We have found 19,445 posts across 4 actor forums:
SAG-AFTRA actors by Michel_Simon • last post Sep 25th
Union folks, are you noticing a decrease in your booking ratio over the last two months, now that episodic is back in swing? Really asking the major market folks here. I confirmed with a couple CD's and one rep that most of the offices are taking in upwards of 25% more self-tapes than pre-covid due to not having to spend so much time auditioning folks in person. Literally telling us, we now have a significantly tougher battle ahead theatrically, until we're back in-person. And yes, I've seen a drop myself, and it's concerning. Not alarmed yet, just curious what the rest of this season will look like considering we're battling a 25% increase in auditions for every role. Keep up the good fight people!
Do you need to go Drama School to succeed as an actor?! by Smilingtribute • last post Sep 25th
[View Poll](https://www.reddit.com/poll/izq7ep)
looking for actress 25-40 in NYC with interesting look for cool, psycho-thriller short film. **must be available October 8 + 9** by throwawayclownoutfit • last post Sep 25th
no budget passion project shooting with friends. small crew. awesome high end location, experienced DP. this is my 2nd short and I plan on submitting to reputable festivals. at the very least, will be a couple high quality clips for your reel. shoot location will be in east Flatbush & at the beach somewhere in Brooklyn (TBD). if you're interested, please PM with a link to your actors access / reel. hoping to find a person to collaborate with on future projects going forward as well if we click!
Fledgling voice actor looking for advice by bloodraven11 • last post Sep 25th
Hello, I'm an aspiring voice actor looking to dabble into the field. It's always fascinated me and last night I attempted to put a demo reel together. I think it could be better but I don't think it was the worst. I'm actually mainly in the VFX industry as a semi-successful freelancer. But I always enjoyed learning and watching people voice act. So I'm just curious what are some resources I could use to find my first gig as a voice actor? I want to stay clear of any bad sites and would rather use sites current voice actors are using. ​ [https://vimeo.com/461687594](https://vimeo.com/461687594) <-- Voice reel, be gentle....
Hi.. I just had a question about stage names? If I work on a project, and I get credited, but it's not my real name... does that screw anything up for the future? by PEEF_IS_A_PENIS_FART • last post Sep 25th
I don't know if stage names are something you have to register somewhere, or have legally changed, or... anything. I see plenty of actors who call themselves by a thing that isn't their birth name, in credits, and so forth. I'm just wondering if I'm going to run into issues when I ask to be credited in a way that isn't my name. I've only done a couple projects so far, nothing big. But if I make it... if I do well.. I don't want to run into any problems. Does anyone have any insights for me regarding this? Thank you.
Headshot-Age Range-Character Type Post - Sep 24 by AutoModerator • last post Sep 24th
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
How important is working on a variety of accents? by MedicalKitchen • last post Sep 24th
Is it necessary to perfect them or explore them? Do actors who get casted and need a foreign accent usually know how to do them already or is it the look and talent that gets them that part?
Understanding the actor's "choice" - same script (Fences) two wildly different performances. by Acting_Coach_Garret • last post Sep 24th
What is the best site / group besides this one to have people listen and give feedback on your demo and skills? by Aleczander- • last post Sep 24th
I thought with how many active people were on here that kind of thing would gain traction here, but it doesn't appear so, but that's ok! Is there a FB group or forum site or another sub reddit that is more active for voice actors giving feedback to each other about their materials / skill? Is there somewhere you can post your demo to have active industry listen in? I'm looking to send stuff out to agents but before I do I'd like to get a solid amount of feedback from people on what agencies are good in la for up and comers, and more critiques of my skills personally. Thanks for the help! Samples here if anyone's interested! http://www.alecewing.com/sample-work
Are voice actors allowed here? - Looking for feedback on my VO demo and website! by Aleczander- • last post Sep 24th
Hi everybody! I'm Aleczander. My demo is available here - www.alecewing.com/sample-work I've been a musician and composer most my life, and decided to put my audio engineering skills to use and go into voice acting. Any and all feedback you may have is welcome! Technicals, acting, music choice, mixing, whatever! Website also! I'm currently looking for representation and boy is that a mountain to climb. Thanks for the feedback!
Best voice performances where the actor is imitating another voice actor's take on a character? by endless_telegram • last post Sep 24th
I was having a conversation with an aspiring voice actor about this and he wants some ideas on some voice actors that are great at imitating other voice actors in anime, games and so on. Any ideas?
What to do/ask during an talent agent meeting? by caoroux • last post Sep 24th
Hello there talented people! I am an aspiring actor, non-union and have about 3 theatre plays experience, a bunch of acting workshops and went to one on-camera 2 week intensive. This week, I started submitting my package (Headshots, resume, cover letter and self tape demo reel) to talent agencies. Today, I heard back from one reputable talent agency for a meeting. Which was absolutely thrilling for me! But since this is my first time looking and ever talking to an agent.. I am unsure what I should talk about with them, what am I looking for and what are they going to look for from me? I know I am new, and I don't want to ask questions that would appear arrogant. But at the same time I dont want to show up like I dont know anything. I appreciate anyone's recommendation and opinion! Thank you!
Voice Actor’s of Reddit, tips/resources for practice/training? by Karokash • last post Sep 24th
A friend of mine is taking some sort of film class and has recently asked me to do some voice overs for some animated sequences that he is working on. He asked me because I have DM’d for him before and he felt like i’d enjoy doing some voice work. While that is extremely correct, I have absolutely no experience in legitmate voice acting but I want to make sure that I do a good job for his project. So i’m asking anyone who has any somewhat professional experience in this for any resources or tips for how I can practice and improve my abilities as all I know to do is to keep talking and saying random things. To be more specific, i’m looking for ways to improve accents and voice modulation. I’d like to be able to offer my friend a portfolio of versatile voices which aren’t immediately obvious that they are all the same person. Are there any warm up exercises I can do, online practice resources, scripts, anything of the sort? I am not always very good at communicating so if this is unclear or vague or confusing please feel free to ask me for clarification on anything.
Asian and acting by korakura • last post Sep 24th
let’s be real here - Hollywood is pretty racist towards all people of color but I feel Asians are the least seen in any show or movie. Every time I ask my friends to name an Asian actor(or any famous Asian) it’s either London Tipton (Brenda song from suite life of Zach and cody) or Sandra oh both of which have barely been relevant (until recently for Sandra oh who’s in a new show). Otherwise it’s crazy rich Asians and people still don’t know their names or didn’t watch it bc it’s an Asian cast. I feel like it might be a waste of time being Asian trying to become an actress with the limited roles we have historically gotten and the stories they continue to swipe from Asians (&other pocs). I’m not sure if I should even try pursuing acting with this information. Anyone have any thoughts on this?
Please feedback on my showreel. by PartyNearby • last post Sep 24th
Hey guys please can you feedback on my show reel I have been around with this for 5 years and in the UK but have gone slow and only small experience as an actor. so take it easy on me if comments are made! I intend to use this to show agent and casting directors of course. I really only have workshop related acting, I have done a student film though but can't get hold of them for the footage. Thank You! https://reddit.com/link/iyzqnt/video/li659joka4p51/player
How is NYC for amateur actors? by thedayoflavos • last post Sep 24th
I love acting but pursue it on a more low-key/fun level here in Atlanta; my philosophy is that I want to enjoy it, and if it pays the bills one day, I'll go from there. I've considered moving to NYC next year for a change of scenery; obviously it's a great city for professional actors, but do opportunities exist for amateurs with day jobs? I like in Atlanta that if I want to do some community theater or join an improv house team, it's not super-competitive or cutthroat. I'm worried in NYC that even something like community theater would have dozens of professional actors showing up to audition. Would love to hear any thoughts! Edit: I'm asking about NYC after Covid ends and normal theater/acting work resumes
As a new director, I would love to hear about what actors want/need/don't like? by tp1001 • last post Sep 24th
Dear actors/actresses, I'm directing a project in the coming months which is cast, crewed, and in pre-production, and I would love to hear advice from actors as to what helped and hindered their performance and experience. Essentially what made them feel comfortable, what frustrated them, what helped, or any advice/feedback they may have to a director. I'd love to create a welcoming and creative environment, however we are on a super tight budget which makes for very limited amount for me to work with them ahead of time. Any thoughts and feelings would be greatly appreciated.
Practice Monologues with me over Zoom? by szotaku • last post Sep 24th
Hi. Would anyone like to practice with me online? I have not much to offer, I'm not a great actor, but I'll do my best to make sure we have fun. I have tons of scripts on pdf and we can read whatever you want. I eat a lot of pizza, play chess, video games and write screenplays. And I look forward to meeting you. Who knows, we might end up creating the next generation Neighborhood Playhouse or something. But right now, all I need is someone to practice with. Send me a message. \^\^
Reminder: We have a resume formatting link in our sidebar from SAG-AFTRA by thisisnotarealperson • last post Sep 23rd
Hey folks, there are two resume posts recently that show me a lot of people aren't really familiar with the standard format for actor resumes. We have [this link right here](https://old.reddit.com/r/acting/comments/1egf72/resume_basics_from_sagaftra/) in our sidebar with info from SAG-AFTRA about how to format your resume, and shoutout to /u/stringtownie for recommending Bonnie Gillespie's [article about Resume Feng Shui](https://bonniegillespie.com/resume-feng-shui/). Check those out if you're curious what needs to go on our resumes and how they need to look. The bottom line is they're very basic, no fluff, no spin (other than what credits you choose to include and how you order them), a lot easier than "civilian" work resumes where you have to punch up the language and describe your roles and include a statement and yada yada yada oh yeah *that's* why I chose this career. Name up top, contact info/agent info below that, then credits broken up into headings, then training, then skills. Clean, easy to read.
Representation: what does it mean and why is it important? by stellarbayresident • last post Sep 23rd
Hello people of /r/acting! So, I want to open up a discussion about representation. Over the past 8 or 9 years, I have had a lot of reddit accounts and have always found myself coming back to and subsequently leaving this community. I think it’s important to talk about why. I know many of you will not agree with me on many of these points. But please be open to my perspective on this slow-learning (learning nonetheless!) industry we chose to pursue and that we love so much. My background: I am a queer Southeast Asian woman with an invisible disability (PTSD). All of these parts of my identity have hindered me in more ways than I even care to think about sometimes. As recently as Wednesday, I experienced blatantly racist bullying on set that I was called “petty” (by a white actor) for refusing to tolerate. As recently as last week, I had to hide that I was having a trauma flashback because commercial production crews aren’t really equipped to handle that sort of thing. And I have been called a “diva” in the past for speaking up about needing a break due to similar issues. So I would like to open up a frank discussion about the lack of equity present in the film/TV and, to a lesser extent, theatre industry. Here is a list of things I have read (paraphrased of course) on this subreddit over the years when the topic of “representation and equality” and what that means pops up. And I want to explain why, in my opinion, they are absolutely not the take. **”I’m an ally, but I don’t think giving a role that calls for the character to be in a wheelchair to someone in a wheelchair when an actor who isn’t in a wheelchair & is more talented auditioned is very fair.”** So, I get this one at face value. It seems obvious: give the role to the actor who best suits the character. Technically, everyone has an *equal* chance of booking it, right? Anyone who auditions should be assumed to be on a level playing field once they’re in front of the camera. But let’s ask ourselves a few questions. Did the actor in the wheelchair experience more barriers to entry when it comes to education and training? Did your training facility openly and enthusiastically accommodate actors who use wheelchairs? Is this even something you’ve *ever needed to think about?!* Has the actor in a wheelchair ever had a chance to be cast in a role that requires walking, the same way the actor not in a wheelchair has chances to be cast in roles that either do or do not require walking? My point with this one is that I think I see this sort of debate so often because for some reason, non-wheelchair using actors think that being denied this one role is an affront to the entire industry. But we have to stop and think about the fact that actors in wheelchairs (replace this with many disabilities/medical devices - I chose using a wheelchair because that is a real conversation I have witnessed and it’s an obvious visual device) have been denied far, far more roles than you could possibly imagine. Why wouldn’t we, as a group of empathetic storytellers, want to advance other storytellers in ways they’ve been shown and told are not possible for them? And we have to ask why we wouldn’t choose the person who knows the struggle best to portray it. Which leads me to the next point... **”Why would you actually need to be gay to portray a gay character? Do you think you need to actually murder people to play a serial killer?”** Okay, well let’s just stop this one right here. This is absolutely ridiculous, and it seems to be the standard, go-to defense! When you say this, you are comparing living in a world where a single facet of your identity is politicized, fetishized, tokenized, glossed over, and co-opted to *murdering human beings*. Can you see how incredibly insensitive and homophobic this ends up sounding? The serial killer community is not hurting for more representation. Serial killers have not had to fight bloody fights for civil rights! This is a ludicrous defense that, again, I believe is born out of people somehow thinking that if this one role is off the table for them, then the industry is ruined or perhaps too sensitive. Now, I think this one is a bit of a grey area because, sometimes, you have a role where the character is LGBTQ+ but it has absolutely nothing to do with the story. And because things like gender and sexuality can be very fluid, I think this depends on the role and the actor. But please stop comparing a group of marginalized, historically ostracized people who have had to literally fight for some of their rights and hide ultimately innocuous parts of who they are as a human to serial killers. It’s not funny, original, or thought-provoking. It’s homophobic, immature, and rude. **”I just wish they would stop pushing diversity for the sake of diversity alone. The movie/play/etc. needs to SAY something ELSE.”** So, if you’re a white person, something you might not understand is that any person who doesn’t look white has had to justify their participation in this industry somehow at some point. Probably multiple times, and usually to old white dudes. As a woman in her twenties, the amount of men (and some women) who have said disturbing and inappropriate things to me regarding my ethnicity is absurd. I’m talking I can’t count on hands and feet how many times I have been openly “exoticized”. You might not believe me. You might have been the person asking a seemingly innocent question, not realizing that it’s actually racially loaded. You might be thinking “well if you don’t like being treated that way, don’t participate in that production.” It is not that simple, because racially insensitive behavior happens *pretty much on all sets all the time*. I don’t even have time to explain all of the race-related bullshit I encounter with a frustrating degree of regularity. To this point I say, maybe diversity is exactly what they wanted to say. Maybe that is the only message. And if it makes you uncomfortable, that’s for you to work out, and quickly, because being racist, even a little bit, is really falling out of fashion. And you don’t want to be in the wrong side of that. People often talk about the “politics” of the industry or having to worry about “being politically correct” and the “political climate.” I have some news for those people: we don’t see ourselves as political. We (that is, people who aren’t white, able-bodied, cis/hetero individuals) are just people who deserve to do the work we love to do, too. **We should be able to tell our stories the way people who aren’t us have been allowed to tell both their AND our stories for as long as America has existed.** Yearning for proportional representation both on screen and behind the scenes is not political. It’s human. We are human. And, look. At the end of all of this, EVERYONE STRUGGLES! In acting, and really in any industry, people who are independently wealthy (whether that’s generational wealth or from some other source) will always, and I mean *always* have a leg up. That’s because of better access to training, easier ways to network, etc. And this is the industry of constant rejection. We all know this. But my point here is that while most of us experience hardship and rejection somewhat frequently, if you are a white, able bodied, cis/heterosexual individual, *those* are not things you’ve had to overcome. You might currently *feel* like those are disadvantages because as equity is given to those who need it, you lose some privilege. Privileges that have been completely out of reach for huge groups of people for a long, long time. And if you’re used to having privilege, losing it feels like you’re being held back. But in reality, others are just being given a more equitable chance. And that can threaten a lot of mediocre but privileged people.