I'm going to Niagara college for a 2 year diploma I live 2 hours from Toronto in Canada so getting connections is difficult for an actor. I'm trying to learn voice over and build relationships in the industry and make some friends with similar interests. I can commute from my parents so it's really inexpensive and ill graduate at 17. I'm wondering if I'm making the right call going into this or if my judgment is terrible.
I want to apply to a job that's non-union. It calls for a person 5'5" to 5'9". I'm 5'3". Can I still apply anyway? If they liked my self-tape, would they still throw me out? The lines on 17 y/o actors are very vague. I want to travel alone. This project would be shooting for 1-2 months, and I definitely don't have anyone that could go with me. There's only 1 person I could think of that might (in my family), 1 person who's like family. Could I go by myself? Could I go with someone who isn't a guardian or parent so long as they have permission? It is based in California. I'd have to travel, but it says those fees would be reimbursed. I've heard there's a test you can take in CA that allows 17 y/o to take on the professional guidelines of 18 y/o so they can travel alone, but thoughts? I don't know if I'd be able to take that test. Any other states that do this? Since the project is NU, does it even matter since these are mostly SAG guidelines? EDIT: it's union and non-union
I want to apply to a job that's non-union. It calls for a person 5'5" to 5'9". I'm 5'3". Can I still apply anyway? If they liked my self-tape, would they still throw me out? The guidelines on 17 y/o actors are very vague. I want to travel alone. This project would be shooting for 1-2 months, and I definitely don't have anyone that could go with me. There's only 1 person I could think of that might (in my family), 1 person who's like family. Could I go by myself? Could I go with someone who isn't a guardian or parent so long as they have permission? It is based in California. I'd have to travel, but it says those fees would be reimbursed. I've heard there's a test you can take in CA that allows 17 y/o to take on the professional guidelines of 18 y/o so they can travel alone, but thoughts? I don't know if I'd be able to take that test. Any other states that do this? Since the project is NU, does it even matter since these are mostly SAG guidelines? EDIT: it's union and non-union ALSO: I've just recently come across another job that says it started rehearsing in February, but the notice doesn't expire until April 1st. Could I still apply? Or do some people just leave notices up past when they plan to cast people?
I’m a new actress, I’ve taken 2 intro courses through a local performance arts school in my area. I’ve done a lot of background work in film and tv. However no speaking roles and I know they womt care about this. I have headshots and a very small resume. My issue is that every posting I see where they are looking for actors requires a demo reel! Even small student productions are asking for this. So I am struggling to understand how I am supposed to land even a tiny speaking role when everyone wants much more experienced actors.
like Heath Ledger of The Joker, or Evan Peters of Kai Anderson in American Horror Story. They both really suffered after these shows, since they portray psycho characters. But why? Isn’t it’s just acting? i’m genuinely interested how does acting affect your mental health since i never had to do it before
Ok so listen to this guys, I'm feeling incredible at the moment. I've been in the southeast for 2.5 years busting my nuts to get my foot in the door after Uni. I found my favorite of the top 3 agencies in the area early on and sent an audition, to which they responded that "It's a no, but not necessarily because of your audition. Please take local classes and get familiar with the industry here, and resubmit in 9 months." Ok got it. I took workshop after workshop feeling like I was wasting my money because I felt I was learning nothing new, and worse, every intensive with a CD or agent led to almost zero notes, and lots of "who's your agent? You don't have one? Interesting." Then radio silence, and I kept taking intensives until my resubmission day... It was March 25 2020. Damn it. Covid happened, and they said they are NOT considering anybody until 2021. So fine, I said. I'll keep going at it and try to impress them with my dedication. Cue another intensive with a program that is a pay to play "get seen" with agents. You'd have the host, we'll call him J, and the agent, who I'll call P. P was another one the agents I had on my radar but weren't my first choice. Cue auditions happening from my peers. I mean no disrespect, but they were a bit dull, and J and P were very willing to tear into them. My tape went last. I was excited to hopefully make their day with my hard work I put into my audition. They literally did not even watch. I saw J on his laptop and P scrolling on freaking social media the ENTIRE TIME. I paid $110 to be insulted. To which upon both contrasting takes being finish they say without hesitation "those were completely identical. Are you even trying?" - P " y'know what guys this is a prime example of why southeast actors will never be as good as LA actors. If I'm bored watching your tape, that's a bad sign. If you can't improve your audition quality, please save everyone the time and quit. Just quit." - J I was fucking baffled and livid, obviously, and feeling like a complete loser. However, the headshot/resume I sent Jan 1st to my top agency responded with a 24 hour deadline audition 1 week after this horrible intensive. "Fuck this guy, J. I'm gonna prove him wrong." And I gave it my best shot. 2 days later I get an email. "Call me." With a phone number. I called, they answered. And they said they'd love to represent me. My first agent, and my favorite at that! You know what they said? They said of all the auditions they voted on with the entire team present, mine was one of the fastest auditions to go through, with a unanimous YES all around with ZERO debate. She told me to tell my mom (I said I'm calling her pronto lol) that I was the definition of a slam dunk for their agency. After thanking her profusely I bawled my fucking eyes out for a solid hour in a Kroger parking lot and more periodically throughout the day. I still wanna cry now it's such a fucking victory. Fuck J, and P, and anyone who tries to bring you beautiful people down. Win the ones who matter with hard work and never give up on doing your best. Thank you all so much for reading my tale. ❤ Break legs! (For context on the streep comment a CD once said ahe was too ugly to ever be on screen.) Or so I believe.
Hey guys! I’m considering either getting new headshots with Phil Sharp, Faye Thomas or Yellowbelly Photography. However Phil Sharp is SO expensive (he quoted me a four figure number. I don’t understand how it’s possible to charge actors this much!!) and yet he’s the most well regarded in the industry. Have you got any other suggestions? Or thoughts?
Hey everyone, ​ So, I am an actor and filmmaker in L.A, I have worked on stage, TV and film throughout the years. I am also heavy into fitness and using the body to fuel creativity. I just wanted to offer actors in L.A on the sub my actor's physical training sessions. [The details are here](https://thebestyoucanbepersonaltraining.wordpress.com/actors-and-musicans-physical-training/) but the program is for getting out of your head, into your body and truly using your body as an instrument. I have never liked body movement classes as they seem to airy fairy. My sessions get down to the nitty gritty and for you to get a better performance. Have a great day!
Am I just too shy to be an actress? I'm a young girl who has anxiety, more specifically social anxiety. I've always wanted to be an actress, however, I have no experience whatsoever. My race is also against me, I'm Asian. I am aware that acting may be hard, but am I just not suit to do it?
By the time I have booked an audition, I got something else booked for the date planned for the call back. I wanted to tell them at the audition but it went so fast (like three minutes) that I couldn’t fit it in the conversation. It’s a small five line actor role on a low budget short film so I am not even sure that there will be a callback for that or that they will consider me for a call back. I don’t want to cancel my day on set because I will get in trouble if cancel, the five day continuity implied that I had to be there on that day, and a 12 hours day as a background performer already pays more than a small role on this type of low budget production. If I do get a call back, how should I tell them that I am already on another set? Are there any ways I can make this work? Asking to reschedule? Doing it during dinner? Sending them a self-tape? Or just say I can’t make it because I was booked on something else by the time they booked me? Thank you!
I've been doing voice work for about four years, but didn't really get serious with it until about two years ago. Have I gotten work on my own? Yep. But it's definitely not consistent. I have two other jobs, working in the restaurant industry and as a mobile DJ to keep me afloat, but my main goal is to do voice work full-time and do my mobile DJ'ing on the side. If you're not wanting to read this entire post (I don't blame you) the TLDR is this shit is hard but that doesn't mean it won't pay off if you keep trying, do the right things, and meet the right people. A little background about myself, I was a broadcast communications major that graduated in 2014. I interned at a local radio station for about two years and was then brought on full-time for about two years until I was laid off (budget cuts). So 2016 was about the time I really kind of discovered the world of VO and started to dig deeper. I made some decisions that I thought would advance my VO career but it really did nothing but make me lose money and hope for myself. For the sake of space I won't go too much in detail but all together I think I was out at least 7-8 grand on coaching from a "Voice Over training company" and from someone in the business that "promises work for you within a few weeks to a month". I was young and new to the game. I didn't realize that coaches don't get you work. YOU DO. Yeah, saying that you've trained with "X" coach can carry a little bit of clout, or that you got your demo produced by "Y" producer can help, but the fact remains, you have to go out and seek the work. I've been on a few P2P sites. I'm still on Voices right now. Should you get on one? Should you not? Look, I'm not gonna sway you one way or the other. I've seen VO's that make their entire living off of P2P sites, VO's that get jobs here and there, and VO's that wouldn't even spit on a P2P if it was on fire. The fact of the matter is it's a numbers game. What I will say is that if you're new to the game it may be a good option for you to join just so you can actually see some scripts from clients and, at the very least, practice. Now whether you stay after that is your call. If you can, learn about their algorithms. See how you can maximize being seen. Forewarning though, with most of those sites you'll have to pay more to be seen more. Some will also take a percentage of the jobs that you do get (to go along with the sign up fee). There's a HUGE talent pool on all of these sites, so just because a client liked your audition doesn't mean you'll get any of those gigs. For example, last month I had three of my auditions, in a row, get shortlisted by clients and got none of those gigs. It is what it is. You'll hear and see a lot of "no's" in this line of work. I think one of the biggest things that a VO overlooks when they're first starting out is marketing. I can tell you I've spent more time emailing, cold calling, and just generally talking to people about my voice acting than I have actually voice acting. I got a gig from a guy that came into the restaurant I work at because I told him about my voice acting and I gave him one of my cards. Just always be on the lookout for an opportunity to showcase your talents. Your marketing should be your second most important thing in your VO career after your demo (if you're just starting out). Speaking of your demo, do not produce it yourself. Even the best of the best go to other people to get help with producing their demos. If you have a good coach, they will tell you when you're ready to get a demo produced. If a coach tells you that if you take "X" number of classes and will then get a demo produced afterwards, run and run fast. If the coach has your best interests in mind they will tell you up front if they think you're ready for that step. To the newbies: there are way more areas of VO than just animation, video games, and your prototypical "character" voice over. I started out wanting to get into animation, but slowly realized I'm better at e-learning, narration, and commercial reads. That doesn't mean that you have to put your animation dreams on the back burner, but you'd be wise to at least look into these other areas. Hell, even telephony and on-hold automated messaging system VO can pay pretty well. The umbrella of VO has many arms. You may find out that you're the shit at medical narration (God bless you if you are). Do NOT sell yourself short. The industry has had a huge surge of people, especially within this last year, and a lot of them are doing and are willing to do projects for pennies on the dollar. I once saw someone post that they were looking for a VO to read the ENTIRE Quran for something like $200. Not $200 per finished hour (which still wouldn't have been enough), $200 total. And there were still people that sent in auditions to that person. If you're not sure what the industry standard rate is, take a look at the GVAA rate guide or the Gravy for the Brain rate guide. I'd really like to conclude this rambling with a whole "If you want to succeed in this business then you have to do A, B, and C" type of speech but success is relative. What I want out of my career and what you want are probably two completely different things. So find out what you like to do and be the best "you" at it that you can and never stop learning your craft. Peace, and keep that noise floor below -60.
what kind of college degree should a film actor pursue? there are so many different ones
Hey actors, I wonder if anyone can relate to what I'm going through. I've been in a weekly acting class for one year in Los Angeles. I've been learning SO much about the craft of acting, technique, tools, exercises and about myself as an artist and human being. I absolutely love it and have been getting very good feedback from my teacher. She's moved me to her Advanced class on two occasions but just yesterday I asked her to go back to her Intermediate class because I was floundering in the Advanced class atmosphere. Hopefully by the end of this year I may have enough skill and confidence to rejoin her Advanced class. However, lately I've been feeling very insecure about my training and if it'll be enough to support me in the field. I know there are SO many actors out here who have gone to Juilliard, Yale School of Drama and Tisch School of the Arts. There are also European actors here who have trained at the Royal Academy of Dramatic Arts. Besides these well-known schools, there are actors who've been extensively trained in two or three year acting conservatories or have gone to a college where they received their BFA or MFA. As you can see, knowing there are powerhouse actors out here who have received this level of training, it's difficult for me not to feel like an unprepared and talentless schmuck. I didn't study at a prestigious acting school. I never attended a conservatory. I didn't study acting in college - I studied Biology. I know that at the end of the day casting directors don't care where you've been trained - they only care if you fit their vision of the role. I also know they are MANY actors who have been successful without this level of training. And to give my teacher some credit, she's been teaching for almost 40 years and has even said "my training will put you guys in the top 10 percentile." Nonetheless, I just wonder if this sense of insecurity is common amongst you guys :/
Hi, bit of a newer actor here. Recently, I've landed my first paid role: a part for my university's psych lab. I've always wanted to act beyond school productions and self-made youtube videos (mostly rants and old sketches), and I think this is a good first step. Maybe I'm not working with agents yet, but I'm getting my feet wet and getting some footage and material that isn't my own! The question I have is: should I put this on my basically non-existent reel? The role is basically going to be me giving a lecture. Besides that and clips from a 48 hr festival I plan on participating in, I don't have much else I'd put on a reel at the moment. And if I should put this on my reel, my follow up question would be how should I go about asking for clips? My guess is that they're not going to be publishing these videos, so I think I'd have to ask if I want a cut or some clips.
Hello I was interested in hiring a few voice actors for saying a few lines. There would be two boys and two girls. The lines wouldn't be very long. Would anyone be interested? I'll pay
I'm considering in starting a career as an actor in the future and planning to enroll in a few classes at New York Film Academy. I know nothing is easy but I would like to know how often does anyone get a role or auditions for a movie? Or how long would it take? Does it depend on luck? Skill? Thanks.
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
Hey, I’m in Montréal but was an expatriate from an early age because of my father’s consulting job. This meant I lived in Costa Rica
How do you guys deal with it? I also have OCD along with ADHD so, Whenever I try to perform/practice something intrusive thoughts just ruins everything.It’s just so disturbing.And I can’t explain how much disturbing it gets to me. My thoughts makes me doubt about myself and it says “you’re doing bad” compare to someone who’s a bad and it says “you’re just like him, he’s also human you’re also and you’re no longer better” That thing just ruins my thought process and blocks my creativity and I get so annoyed by it. Some of you may find it so stupid but y’all might’ve heard about OCD people washing hands multiple time for some stupid reason like if you don’t wash your hands germs inside of you is gonna kill you and influence by that thought he/she wash their hands 100 of times and you know it’s stupid but at certain point you believe in that. And also Due to my ADHD problem I keep getting distracted from some stupid reasons like I hear some sound that don’t affect my recording at all but all my attention slips from what I am doing to that sound although I don’t want to. I can’t focus and I keep delaying my works. I know I should seek some professional help which I am going have after few months after I will graduate from high school btw I am 16 M from southasia. I just want to know how do y’all deal with your problem? Not just ocd even if it’s schizophrenia or any other of my next possibility. How do you deal with it as an actor? I am just hopeless can I even be actor?