Hello! My name is Breana. I live in Los Angeles and I have taken 2 years of acting in high school. I love acting because I get to be a totally different person and be so confident doing it. My question is, • are there any agencies you'd recommend? • How did you start your acting career? • What are some things you wish you knew when you started and what advice would you have told yourself back then? Any tips would be greatly appreciated!! And I hope this thread can help other novice actors as well!
Is there some reason it is a bad idea that I don't know about?
I feel like the big majority here prefers AA, but I took a look at Backstage and honestly think it has more fitting casting calls for me at least (I’m 18F based in NYC). Which one do you prefer and why?
hi, i don't want to make this too long because this is not a usual situation. i go to a magnet high school, and we do a black history month assembly with a show every year depicting different events in history. our school is very diverse, we have no majority, but we do have a majority sex. its about 7:3 females to males at my school and we don't have a lot of white guys, especially tall white guys. my school is very artsy, so you usually find "regular" high school kids in your computer and workshop classes. my math teacher approached me and practically begged me to play a racist in the presentation because they were lacking white men, especially those who could pass as intimidating authority figures. my role, drag someone in, look menacing, and then drag them off. the catch is, i am not an actor so i have a terrible stage presence. ​ question: how do i make myself look menacing without being awkward, from the moment i walk out dragging them, to the moment i drag them off thank u, a very confused high school junior who should have just said no. <3
I have been taking classes, doing community theatre and volounterring for student films for almost 2 years, (I also have professional headshots for what its worth). Probably not very long compared to some, but quiting my job to act full time is my current goal(likely won't happen too soon but that's okay!) Anyways, I hear that for most paid opportunities these two services are invaluable. How true is that? Is getting an agent just as good or better? Should I apply for agencies before signing up for these services? Should I use these services even if i do have an agent? Also, from my understanding, IMDBpro and Backstage work in conjunction. Is that true or is one better/more essential than the other(not 100% clear on their functions). Any insight would be greatly appreciated, thank you!
Hello all, First off I'm not selling anything. I am seeking actors, filmmakers and other creatives to test a platform I've been working on, geared toward indie and student filmmakers. I've worked on small productions and find that it's very common for newcomers and more seasoned filmmakers to wear many hats (actor/writer/director/editor, etc.), which can be a positive or negative for the finished product. Based on my own experiences in this space, I think existing platforms like Backstage and Stage32 are great but lacking in several areas. My goal isn't to compete with these sites, but rather (hopefully) develop something that is uniquely tailored to people just starting out and/or building their portfolio and gaining experience. The primary goals of Filmpatico (working) are to: * match creatives to new and existing projects * encourage networking for future ones * streamline communication, scheduling and file sharing with a project management module It's currently in a rough development stage so there are bound to be bugs, but I would greatly appreciate if anyone has time to take a look and and click around a bit to see if this is something that would be beneficial to the community. Even a 5 minute glance and first impression is very helpful and I welcome any kind of criticism or suggestions. Feel free to send me a PM also. URL is [filmpatico.com](https://filmpatico.com/). Thank you so much!
Hello fellow actors, I was wondering what the best audition websites are for auditions based in NYC, mainly looking for tv, film and commercial auditions. I know of the big ones such as backstage and actors access, but which ones do you feel get you the most bang for your buck?
I already act professionally out of NYC and would like to know about favorite bfa programs for somewhat working actors (I really only get a few jobs a year). Or, if not bfa programs, flexible college programs that will accommodate someone pursuing acting. Favorite BFA programs so far are CMU, USC, Julliard, and NYU but I have no idea if they're as flexible as I'd like them to be (especially NYU).
Hello! Just a head's up to all my Aussie VO / VA brethren. We are calling all Australian Voiceoverists to come join our community discord server at [https://discord.gg/MbMD4A](https://discord.gg/MbMD4A) come join and get access to free casting calls / workshop schedules / local industry tips and tricks and community! Looking forward to seeing you there!
I've been looking for months. Every voice actor overplays it or underplays it. Is there anyone out there interested in being the voice of a loving husband? Thank you!
Former “took a long break” actor. I no longer have any updated video (within the last 7 years) to create a reel, but most of the auditions I’ve seen I could possibly go for ask for a video reel. I can and will film my own scenes/monologues if necessary but is that suggested? What do you normally film if you’re creating your own before you have new material? I consider myself a newbie as it’s been almost a decade since I’ve even been on an audition so please be kind! I know it’s a different world out there now. I’m taking some improv classes at UCB and am looking into some refresher courses at a few schools. I am looking for a focus in film where I don’t necessarily have to start at “101” (but I will). Any suggestions there would help to. I was with Stella Adler over ten years ago on both coasts.
How can I make something of myself? (UK) Hello fellow creatives. I’m a London based actor currently training at drama school. I’m graduating from my course in the summer. I’m in my early twenties and I’ve had extensive training in dance, singing & movement in the past but my course is strictly acting. We just had the school semi finals for a singing contest that I wasn’t selected for in the end (I won’t go into details on this post about this) but this has devastated me as I’ve been working towards getting to the finals for several months. I am worried that my age, 23, is too late to make it as a young actor in the industry. My drama school has training at the same level as LAMDA or Central (we share many of the same teachers and follow a similar curriculum) but we’re not as well known as them and many graduates from my course haven’t gone on to do much beyond minor TV roles or fringe acting. The course is full time & accredited. I see people my age, like Timothée Chalamet, Anya Taylor Joy, Florence Pugh, Ellie Bamber, Emma Corrin (in film/tv) and stage actors in big theatre plays and I know that they all started somewhere/had contacts/were very rich to start with but it feels like I’m at a disadvantage because I wasn’t born into a family of screenwriters or directors. I feel like I need a mentor but mentorship seems to be a rarity in this industry (at least in the UK) and I don’t know if I should keep pursuing acting indefinitely if I’m never going to act professionally like many people who finished my course. It feels unfair that most RADA graduates get agents immediately after graduation, they get cast in big west end shows without prior experience etc and that’s out of reach for 50% of other drama schools (like Rose Bruford, E15, or the unaccredited ones) So what can I do better? Networking/going to events every day hoping someone will notice me? (That feels very La La Land) or just keep on with my training, try my best and get auditions? I just don’t understand how to really get into the industry.
I am woman in my 20's looking to get into voice acting without paying an agent. I live in a major city. Not exactly sure want effective routes to take first. I am open to any constructive criticism and helpful tips.
I signed up for Wendy Alane Wright's Hollywood Winner Circle course and regret it immediately. I wish I had checked Reddit before I basically got scammed. I am in her group TMFA and I see posts about it non stop so I decided to check it out because there were good testimonials. I am an actor but I do have credits under my belt and have done classes and workshops. The information in the course is as basic as it comes. It is all information I had either read in Bonnie Gillespie's books, articles, workshops and similar things. If you know nothing about the industry and do not want to take the time to do research maybe it is right for you. But for me it was nothing more than a waste of money. I got added to her secret group for people who pay and now she is trying to scam actors into paying to do these short film productions just to get credits. But she does not know how to do a production herself and it is already a mess. So just be cautious. If you know nothing about Hollywood then maybe the course is fine but I say save your monies and use it on things that will actually help your career. I know I said I got "scammed" and I feel I did but ultimately I made the choice myself. If I had to give it a review out of 10 with 10 being the highest, I'd give it a 2 at max. While the presentation of materials is nice, it seems her only goal is to charge more and more people for information that someone could just google. She has formed a sort of cult like following on Facebook but in seeing Reddit and Backstage posts, I regret paying and just wanted to provide my fair and objective review. Today she posted an article about her course but it is SPONSORED meaning she paid for the article but is trying to trick people into thinking it is a legitimate course. I suppose everyone has a right to do what they wish but as someone who has acted and been to coaches and workshops I just feel her approach and attempts to get money off innocent new comers to the acting world is kind of unfair too. Stick to legitimate people who know what they are doing and don't be dupped like I was. Let this lesson be on my dime.
I have a good mic, some talent, and I think I want to get my foot in the door. What do I do? How do I put my name out there? How would I get hired? Also, what exactly is a demo reel? I know it’s something you put out so they can get a feel for your voice but what do I say in it? Do I just make up random lines and say them into the mic? I’m completely new to this, so please explain it to me like I’m 5 years old. Thanks! Edit to clarify: I’m not quite looking for big projects or anything right now, as while my microphone is good, my setup isn’t really professional at all and I don’t have a lot of money or space to effectively make a VO booth or room. I’m just looking for small stuff to get some experience and gain some traction so to speak.
I pretty much just got all my equipment and closet booth set up, but am waiting on my headphones. I pretty much never can hear silence, because the quieter things get the more apparent the ringing is. Any tips or stories?
Hey guys, really need a little bit of help here. I have an actor muso audition tomorrow that I’m extremely excited for and want to do well. They’ve asked for one contemporary and one classical from the 16th, 17th, and 18th century. I have one Shakespeare, a Shaw and a contemporary but I’m having a lot of problems with my shakespeare monologue. I’ve asked others and I’ve all got different answers but my problem is that I cannot perform the Shakespeare for the life of me. My Shaw piece is something which I truly love to perform and can show off my skills but it’s not what they’ve asked for and I cannot make up my mind on whether to just bring the Shaw and half a Shakespeare or don’t do the Shaw at all and just do the Shakespeare and contemporary Is there anyone who could give me some honest advice and have been in this situation before? Thank you!
I know many actors pick waitressing or something similar because it's flexible, but is it really THAT flexible? My goal is to get to 100 auditions before the end of the year, and then 150 be year. Can you seriously call up the restaurant or whatever you work at and say you're not coming because of an audition on a regular basis without getting fired? How else can you do it?
Hey All - I recently interviewed for a spot at William Alderson's studio in LA for their summer intensive. They teach Meisner technique there, and I am excited to expand this part of my actor's toolbox. ​ What I want to know is if anyone else has taken courses with Mr. Alderson? I read some Yelp reviews, but all seem to be 5/5 stars, and raving - which makes me a bit suspicious. Any feedback is helpful!
*"I get very emotional when I talk to actors because, I am you. I know your hearts. I don't know 'you', but I know your hearts. I know the desire. And I know the tragedy of laziness. The tragedy of entitlement. The tragedy of 'It's about me'. It's not about you, It's DEEPLY about you and it's not about you. Once you understand that... You're free." -* **Larry Moss.** [Larry Moss - It's Not About You.](https://www.youtube.com/watch?v=S2f7TO1kIX8) Hey guys, Just wanted to share some wisdom from the world renowned acting teacher Larry Moss. Lately I've been facing my own self doubt again and have always found my way back into reading 'The Intent to Live' (which if you haven't read you definitely should) by Larry Moss, a truly incredible text. His words and passion for the craft have inspired me time and time again to keep going and pursue my dream. If you're an Aussie based actor and you're looking to deepen your knowledge of the craft, he's coming through Brisbane, Sydney & Melbourne over April - May. Be sure to check him out, he's not one to miss and this could be his last trip to Australia. If you're like me and you're feeling like there's no end to how punishing this industry can feel at times, just remember - "It's not about you".