We have found 19,407 posts across 4 actor forums:
Can I still be an actor with a “gay voice”? by Fashionlvr_ • last post Sep 4th
Hi there! Like many of you, I am an aspiring actor. So here’s the dilemma: I am a 19 year old gay guy and I have always loved the world of film and theatre, but it wasn’t until recently that I started taking it very seriously. I have aspirations of being an actor, I’m not in it for superstardom (although it would be great haha) I just love it. The problem is that I was cursed with “the gay voice”. It’s not necessarily high pitched, more medium pitched, but it’s very campy and you can tell I’m gay the second I open my mouth. I don’t have a problem with my voice, it’s “me”, it’s just that it’s a little hard to get roles with it. I have been told that my voice is to feminine for straight roles. I could definitely get type casted into playing gay roles but how many gay roles are really out there? And like many actors, I would love to be able to express my range as an actor. When I try to deepen my voice, I just sound like someone trying to deepen their voice. It does not sound authentic. So essentially my questions are: Is there voice training that I can do to masculinize my voice? Am I just over thinking this? Any advice you would like to give? PS. No I don’t hate myself. Don’t turn this into that. I have plenty of time to be myself and talk how I talk when I’m not playing a role.
When to use or remove the word "aspiring" from Voice Actress / Actor title? by Misobomi • last post Sep 4th
So I recently got an agent for VA but I have this thing that I'm just wondering, my bio on every social media is "Aspiring Voice Over Actress", my question is: When do you guys/gals think I should remove the "aspiring" part? As soon as I get the first payed job? As soon as I get an agent? Or...when I feel mentally ready to just remove it?
Hiring Voice Actors Remotely - Ideas to get best performance and finished product by posts_lindsay_lohan • last post Sep 4th
I'm working on a scripted radio drama style of podcast and I will be hiring remote voice actors to play several roles. I will also be playing one of the roles along with narrating. Would it be a good idea for me to record all of the parts - basically the entire play - then send this recording, along with the script, to each of the actors with the part that I want them to voice over highlighted? The idea is that if I record all of the parts myself, they would get an idea of the inflections, dynamics, tone, and pacing that I'm looking for without having to read through a bunch of notes and try to interpret the performance. Has anyone ever done this, or do you just send out the script and hope for the best from the performance? Or maybe get multiple takes and edit them to get what you're looking for?
Poetry Intepretation Channel by PaulrPetrisor • last post Sep 4th
Video Link : [https://www.youtube.com/watch?v=2f6-6NvOWiQ](https://www.youtube.com/watch?v=2f6-6NvOWiQ) Hello Guys, I'm an actor from Romania, and quite recently I've decided to start my own little youtube project, in which I will be mostly interpreting poetry. I posted my interpretation of Bluebird by Charles Bukowski the other day. It would be cool if you could have a look at it, it's only a couple minutes long and there's a chance you might enjoy it. I'll be trying to post 2 times a week for now. Next one will probably come out Monday, IF by Rudyard Kipling.
Asian actors: Advantage or disadvantage? by ak47revolver9 • last post Sep 4th
I'm considering getting into acting, and am Chinese. With basically no experience at all, I know that if I pursue this, there will be a lot of work and a lot of struggling, for a long while, as it is for even the best actors out there. I know that Asians are vastly underrepresented in American films (which I get it--America has a lot of white people so that reflects in its films) or they are stereotyped. I'm just wondering: how hard is it for Asian actors to become successful? By successful, I mean able to live solely on their earnings from acting, and living comfortably. Not rich, just comfortable, not having to worry about food or bills, and feel okay about retirement/providing for their children. Do you think the lack of Asian actors in the industry hinders Asian actor's chances at getting booked/being successful? Or do you think that the reduced amount of roles/Asian actors makes things less competitive, and thus easier to book/become successful? (I'm talking more about film/TV and not stage.)
How does the industry treat transgender people? by pripaca • last post Sep 4th
Hey there, so, I'm 17 and FtM transgender, and since I was about 13 or 14, I've wanted to become an actor. I've only done school plays and I was planning on joining my town's playhouse but, what with the pandemic, that crashed and burned. But I've done all kinds of research on the entertainment industry, and this subreddit has really helped me gain the knowledge I need to pursue my dream. Of course, I also know that it's a brutal industry and it's far from easy. I'm wondering if any other trans actors out there who have more experience than I do know how it treats us, how it affects our chances, etc. I don't see very many transgender actors out there. In fact, the only ones I know of are Laverne Cox (MtF) and Bex Taylor-Klaus (NB). I'm sure there's others out there, but again, I've just never heard of them. For a little more background information, I'm born and raised in California, I'm still deciding if I'll even stay in California after high school, and transition-wise, I've only really socially transitioned, but hope to legally change my name and at least start seeing a transition therapist sometime after I turn 18. But I just want to know how the acting industry is for/towards transgender people, and if there's any little tips and tricks I should know about.
So I have a question about Zoom-Produced shows. by BryOreoTendo2019 • last post Sep 4th
Basically, if the zoom production has costumes, lighting, music, staged backgrounds, etc. (Like Dunvegan's Zoom version of Dracula), would it be ok to put that on the resume if one did a show such as that? And also, as a aspiring professional actor, should simple Zoom readthroughs such as Zenith Players' production of The Birds or Frankenstein (shows with just background images and line readings with little to no music) be put on a resume, or no? I ask this because the 2nd question currently makes up the Top chronological half of my resume, and I asked question 1 because I'm thinking of auditioning for a future Dunvegan Production Zoom show in the future. Any help would be greatly appreciated. Thank you. Bonus points if you happen to have worked on Broadway at one point or in professional theatre.
How to deal with Rejection/Failure as an Actor by paulcastrojr • last post Sep 4th
Learning to cry through meditation? by gexe93 • last post Sep 4th
I’m not an actor, but I used to meditate a lot. I’m able release my emotions and cry easily. I was doing role play for my job this week and cried on cue twice in the scenes, using the skill I learned from meditation. Is this a genuine technique? What am I doing? I’m not thinking about anything Traumatic. Someone let me know please thank youuuu
Do you perceive voices acting the opposite sex different than voices doing their own sex? by jarnold132 • last post Sep 4th
I found myself getting exceptionally lost in, and suspending disbelief so naturally while listening a male voice doing an evil female woman voice. Not sure it it's just because the actor is talented or because there's some kind of psychological difference in the way we process voices. [Like Mother Like Daughter](https://youtu.be/2GfRWGN-Mrg)
LinkedIn by majesticartz • last post Sep 3rd
Is LinkedIn a good form of networking for an actor?
LA agencies during COVID by c1ubpengu1n • last post Sep 3rd
hey actors in LA! I’m looking to join a LA agency (originally from NYC). Do u know any that are actively taking submissions? Do u know any that are actively sending out their clients for auditions, even during Covid? Which ones are best affiliated with Netflix opportunities? Would it be effective for me to move out for pilot season?
Do I Want a Preamp in My Mix? by TheFourthAct • last post Sep 3rd
Hey folks, This is my first post here! I'm looking to transition from using my Apogee USB mic to purchasing my first XLR mic. I've decided to make the transition because I'm just about finished building my booth and I want to have a competitive sound. However, I've never used an audio interface before so this is new territory for me. After doing some research, I'm a little confused. I asked an audio engineer and he recommended I get the Apollo Solo because it functions as a preamp and an audio interface. However, I've never heard any voice actors mention needing a preamp. tldr: Is a preamp mandatory for a competitive sound or is an XLR mic with an audio interface (Ex: Scarlet 2i2) enough? ​ Thank you!
Does the market you're in change the ages you play? by justliveon • last post Sep 3rd
I am 20 years old, 5'2, 115 pounds with a round baby face and when I talk to my LA based coach or other working actors in LA I'm told my age range starts somewhere around 15 or 16 and goes up to 22 or 23. I see teen/college shows and I think I look about the same age as most of them, however my local agent (I'm in a small market) insists you're always supposed to age up and the youngest she has submitted me for was 23 and the oldest was 32. I don't look 32. I think the oldest I could possibly play would be 24. I haven't gotten a callback on anything she has sent me out for, but when I self submit to things it's hard to find teen roles in the area, so could that be what's wrong? I have, however, found a few 18-21 aged roles on my own and gotten a callback on almost all of them. I'm just a bit confused.
Looking for an actress by drewigi • last post Sep 3rd
I'm doing a series on youtube. Just a heads up I can't pay and I'm not making any money from this either. Looking for an actress between 25 and 35. Location doesn't matter because it will be a vlog style series. If you're interested let me know
Headshot-Age Range-Character Type Post - Sep 3 by AutoModerator • last post Sep 3rd
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
Just watched this clip from 'Call me by your name' Question: Actors don't have to say word for word on the script? by leeval11 • last post Sep 3rd
CASTING CALL FOR GAME SHOW by jayfrankcomedy • last post Sep 2nd
CASTING CALL | GAME SHOW Looking for Actors (female/male) for game show. Due to social distancing, this will be filmed through streaming so you must have a device (phone/computer) that can be used to stream. Please contact [sharonsimoncomedy@gmail.com](mailto:sharonsimoncomedy@gmail.com) for more details. This is not a paid gig, it will offer TV Credit.
Advice for Authors Seeking Voice Talent by evelinaeverest • last post Sep 2nd
Hello Uber Talented Voice Actors! I am an author starting the search for voice talent (for an audiobook). I have a few questions and would love some advice from the pros. Hopefully, this will be helpful to other authors passing through. Is ACX the only place to connect with talent? Are there any things I should look for when screening auditions? Are there things I can do to attract voice talent to my project? Thanks so much :)
Tips and hints on Audition Self-Tapes from a professional Casting Director's office! by ShintoShinto • last post Sep 2nd
Hello my fellow artists! As an actor in LA I know how frustrating self-tapes can be. I want to share these tips with you from a professional Casting Director's office. ​ *EQUIPMENT* **1. Keep it simple.** a. You DON’T have to spend a lot of money to have a solid self-tape set-up. b. Don’t stress! Remember, we are not looking for a perfectly produced video. c. Do your best and try to enjoy it like any other audition. **2. Camera** a. Use a tripod or something similar to secure your camera, phone, or tablet. b. Always record horizontally, not vertically. Full-body slates are an exception. c. Computers can make great self-tapes while allowing you to have a virtual reader. d. Ideal framing is close enough to see your eyes. We connect with people’s eyes, so this is very important. You should be in the center with the bottom of the frame at about the middle of your chest and the top of the frame just above the top of your head. **3. Backdrops & Backgrounds** a. Backdrops are acceptable but not really necessary. A plain wall or even a sparsely decorated side of the room is perfectly fine, so long as it is not distracting from your performance. **4. Lighting** a. Be sure you have good light and can be seen clearly but not so bright that you are blown out. Make sure your eyes can be seen clearly. Can we tell what color they are? b. Natural, indirect sunlight, with you facing a window often works well. Ring lights also often work well, travel easily, and they don’t have to be expensive. c. Avoid bright lights behind you (ie. windows), which might draw light away from your face and eyes when on camera. **5. Sound** a. Find a quiet room without an echo. A smaller room may provide the best sound. b. Position the reader so that they are not closer to the camera and louder than you. c. Consider a directional mic or lavalier (lapel) mic if you experience background noise or if the reader is too loud. *PREPARATION & PERFORMANCE* **1. Prepare as you would any audition.** a. Do your research. Learn everything you need to know about the project and watch an episode! What is the genre? Where and when does it take place? Who is behind it? What is the tone and pacing? b. Understand your sides: Define words you don’t know; Learn how to pronounce unfamiliar words and names; Reference other character sides if available; Be confident with your understanding of the material. c. Try to be as off-book as possible but you don’t have to be empty-handed: Know your lines and be confident with the material so you can focus on performing. Unless told otherwise, we have no problem with actors holding their sides. d. Avoid paraphrasing and ad-libbing: Changing lines is generally not advisable, but if you HAVE to phrase a line slightly differently to get through it, we will try not to hold it against you. Keep in mind that many writers/producers may prefer that you do not change anything as you risk altering the pacing, flow, and/or humor. An exception may be the occasional, minor ad-libbed button at the end of a scene, but not every office is receptive to this. Use sparingly. e. Minimize action and movements. f. Ask Questions! If you can’t figure something out after doing your own research, always ask your rep to pass along your questions to us. We WANT you to have everything you need to succeed and we are happy to answer your thoughtful questions. **2. Wardrobe** a. Keep your wardrobe simple. Appropriate, everyday clothes are perfectly fine unless otherwise specified. b. You may dress towards a character but you should avoid costumes unless requested. For example, you can dress for a military role without wearing fatigues or a uniform. Instead of fatigues, maybe a t-shirt or tanktop tucked into khakis might work. Instead of military uniform, try a plain, button-down shirt with dark slacks. c. Avoid wardrobe with distracting text or clashing colors and patterns. **3. Props** a. In general, avoid props whenever possible. Props, especially unexpected props, may distract the viewer from your performance. b. Common exceptions to the props rule are cell phones, bags, glasses. c. If you use a prop, don’t make the scene about the prop. d. Avoid things in your mouth, such as gum, toothpicks, food, and beverages. 4. Always use a live reader when possible, but do your best with what you have. a. Pick a reader that you can work with, react to, and won’t upstage you. b. If a reader cannot physically be in the room with you, try reading the scene via video chat or phone. Consider platforms like Zoom or WeAudition which allow you to record yourself on the same device while working with a reader. I think all around they cover generally every point that can help you film a better self-tape. BUT to tell you my opinion and success I've had with my own way of doing it: don't upstage/stress yourself by being too technical when it comes to self-tapes. Your authenticity & performance is the most important part about your tape, don't be afraid to bend the rules in your benefit. Hope this helps a little - Shoot if you have any questions! Peace!