Hi!! I posted a while back about [feeling like an imposter](https://www.reddit.com/r/acting/comments/ipxm3h/signed_with_my_first_agency_and_landed_a_big/?utm_source=share&utm_medium=ios_app&utm_name=iossmf) Im happy to report back to say i got a call from my agent last night saying i had booked my first gig on a Disney show!! Its only one line but im over the moon
From an aspiring actor what is everyone doing during COVID to hone their skills and learn techniqes ? (Weather it’s videos , courses , zoom classes , etc ) Please comment any suggestions or advice thank you! Looking for a jumpstart to learning everything I can! ( I have taken classes before but I need advice on ways to progress thank you !) I plan on doing a YouTube channel as to get more comfortable with a camera but otherwise what are some things I can be doing right now ?
just finished the queens gambit on netflix and I have to say I haven't been this impressed by an actors performance in a very long time. After researching the lead, I was utterly shocked to find out that she has no formal training... for all those people who say you can't make it without acting school.. she is the walking example that you can. it inspires me a ton, but as someone who has paid a fortune for training and gotten almost nowhere, it also makes me feel like I should throw in the towel!!! ha loved the series and loved her performance. Highly suggest it!
Hi! Canadian here who got an audition for an English project and they're requesting an RP. I understand the RP accent and the history and nuances behind it are a bit murky, but what I'm really looking for is someone to give me an example or two of a show/film with a character speaking in an RP accent, preferably somewhere in their 30's like myself. I have listened to some lessons on the accent, but it'd really be invaluable to either here a native speaker/professional actor using it in a dramatic setting.
Right now I can’t afford higher level classes and I am only taking theatre classes in school. I want to grow more as an actress & figure out my technique more before I go to college. What book should I start off reading? There’s so many suggestions so I am a bit overwhelmed!
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
The work these actors are sharing is inspiring and a reminder to all of us in this industry that we have the power in our artistry to create, to take risks, to grow, to learn and to show up for our heART every.damn.day. [https://www.facebook.com/groups/412474543261242/](https://www.facebook.com/groups/412474543261242/?fref=mentions)
I'm not like a professional voice actor by any means I was just messing around on casting call and I saw something kind of stupid. So I sent in an audition for it and I got in and got the lead. the thing is I don't really want to let them down because they obviously need voice actors but like it's kind of a really cringey project, but like I'm the lead so... Any of y'all had the same predicament
I got this from the first link in the Helpful Resources section of the sidebar. I made it to the Blue Goo before I stumbled. Fox In Socks by Dr. Seuss Fox Socks Box Knox Knox in box. Fox in socks. Knox on fox in socks in box. Socks on Knox and Knox in box. Fox in socks on box on Knox. Chicks with bricks come. Chicks with blocks come. Chicks with bricks and blocks and clocks come. Look, sir. Look, sir. Mr. Knox, sir. Let’s do tricks with bricks and blocks, sir. Let’s do tricks with chicks and clocks, sir. First, I’ll make a quick trick brick stack. Then I’ll make a quick trick block stack. You can make a quick trick chick stack. You can make a quick trick clock stack. And here’s a new trick, Mr. Knox…. Socks on chicks and chicks on fox. Fox on clocks on bricks and blocks. Bricks and blocks on Knox on box. Now we come to ticks and tocks, sir. Try to say this Mr. Knox, sir…. Clocks on fox tick. Clocks on Knox tock. Six sick bricks tick. Six sick chicks tock. Please, sir. I don’t like this trick, sir. My tongue isn’t quick or slick, sir. I get all those ticks and clocks, sir, mixed up with the chicks and tocks, sir. I can’t do it, Mr. Fox, sir. I’m so sorry, Mr. Knox, sir. Here’s an easy game to play. Here’s an easy thing to say…. New socks. Two socks. Whose socks? Sue’s socks. Who sews whose socks? Sue sews Sue’s socks. Who sees who sew whose new socks, sir? You see Sue sew Sue’s new socks, sir. That’s not easy, Mr. Fox, sir. Who comes? … Crow comes. Slow Joe Crow comes. Who sews crow’s clothes? Sue sews crow’s clothes. Slow Joe Crow sews whose clothes? Sue’s clothes. Sue sews socks of fox in socks now. Slow Joe Crow sews Knox in box now. Sue sews rose on Slow Joe Crow’s clothes. Fox sews hose on Slow Joe Crow’s nose. Hose goes. Rose grows. Nose hose goes some. Crow’s rose grows some. Mr. Fox! I hate this game, sir. This game makes my tongue quite lame, sir. Mr. Knox, sir, what a shame, sir. We’ll find something new to do now. Here is lots of new blue goo now. New goo. Blue goo. Gooey. Gooey. Blue goo. New goo. Gluey. Gluey. Gooey goo for chewy chewing! That’s what that Goo-Goose is doing. Do you choose to chew goo, too, sir? If, sir, you, sir, choose to chew, sir, with the Goo-Goose, chew, sir. Do, sir. Mr. Fox, sir, I won’t do it. I can’t say. I won’t chew it. Very well, sir. Step this way. We’ll find another game to play. Bim comes. Ben comes. Bim brings Ben broom. Ben brings Bim broom. Ben bends Bim’s broom. Bim bends Ben’s broom. Bim’s bends. Ben’s bends. Ben’s bent broom breaks. Bim’s bent broom breaks. Ben’s band. Bim’s band. Big bands. Pig bands. Bim and Ben lead bands with brooms. Ben’s band bangs and Bim’s band booms. Pig band! Boom band! Big band! Broom band! My poor mouth can’t say that. No, sir. My poor mouth is much too slow, sir. Well then… bring your mouth this way. I’ll find it something it can say. Luke Luck likes lakes. Luke’s duck likes lakes. Luke Luck licks lakes. Luck’s duck licks lakes. Duck takes licks in lakes Luke Luck likes. Luke Luck takes licks in lakes duck likes. I can’t blab such blibber blubber! My tongue isn’t make of rubber. Mr. Knox. Now come now. Come now. You don’t have to be so dumb now…. Try to say this, Mr. Knox, please…. Through three cheese trees three free fleas flew. While these fleas flew, freezy breeze blew. Freezy breeze made these three trees freeze. Freezy trees made these trees’ cheese freeze. That’s what made these three free fleas sneeze. Stop it! Stop it! That’s enough, sir. I can’t say such silly stuff, sir. Very well, then, Mr. Knox, sir. Let’s have a little talk about tweetle beetles…. What do you know about tweetle beetles? Well… When tweetle beetles fight, it’s called a tweetle beetle battle. And when they battle in a puddle, it’s a tweetle beetle puddle battle. AND when tweetle beetles battle with paddles in a puddle, they call it a tweetle beetle puddle paddle battle. AND… When beetles battle beetles in a puddle paddle battle and the beetle battle puddle is a puddle in a bottle… …they call this a tweetle beetle bottle puddle paddle battle muddle. AND… When beetles fight these battles in a bottle with their paddles and the bottle’s on a poodle and the poodle’s eating noodles… …they call this a muddle puddle tweetle poodle beetle noodle bottle paddle battle. AND… Now wait a minute, Mr. Socks Fox! When a fox is in the bottle where the tweetle beetles battle with their paddles in a puddle on a noodle-eating poodle, THIS is what they call… …a tweetle beetle noodle poodle bottled paddled muddled duddled fuddled wuddled fox in socks, sir! Fox in socks, our game is done, sir. Thank you for a lot of fun, sir.
Hi. i’m a high school student looking to enroll in drama school soon. I get paranoid thinking that i’m going to screw myself over by pursuing this passion. I wanted to know what you do now as your main career or backup to sustain you until you make it. I would also appreciate it if you mention any post secondary degrees you got as well which affect your current job. thanks!
I need help with video production! I am working to explore the impact of sound and transcripts for one of my school projects. I need people to recreate an advertisement for me from a transcript (posted below). If you're interested please record your video and send it to me. Feel free to add any visuals, personal sounds and editing techniques that you want. I need it to be horizontal. Read the script and decide what kind of video it is. Feel free to leave your thoughts as well and say the reasoning behind how you created your version of this advertisement. Thanks! \[Piano music plays\] Narrator: “There he goes. Fearless Trapper Tom out after the dreaded Argentine Ants. But what’s this...” \[Piano music ends\] Man: “Ten dollars reward. Open season. Oh boy. Hey, that means you can get your own license to hunt an Argentine ants and I need your help boys and girls, I can tell ya. “See how many of them fit onto a five-cent piece. These little brown Argentine ants might look small, but they’ll get into your house and eat almost anything. It’s very important to track them down. So, if you’re the first girl or boy to find a nest in the area, you'll win a ten dollar reward. So, ask mum and dad if you can have a license to hunt Argentine ants. “You can get one at your local council and they’ll give you a special badge and hunting tube and everything. And you can win ten dollars as well. So join me now in the big hunt for Argentine ants, and ill be back soon to tell you more about it.
So basically I'm 18 and I lived the past 3-4 years thinking I was a good actor. The fact is that recently a lot of people started to point out my errors, and they are a lot. Rewatching some videos I acted in I realized I was very clunky and looked like a robot, I talk too fast and (I think) can't transmit any emotions. I just wanted to vent a bit, because acting is everything for me and finding out that i'm not good is really hurting me, also because almost everyone of my age is basically better than me.
We’ve all heard the lengths method actors like Daniel Day Lewis go to to fully become a character, even refusing to break character off set, but what psychological and therapeutic methods do they use when filming is over to cease being that character?
Hi VO community! I used to live in Chicago, and I founded and organized ChiVO (Chicago Voice-over) a meet-up for VO folks, since nothing like that existed at the time (maybe even still). I don't live there anymore, but I love Chicago. I haven't moderated or maintained the [Facebook page](https://www.facebook.com/groups/ChicagoVoiceover/) in a while. I regularly get requests from folks to join, and the feed has devolved into people advertising their workshops. This is an open invitation--if you live/work in Chicagoland voice-over, I want to hear from you. I put out a poll on what members want to see from the group. If you have ideas, I want them. If you'd like to help moderate the page, I want your help--I'd love to have actual Chicagoans more involved. If you have other ideas, let me know! It's a captive audience who's just been sitting there, unattended (740 strong!). I'd like to foster the community!
I am considering getting into voice acting. I am at a junction in my life, since health problems mean both that I can't return to my previous (outdoor, physical) career, and that I need to move to a place with a different climate. Since I have had a passion for acting since I was a child, and as an adult I have developed a passion for animation (as a viewer), pursuing a career in voice acting for animation seems pretty appealing to me. Now, I know it's a lot of work and time to get into this field, that's all fine. But before I begin trying to walk that path, I need to know if it's feasible for my location needs. My health problems mean that I can't live in a hot climate--so LA and Texas are out of the question. Everywhere I read about how to go about this, it talks about getting started in "smaller markets" before moving to LA. I'm fine with never joining the big-time market, but *where* are these "smaller markets?" It never seems to say. I have to move anyway, so I'd love to be near a city where there are some small animation studios (or even just one!?) who hire voice actors. To put my question succinctly: **Other than LA and Texas, where in North America are there studios who hire voice actors for animation?** Bonus points if you name the studios. Thanks! (And sorry if this has been answered before, I did search around but didn't see it.)
I was hoping maybe some actors could weigh in on this. It seems that when I watch a film or television show, an actor who is about to be interrupted seems to speak in a run-on sort of way which is always a tell that they're about to be interrupted by another actor. What is it that causes this, from an actor's perspective? Can it be challenging to reliably and effectively be interrupted if speaking more naturally? Is this a side-effect of listening for the precise timing of the interruption?
I have loved watching movies and shows since I was born, I will watch anything from plays, sitcoms, b-list, to a-list. I just love film and have always enjoyed the idea of acting as a whole and I am in highschool drama. I have been reading up on shakespeare, biographies, and tips from actors on how to be successful. I know appearance is a big thing in acting because you have to look the part and so I've been dieting and working out everything (even my jaw). I am trying to get more chiseled facial features because I have a baby face and a manly body and I'm working on abs, I have an outline. I lost 30ish pounds since may and just working hard. Have researched colleges with good acting/film programs and looked at the american academy of dramatic arts. I live in the rural town in florida called Ponce de Leon and there is nothing acting related except for highschool drama. I'm looking into started gymnastics to gain control over my body and be able to play more parts in the future, are there programs or anything to help me pursuit my goals because I need all the help I can get and is gymnastics a good thing to go into for acting or anything I should go into to help me. Tldr, I want to act but need help
Weeks ago I asked on reddit if the reason films still survived today is because for a very long time movies were far superior to TV as a whole (minus the occasional miniseries, broadcasted live performance, sitcoms, and a few TV movies starring A List actors). Because I heard somewhere that it was only around the last 15 years that TV as a whole medium has finally been able to compete with movies alongside books and non-American comics in the same ballpark. That TV was all out **** before that time with miniseries as the consistent exception and it took to the 90s for 2 or 3 TV shows to finally be deemed worthy of being as good as cinema standards though much of the "best of the best" stuff in that decade such as Buffy and Xena were still mediocre and at best maybe better than your average B movie. So now I ask the same question but for theatre instead. Why did theatre survive despite cinema stealing so much of the theatre fanbase during the 20s and attaining a monopoly over entertainment in the 30s all the way to TV's introduction in the 50s and crippling Theatre's popularity so much? The question is even more relevant today with even new forms of entertainment has already permanently cripple cinema's monopoly and stolen its moneymakers such as TV, internet surfing, comics, and video games and more are now the preferred entertainment of much of the general populace. Movies still managed to survive even as TV and other mediums starts to equal it in artistic quality and more people would rather buy the newest PlayStation game or use PPV to see the next MLB game but its on a very dangerous zone near the cliff. If movies which practically at this point in society everybody from a 4 year old to 101 year old elder and even an ISIS terrorist nutjob know about and have seen at one point in their lives, is on life support.......... While so many millions and millions, possibly over a billion people, have never seen live plays before not even elementary school performances growing up! So how? How the heck does live theatre continue to survive? What does theatre have that TV and other entertainment doesn't? Bonus question, despite modern recording equipment allowing live theatre to be filmed and purchased, why do even diehard fans of say King Lear still watch it live, shelling out cash for expensive tickets? Even though DVDs of Tony Award winning performances have been made available for the general public to purchase?