We have found 19,446 posts across 4 actor forums:
Drama school audition, eye contact with the panel and when best appropriate? by Gwts200 • last post Feb 9th
So I know eye contact is essential in acting but should you make eye contact as if the panel is the other “actor” you are talking to on stage? Say Romeo Act 2 scene 2, should I direct my dialogue in the distance off centre as if Juliet is in the corner of the room or should I direct it towards the panel as if they are Juliet themselves ?
Shortness of breath when reading long sections of a script without interruption. Any tips guys? by odonian_dream • last post Feb 9th
Hi! So I have a script. There are some sections that are kinda long (10 long sentences or so) and near the end of them I find myself short of breath. This makes me sound tense. Pausing to draw my breath isn't going to cut it - it's taking too long because I just consumed all my air reserves. The only trick that somewhat works is to keep talking while in-breathing. That too sounds a bit unnatural. How do actors do it? How do you guys do it with long chunks of a script? (I'm not an actor myself). ​
Who is the nicest voice actor you've met? by BeYourOwnDensity • last post Feb 9th
I've seen COUNTLESS forums discussing the nicest/meanest celebrity that fans have encountered. I never see voice actors mentioned in these, so I'd like to know specifically about encounters with them. To those who have met any VAs, who was the nicest? Be it a chance encounter or at a con.
Do You Think Actor's That Do Their Own Stunts Do EVERYTHING Themselves? by FrankyFun • last post Feb 9th
A few of my friends and I got together to put together a short film to showcase some stunt acting work. Let me know what you guys think! https://www.youtube.com/watch?v=-2XL7Jz8Y6s&feature=youtu.be&fbclid=IwAR1vYTrKbPcMWEIeVIiqiADooXT1eUqLZSfOcAka5B5Dw67-S8penHe8wBE
Actors of Vancouver... Casting Directors and Office Locations? by azthemansays • last post Feb 9th
Planning on moving to Van from Toronto to have some "getting to know you" time with casting to open up more opportunities. I'm looking at rentals, but I don't know where the best areas that would be close are. Who are the prominent casting directors (ie. Toronto's Stephanie Gorin, Buchan/Knight, Tina Gerussi, etc and Jigsaw/Mann/Powerhouse Vancouver equivalents) and what part of Vancouver are their offices located?
following up with an agency by neutralcalculation • last post Feb 8th
hello fellow actors - i submitted to an agency in my area that i REALLY want to meet with for representation on 12/26. my question is in regards to following up. their site states: “Allow at least two weeks for your email submission to be reviewed before following up. Do so by email only.” this is the first time i’ve seen mention of following up with an agency after submitting. does anyone have any experience with this? i actually just started filming a feature (lead role) and i made no mention of that in my original submission, so i think that it’s a great excuse for a follow up. i guess i’m just not really sure what to say without coming across as annoying. i absolutely don’t want to do that. any advice is appreciated. thank you!
Submissions to Auditions by CaliforniaStoked • last post Feb 8th
On average, how many auditions do you get from your submissions on a weekly basis via Actors Access? I'm feeling a bit stuck right now, because I barely get any theatrical auditions. Wether thats for a paying indie or a non paying student film, crickets. I'm feeling a bit frustrated. I know I need to get my reel updated, but if I'm not getting auditions, thats a little hard to do. My headshots were just updated last month. I'm in the Los Angeles market, if that helps. So maybe the competition is a big reason why I'm not getting a ton of auditions at the moment? I'd love for anyone to critique my headshots/resume/reel clips and let me know what you think the problem may be. I'd appreciate the help! [https://lacasting.com/brittanyjoyal](https://lacasting.com/brittanyjoyal) Also: My resume is a lot longer than that, but I only like to put the projects on it that I'm proud of and are high quality.
How important is cold reading? Will it make or break an actors career? by Brazilian_Black • last post Feb 8th
Working actors in San Diego? by abeezyana • last post Feb 8th
Any actors here who live in San Diego and commute to LA for work? If so, how’s it going for you? Will agents rep you if you live in San Diego?
Is Instagram part of your marketing strategy as an actor? Is it working for you? by WordAndCopySayer • last post Feb 8th
Been seeing a lot of actors on Insta with large follower counts, and even though they post pretty pics, they don't always seem to have much going on career-wise. I assume they've worked the platform to build that audience (unless they've bought those numbers which I guess happens), but without a show or a film or even a play to point to, they're doing something else to get that visibility. Which is great but my question is... Is Instagram part of your marketing strategy as an actor and if so, have you seen tangible benefits? Other than the obvious answers like, "Casting looks at social media numbers now so they'd better be good," have you seen other benefits? Been asked to read for something you wouldn't otherwise have access to? Been approached by potential reps? Do you feel like it's helped you level up in any way? Curious to hear your experience. ​
Strong Female Co-Lead - Revenue Share for Scripted Podcast Series by TraegusPearze • last post Feb 8th
**Thanks to the incredible amount of interest in this role, we are closing submissions at this time. We will have more roles in the coming months, so please look out for them! Thank you to all those interested.** ​ Hello! My name is Vince, and I currently run a small Audio Drama production team. We're working on our first scripted podcast series (a murder mystery series) and are looking for a female co-lead to play a strong-willed small town sheriff. The show is in the same vein as the TV show Bones, or other scripted podcasts like Limetown. The full series script has been written, and we can share the entire thing once an NDA is signed with the actor. More details about the show at: [www.AudiOhmMedia.com/HowIDied](https://www.AudiOhmMedia.com/HowIDied) ​ **The role:** This sheriff character is a resident of the small town and knows everyone. She's a bit jaded by people dying, but overall friendly. However, when the other co-lead, a new coroner, tries to overstep his bounds, the sheriff has a fiery, "take charge" temper. She's great at her job, and doesn't let anyone think otherwise. Her motivations: * Wants to solve the crimes and protect her fellow townspeople * Is skeptical of the new coroner and not afraid to stand up for herself or even boss him around - he works for her **We are looking for an actress with a mature-sounding voice (30+), and the ability to take charge of a conversation. Being passionate about the role/production is important to us. See below for details.** ​ You will obviously been given full credit for the role in the outro of each episode, as well as a headshot and bio on our website. ​ The show will be listed on all major podcasting apps, including Spotify, iTunes, etc. ​ **Contract & payment** As I mentioned in the title, we want this to be a revenue share with the cast. Percentages will be discussed and agreed upon individually with each member, with more prominent roles obviously getting a higher percentage. We can also do an up front payment of $100. ​ *This role is not for someone who is looking to make a quick buck.* The series will span 3 full seasons (airing 2019-2020), and we expect all cast to be available to perform through the entire production. The Sheriff's "air time" in the first season is approximately 2 hour's worth of scenes, but we anticipate the actual recording / readings to take at least 4 hours. The recording does NOT need to be done in a single sitting. Each episode is only about 15 minutes. We do, however, plan on recording soon. **Our monetization plan is through ad revenue, and a mixture of Patreon support with show merchandise.** ​ (As a note, I realize that this is an underpaid position based on the flat fee for the amount of work. That's why we're doing the revenue share. Based on market data, we anticipate making at least a few hundred dollars per month with the show, even when not airing - to then split. The point of the revenue share is to ensure that the cast/crew is compensated for their hard word even after they are done creating. We, as the production team, will not be making a profit from this show during the run. - and that's okay with us.) ​ **If the idea of a reoccurring role in a longer murder-mystery series sounds like something you'd be passionate about, we want to hear from you! Send me an email at** [**Vince@AudiOhmMedia.com**](mailto:Vince@AudiOhmMedia.com)
NYC actors: Feedback for The Acting Studio (not The Actor’s Studio!) by ohnoilostmypassword • last post Feb 8th
Hey all, Looking to take a monologue class and theirs is in my budget...but I’m not familiar with them. Does anyone have any experience with one of their classes? Thanks!
Get Cinematic by John Swanbeck • last post Feb 7th
“Fear is one of the most powerful and attractive emotions on camera. It can work for comedy or drama. It’s the emotion that makes the audience identify with your character because as human beings we are all afraid. It creates vulnerability which makes us empathetic toward your character. There’s plenty of reasons why in a high stakes dramatic situation your character can feel fear even if it’s not on the page…”
Definitely feel like I blew my first musical audition... Any advice? by Hyde98X • last post Feb 7th
When I decided that I wanted to pursue acting, I knew what I was signing up for, not to get my hopes up, and to just do my best. However, I still can't help but feel disappointed in myself. I did my first ever audition with a monologue I prepared ("idiosyncrasies" scene from Good Will Hunting) and had a long time actor friend coach me for a couple days, and I was cast in the ensemble. For those curious I got cast as Hopkins in The Crucible. Apparently getting cast after my first audition, even in something minor, is something to be proud of. But, despite loving this musical (Little Shop of Horrors), I've never auditioned for one before and had no idea what to expect. There was an initial dance portion that I don't feel I did terrible on, but definitely messed up with. Then there was a reading portion and my nerves made me mess up a line. I didn't stop and make it apparent I messed up, but they knew I'd split the line two. To make matters even worse, out of the 30 or so people there, he went around and talked with everyone briefly about their experience, and that's when I found out I was the freshest actor there. EVERYONE else had years of experience and numerous shows under their belts. I'm definitely not getting my hopes up for this one, but can't help but feel totally defeated nonetheless.
Does this make you uncomfortable? by HocusPocusHocusPocus • last post Feb 7th
Hey everyone! I'm a mid 20's, female, LA based actor. I wanted to get you quick opinion on something. I am a VERY empathetic person, and when I act this comes out a lot PHYSICALLY. I'm very touchy feely. I don't even know I'm doing it until I'm already doing it. Rubbing backs, hand on knee, playing with hair, etc. Guy or girl, doesn't matter. Obviously I don't do this in a sexual way, but more of a nurturing/empathetic gesture, whether the script is heavy material or it's a light comedy. If I'm in the moment, I just naturally touch people without realizing it. ​ Is this bad? Would this make you feel uncomfortable? Does the everyday actor realize that I'm just acting and embodying the character? I feel like its more awkward if I pre-warn my scene partner that I may touch them, haha. I had one dude ask me out after we wrapped, cause he thought I was sending him signals during our scene? I'd just like to get the opinion of the room. Would this make you uncomfortable? I know people can be weird about personal space, but do those walls come down when you're in a scene acting? Female/ Female. Female/Male. Id like to know you personal opinion on this.
Headshot-Age Range-Character Type Post - Feb 7 by AutoModerator • last post Feb 7th
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
Wanting to submit my 2 year old son into acting/modeling by TurnTable904 • last post Feb 7th
I don't have a ton of free time on my hands but can work remotely.. Looking to get my little man in acting.. Any pointers? I have him on Actor's Access and just started an Instagram page for him..
Actor's Access by worldtraveler9700 • last post Feb 7th
I've recently been getting more into film and tv acting and have heard that I should be on Actor's Access. I'm on the fence about it due to not having a reel. I'm working on it but I don't have enough material for it yet and I know that's very important. I'm also SAG-E if that makes a difference
MORNING MOTIVATION 2019 FOR ACTORS I PERFORMERS I CREATORS by thecoachmc • last post Feb 7th
Hey, performers, this video is about the little details in life that make life worth exploring. Looking on how we evolved and what our current mission truly is Because Our new market of millions of new technological possibilities gives us creative people the unprecedented chance to create our own space our own community our own income. We have the privilege to choose and this choice is due to the fact that now everybody has something to offer to share to deliver to his audience because of the numerous tools that are available. Its all about realizing this unique moment in time and implementing these new concepts into the fabric of routine. Turning those routines and mindsets into skills morphing them with your talent will give your performance a unique edge, because there’s nothing more powerful than genuinely believing and caring for something that you cherish and that you gain acknowledgments from. So have fun with this little futuristic glimpse into the future of our craft and give me feedback, cause its a loop of energy. \#doloveact [https://www.youtube.com/watch?v=nJ\_JQk9KmlI](https://www.youtube.com/watch?v=nJ_JQk9KmlI)
Actor’s Access vs. Backstage by asyouwish17 • last post Feb 7th
Hello! I’m an aspiring actor based in LA. I don’t have a ton of credits, but I have taken acting classes, done some extra work, some student film work, and am working on getting headshots and a reel. I’m also going to sign up for Central Casting soon. Right now I’m subscribed to backstage but don’t seem to have a lot of success finding roles or auditions. Is Actor’s Access any better/different? Would it be worth it to pay for both? Any advice would be appreciated