We have found 19,321 posts across 4 actor forums:
Decorum on Amateur Film Set by portlandingzone23 • last post Jan 29th
Hi everyone, I recently worked as crew on a zero-budget set, and the experience wasn't that great. To put it short, the "actors" on set were out of control. They were constantly yelling over each other, laughing, making jokes and generally carrying on at high volume levels. It was hard to get them to concentrate on anything. It was hard to get them to quiet down for takes. This went on for two days. Needless to say, by the second day I was pretty burned out. It was as if the cast were having a weekend-long party and one or two of the rest of us were trying to film a movie. I am an introvert and it seemed to bother me the most. My strategy was pretty much just to try to get the film over with. I didn't speak up because the producer/director seemed fine with it; they even joined in with the goofing around quiet a bit. My question is: is it right to demand a certain level of professionalism, even on a set such as this? These are not la/ny actors, or even second-tier market actors, but mostly early 20's people from a big city where acting isn't a real career path. I don't know if as a lowly crew member I have a right to speak up to someone who put a lot more effort into making the film, and who is older and also more extroverted than me. Any thoughts would be appreciated. I have a chance to work with many of the same people again and am considering just bowing out and moving on to other projects.
How did you know that this was what you wanted to do? by boba_for_sequoia • last post Jan 29th
I'm just wondering, how did you know that you wanted to get in to acting? Did you always know or was it a surprise? Because I felt like I wanted to do something else at first but then later wanted to do this but sometimes I wonder if I always felt that I wanted to be an actor but I hadn't realised it and I'm unsure if I should go for it.
TOP ACTORS FUNDRAISE FOR NHS WITH LOCKDOWN FILM by Harms_Way_Studios • last post Jan 29th
**Mathew Horne** (Gavin & Stacey, Bad Education), **Ella-Rae Smith** (The Stranger, Into the Badlands) and **Iwan Rheon** (Game of Thrones, Misfits) star in a lockdown film I wrote and directed to help raise money for the NHS. The film is called “The Existential Hotline”, a comedy with salient themes created entirely in lockdown and made to look like a video call. It is the final fundraising lockdown film in a series of seven and the crown jewel due to the prominent talent we had on board. As creatives, we see how much the NHS and all the frontline workers have done to keep us safe, so we made these films as a thank you to them, to raise money for them and to show that we stand with them. We may not all possess the vital skills they have to keep us safe but we can use our talents to bolster solidarity. This story, along with the film itself and interviews will be appearing on Showcase TV (Sky Channel 192) as part of the programme Feel Good TV and we want to continue spreading the word. I believe this is a heartwarming story and very of the time. Please give the film a watch and share (if you can) and help get this story out there and, who knows, maybe we can help the NHS even more if we reach more people. Really hope you enjoy it! [https://youtu.be/k5zsBr0mz2c](https://youtu.be/k5zsBr0mz2c)
Need help with an assignment by ACMoDee • last post Jan 29th
So I just started taking acting classes. Next week is only my 3rd class. Our assignment is a non-verbal assignment using props. This is what the email that we got says: "This week we are going to work with props. A meaningful way of communicating to the audience that your imaginary space is truly your own, is through use of props. Sometimes what we \*do\* can be far more revealing than what we say. What we do with props can tell the truth about how you are feeling much more accurately than the words you speak. As an actor, the way you handle a prop and the way you relate emotionally to that prop are all enormously effective in communicating on stage." The assignment is to bring in 3 props that are highly significant to me and would be found in a living room (book, magazine, article of clothing, mail, etc. are the examples that we were given). Then we have to spend at least 1 1/2 minutes using just our emotions while handling the 3 props. I have a few ideas but I'd love to hear what you all would do. 1 1/2 minutes is going to feel like an eternity when I can't speak at all.....
Stability or take a risk? by MrSchwabot • last post Jan 29th
Hello actors, can you help a guy out? (This question only has partially with acting as a career, but for those of you committed to your dreams and passions and taking risks, I wonder if you could offer some advice) So I (M27) have been teaching Secondary English Ed for the past two and a half years at the same school and finally bought a condo of my own this past summer after moving from place to place the past 4 years (college, then parents then apartment, another apartment closer to work, now condo). I have always wanted to go after my Masters of English Ed and now I'm like 80% sure I'm going to go for it next year, especially because I live and work in a college town so I only have to go like 5 minutes and I'm on campus. (5 min drive to work as well) So with working full time, I calculated it will take about 3 years to complete. plus a couple years after to stay at this current job since they will be helping to pay for tuition. So from a home, job, and money stand point, things are very stable and will plausibly be so for the next 5 years. My immediate family is here, as well as close friends and especially my brother who I am best friends with, although he's in another city. Now here's the issue: A part of me feels like I've been stuck in the same place too long, that maybe I should risk losing the stability I have now and that projected stability, and look into going into grad school somewhere else just for the experience of a new city, new state new people, new everything I'll be honest part of (or maybe most of) this wanderlust is most likely caused by the fact I'm healing from a break up to an LDR with an amazing young woman, and it was a really good healthy deep relationship and friendship for the both of us that happened rather unexpectedly but was a welcome new thing and a hard but amiable ending. She was fully pursuing her dream of acting regardless of the cost and lack of stability with that area of work, and was making plans for grad school as well. And being involved with her sort of re kindled my own love of theater and just sort of opened my eyes to the wider world and since the ending of that connection (she felt pulled in another direction that wasn't me) I have started to wonder if maybe I've been playing it safe for too long, that maybe I should've forgone education and dove into writing like I originally wanted to when first starting college. (side note, we had met in person and had enough vid chats/phone calls/communication despite the distance to know each other to a great degree) I still write on the side, and even self published a book and am working on others, and I have taken advantage of doing theater again and realized I have missed acting a lot. I do enjoy teaching, it's just recently I've been feeling like maybe I should expand my horizons? Take some risks, jump into the unknown. Film is another passion I have and I even had a gig as my college Newspaper critic for all 3 1/2 years I was there. So maybe a degree in teaching film or just dropping it all together and pursue acting fully? I've realized to it could just be a case of just finding happiness in myself without her, without anyone specifically and making the most of where I am at, with what I have and taking advantage of the stability I have now, to build a better secure future for later. Any advice or thoughts would be very welcome, and I can answer any other questions too. Thank you! TL;DR Stick with 5 years of for seeable job/income/schooling stability or take a risk and "start over" in a new city, new place for grad school with a possible new degree?
Abq nm actor search by publicevent_911 • last post Jan 29th
Hello, I'm currently in production of a film called The Children Of Limbo and I need actors in albuquerque, New Mexico between the ages of 15-21, it's very low budget so I won't be able to pay much but I will pay what I can and this will film will be promoted everywhere it can be, message me for details, thank you
Thoughts on Wendy Alane Wright's "Hollywood Winners Circle" program? by greatgreengoblins • last post Jan 29th
I've been in TMFA for a while and have learned some great stuff. All I hear is praise for the HWC. I've been acting for 5 years (4 of those in college) and I'm seeking business training and how to put together a really, really good package for representation. It seems like HWC is the best option, but idk if that's more or less TMFA propaganda. Wendy seems like an incredible person. She has raving reviews from actors in the group. It seems every day someone posts that thanks to her, they have a manager/agent. She seems kind and tough and someone who will whip your package into shape. Thing is... It's $795. That seems very steep for a master course. Those who have taken it, is it worth? Id be taking it for the business instructions, because I know it's not an acting class, and I think that's what I want. I'm torn on whether I should buy the course, or find the info elsewhere and piece it all together over a longer period of time. Really I'm looking for feedback from those who have taken it. Good investment, or waste of $800?
Body language acting during monologues by punoq • last post Jan 29th
Hi! I'm filming audition apes for drama schools. Some require full body shots, and after watching my practices back, I often find my body language is awkward and I kind of instinctively flap my arms and switch weight on my feet without realising it, any tips my fellow actors can give on keeping your body language neautral as possible/ being able to connect it with your head and shoulder acting? Thank YOU! ps. I have ADHD so that doesn't help.
An actor’s guide to camera framing by Augmented-Actor • last post Jan 29th
Big project in need of a voice actor! by Milk-and-Lightwood • last post Jan 28th
So this is a project that none of the team is getting paid for, it is all in creative fun. We are a group of animators, music producers, and artists who are trying to make a big thing with a small budget/no budget to make a small demo of a concept. This all sounds pretty vague but I would be more than happy to explain the project in private. The team is all semi professional/in college for our craft and we are doing this at a very laid back in your own time pacing. So if anyone is interested please message me or comment!
Positive and rewarding stories you’ve had on your acting journey? by deanu- • last post Jan 28th
I’m just starting out and I’ve started practicing and doing online lessons. I’m excited to be on this journey and want to be a working actor in LA in the next couple of years. I find myself getting anxious and slightly discouraged at times when I hear horror stories of how difficult it is to get anywhere. I’m not in it for the fame, but I’d like to know I could get work and make an impact if I work hard enough. Can you share some rewarding experiences you’ve had on your journey? How long you’ve been acting, if you’ve gotten to work on projects that you’ve enjoyed, and any other advice?
Acting and Art school by HippieHamBoi • last post Jan 28th
Hey guys, so just a brief bit about me I'm 19, and I've wanted wanted be an actor for awhile, I'm natural at public speaking and just enjoy performing for others. My dream has always been to attend university and study the arts, from music to theatre thats what I wanted. However, my family ain't rich. I'm currently attending community college and studying to be an engineer as I competed and won STEM competitions in highschool and figured if I had to do something "real" I'd enjoy engineering because I enjoy the creative problem solving... but mostly just the creative part lol. My question is this, what I really wanna do is art, acting and music etc. Should I minor in acting and keep my engineering degree to support myself or should I switch and go all in? Thanks in advance!
Thoughts on being a foreign actor in China by iamstephenyuan • last post Jan 28th
Hey guys, we have a podcast called Shades Of yellow that focuses on highlighting every-day asian people, including my friend Jim Liu who is an actor in China but is British-Taiwanese. Anyways, he was in a movie called The Farewell with Awkwafina a while back and we got. to talk about what it was like transitioning to be a full time actor in China, and whether or not it's possible for more foreigners to do so. Would love to hear your thoughts and whether or not more foreigners want to enter the China market as actors. https://www.youtube.com/watch?v=eIuNabKTVVw
Would a birthmark on my face reduce my chances of being cast in anything? by lumosmax_1 • last post Jan 28th
I have this birthmark on the right side of my forehead about 1 cm across, and I honestly haven't seen many male actors on TV or in films with something like it. I'm not too insecure about it, but I'm a little worried that it could be distracting to a casting director or simply cause me to miss out on a role. Should I consider removing it at some point in the future, or is it something I probably don't need to worry about? (I should probably add that it's easily covered by my hair, and it often is. It's only really noticeable if my hair's combed back and my full forehead is in view.) \[Also, I realize this isn't directly related to this subreddit, but it was the only one I could think of to post it in. If anyone has any other subreddit suggestions please let me know.\]
I want to be an actor but im scared I wont succeed, It doesnt help that im a intovert with no experience. by WannaSeeMyyBallss • last post Jan 28th
Headshot-Age Range-Character Type Feedback by AutoModerator • last post Jan 28th
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
Headshots - What do you like? And is it different to what your agents like? by BenFromPerth23 • last post Jan 28th
TL;DR. What makes a good acting headshot? What is "standard", and is there any way to "elevate" it so that it stands out, but still fits in? Hey guys, I'm a professional fashion/beauty photographer. I recently met a young actress, and we collaborated on a shoot. She was only 17, so her Mum (Who was also a fashion stylist, and worked at a modelling agency) was involved too. I was careful to shoot a few headshots for each look, but I was pretty confident that with my high megapixel camera I could pull a headshot out of almost anything. We did a mix of natural light, and artificial. She chose her best 5 to give to her agent (I was mostly in agreement), including one we thought was perfect for her professional headshot. That was a softly lit natural light shot, with the head turned maybe just a bit far to be a "traditional" headshot, but we had more straight to camera options too. It was very natural. But her Agent said "They were beautiful, but too 'Modelly' " So I went back to the other shots, cropped about 17 into headshots, and sent them off for approval. Her agent writes back this morning and is in love with one shot (to replace her old headshot), so I was right - and we got the shot. Job done. The thing is... it's absolutely not my fave shot. It's good, but we got better. In this shot she was wearing a low cut collared "business" jacket, and she presents as about 25? Is that a positive considering her actual age maybe? She's looking straight to camera, but it's a straight up fashion shot. Lots of attitude. Fashion lighting. Very editorial. More "modelly" than the one we were rejected on in my eyes. I guess it's a personal preference. But I'm wondering if Acting Agents are looking for something different? Because her Mum (A Model Agent) absolutely loved the other shots for a model folio (her daughter technically isn't one. Concentrates on acting). Also, I'm currently in a small market. And it's not known for being bold. Everything I saw of her other talent was very... safe. Is that a factor? If you could sum up the best acting headshots you've seen or had taken, what would you say they have that makes them work? Is it a certain type of lighting? Location? Expression? Clothing? Is there any way to elevate them beyond what everyone else is doing? Or best to stick to what's proven to work?
I’m interested in becoming a porn actor. Any idea to start? by EcxTaZy_LeMAs • last post Jan 28th
questions about top talent agencies by RuinAlive • last post Jan 28th
I am moving to LA a few months before the major network release of my first supporting role in a drama series. I am aware that it’s hard to get the attention of the big and reputable agencies, but I’d like to know a few things: Are top talent agencies looking for new and upcoming talent? Would they sign someone after they have their first major role in a show? As an actor with only a few credits, would it be harmful to join a top talent agency? Do they treat all talent the same and give all of their talent the same opportunities? And are these agencies all SAG-AFTRA? I have received a SAG invitation, but I won’t join until I have to, but if I get signed, will I have to join? Do I reach out to the agency first? Of course, I’d only reach out if they accept submissions, but do the agencies ever reach out to the talent? Would an email submission considered annoying? If I chose to email, am I supposed to market myself to these agencies and convince them to sign me? Would it be responsible for me to reach out to the agencies BEFORE my first appearance on a major network comes out? And would it be wise to connect with talent repped by these agencies so that I can get a recommendation? I am open to any other creative ways, thoughts, or ideas that can help me sign with a top talent agency. Thank you for taking the time to read this. I really would like to have a strategy going into this industry. And I can use all the help I can get.
Questions about New Series Regular Bookings by mgruffer • last post Jan 28th
We just found out that my daughter was pinned for a series regular role on a SAG-AFTRA pilot for a major streaming service. We know we can't celebrate yet, but I'm new to this and wondering what to expect if she actually gets it. Filming is expected to start in two months. I am wondering: 1. What happens if filming happens in another state/country? Do they help with lodging and travel expenses and things like that, and how would this be decided? What if the parents can't make the move, even if temporary? (We totally can and would, but as she's a minor I'm just wondering how they make this work for everyone involved). 2. Will they let us read the entire script to make sure we approve of the content before agreeing to the terms? 3. Is it possible for the agent to blow the deal and we never even find out that an offer was made/discussed? Does this happen sometimes and the actor never even knows that they were "in the mix"? Thank you!