here. I see people here talking often about working with a private teacher or coach instead of a class with several students in it, and that has always confused me. I understand working with a coach on a specific audition piece, either a monologue or a scene, and I've done that a couple times. But I don't really understand how you'd carry on a continuing acting education in a one on one setting. Are you doing monologues the whole time? Isn't that really limiting, since acting is almost always interacting with another actor? Are you doing scenes with the coach? Isn't it odd to act with the person who's simultaneously evaluating you? Or to do a romantic scene with them? That opens up a whole can of worms. Anyway, this is something I've never really understood so I'd appreciate anyone who can educate me.
Okay so basically back in early march I auditioned for this feature film I really wanted. After the audition I didn't hear back. So about 3 weeks after the audition I emailed the director (this is how we had our initial back and forth convo) just telling her even if I wasn't right for the part I was willing to be an extra or anything. So now yesterday, early April, she (the director) emails me back out of the blue asking if I have an agent. Then she CC'd her assistant. Her assistant asked if I was in sag and I said no. Then her assistant said since they're a sag production, they can't hire nonunion actors. Now there's a couple of problems with this. The first is that everywhere I've researched this, they've all said that isn't true. Nonunion actors can work on union projects. That's how they become union. The second problem is the director knew I was nonunion since the audition so why would she randomly email back weeks later? She clearly had something specific in mind for me that might've gotten lost in translation between her and her assistant. So my question is what should I do? Her assistant isn't responding to me anymore. Should I confront the director about needing to be in sag? Thanks.
Hi! I'm working on my "bachelor tesis" from Audiovisual communication (don't know exactly if that's the definition"). The thing is that as i'm a acting student too, my teacher suggested me to research about the american acting techniques, and analyze the work of actors such us Marlon Brando and Meryl Streep and found their techniques in their works... That's why i'm here asking for help cause apart from the typical acting books, i don't know if theres any bibliography where they analyze the acting process in movies, or something. I mean with the analyze part i'm a little lost... Thanks in advance!
I'm going to a little workshop in Kansas City tonight being put on by TVI. Just curious if anyone around here is familiar with them, apparently they offer a five day "actor's immersion" program where you get to meet with 25 different talent agents and casting directors but I can't find anything about the price of that program which is sketchy, right?
Anyone have any recommendations for actor headshot photographers in the Southeast? Preferably, ATL or Charlotte. Doing some research on my own, but would love input from others' experiences.
I had some great headshots taken, but now I'm looking for a good place to have them retouched. I'm in the LA area, but since this is a pretty easy thing to take care of via email, are there any recommendations/people you guys like to use for retouching headshots?
Any fellow actors want to join my circle of trust, I was thinking about who I’ll trust with my key, and y’all are it. pM me for key. Let’s not betray guys!
Im a 20 yr old sophomore in college but I dont think this is my passion. I know most of the actors we see have been acting since they were children. I have no prior acting experience, is it too late to start an acting career?
I’m looking to connect and network with more actors to help and contribute with any insights and tips based on my experience. Feel free to reach out. What are you currently struggling with?
I want to try to submit myself to some agency to see what happens. I'm in San Francisco and was tired of doing student films(And many of them didn't even finish post production) and self submitting via sfcasting where you can see very limited film/TV opportunity. Which agency is best for film actors in SF?
So since middle school I've kind of been interested in acting. I tried to go to a HS for the performing arts, but I was supposed to do an audition that went horribly wrong. I had like a month or two to prepare for it, and I didn't, because at home I was too embarrassed to act/practice in front of my parents (they didn't support this acting thing, but I guess they wouldn't have minded me practicing in front of them, though they wouldn't care), but I didn't, and I had the opportunity to go to my music teacher and practice with her but I was embarrassed, so I didn't do it. Thing is, I moved from Vancouver to Toronto just that year, and I was in a school with ONLY Indian/Bengali kids and they are not supporting of this stuff at ALL. Anyways, I basically spend the hour before my audition practicing when no one was home and realized that it wasn't gonna happen, but went to the school anyways, hoping people there would be as clueless as I was but OBVIOUSLY I was wrong, and everyone there was white, preppy, and 2 of them were doing the auditions and it was amazing. Now, I am about to graduate HS, go into an Engineering school (as all brown guys are expected to do I guess), but in my heart there is this longing feeling that maybe in some ways I should have done something with acting. I am however really discouraged from doing so because well I'm not your typical greek god actor. I look okay (though, in selfies where the pic is flipped my face looks quite asymmetrical but my friends always go "whooah" when I show it to them so maybe they dont notice it or something), and I'm not very tall (5ft10in I'd say, may be a bit shorter). Given all this, how can I possibly get into acting in Canada or USA? I've read a lot and watched a bunch of videos, and it seems that directors/recruiters DON'T want anything to do with brown actors? Any insight would be helpful
Hey, so I’ve just started rehearsals for a great play with a pretty uniformly great cast. However one of my fellow actors won’t make eye contact when we’re doing scenes together but instead will look about six inches to the side of my face. I've only encountered this a couple times with other people throughout my fifteen years of acting but thankfully it's fairly rare. Still, I'm always bewildered by it. Do these people think they're fooling anyone? Do they realize how weird and unnatural it looks? Has anyone had issues with this either with yourself or other scene partners? It's just such a weird thing and the director hasn't said anything and I don't want to be an asshole and point it out. Just curious for another perspective.
I've always struggled with my diction due to a speech impediment I had when I was younger. Due to my growing love for theatre and performance, for the past few months I've been improving it slowly by counting 1-180 fairy often and pronouncing it the best I can. I also do small things such as say words the best I can in normal speech and correcting myself when I say words incorrectly. This has helped me to some degree but I'm always looking for other ways that could be more effective to help me improve my diction in my lines.
Good day/evening! I wanted to pop in and introduce myself. My name is Kellie VonBank and I am finally taking a couple steps towards fulfilling life long interests. I'm 41 years old and haven't done anything in front of a camera for production since 1995. Any tips, suggestions, or advice on how to get my foot in a door, getting started? I have my first monologue reading on Saturday April 7th, 2018. I've selected a snippet from Magnolia, character of Linda Partridge played by Julianne Moore, (Linda and Earl's Lawyer scene). I look forward to meeting you!