So I know that getting an agent is like what people see as “making it” sometimes and that lots of Unexperienced actors tend to think that it’s like the “first move.” I’ve been working professionally for about a year and my schedule is starting to get to a point where it’s almost impossible for me to keep track of everything that I’m doing. I have 5 calendars (One for everything, one for preformance one for school one for my survival job and one for my personal life) and endless notifications and reminders on my phone but I just can’t seem to keep track of it all, on top of trying to make sure that I can still audition for upcoming productions. My only thing keeping me from doing this is that I am 17. And I don’t want to be stuck as a “child actor” or be put into a specific niche for roles. Does anyone have expirence with this?
Since every actor/actress wants an agent, I thought it be would nice to talk about the different ways people with representation, got their agent to help everyone in their pursuits. For me, right out of college I started working at a talent management company. This was before I started pursuing acting. I worked with agents while I was there, and when I realized I wanted to pursue acting, I went to an agent who I worked with a lot got along well with, and asked if she would represent me. She said yes, and that’s how I got my agent. Just wanted to mention since this is an unconventional way of getting an agent!
Hey guys, first time poster and I'm not technically an actor but looking out for a friend. I'm doing some life coaching for a guy in the Philippines, he's won a couple acting awards from his school there and is wanting to really get into the industry. He looked around and submitted his info to a producer named Sean GK, and I'm a LITTLE sketched out by this. The website of the studio is https://newwayfilm.com/ and he has an imdb page, but he's asking my buddy to pay $600 for a couple extra classes and is supposedly paying for his flight, hotel all that for a place in one of his upcoming films. I don't know much about the industry, but is this weird? Had anybody heard of this producer or company before? I would hate to see him loose his money for no reason.
I was waiting on them, noticing them rehearsing tv sides and taking it very seriously, i didn't want to be obnoxious and ask them anything during their meal since I've waited on plenty of celebs / industry and people just want to fucking eat and be left alone, so I just wrote a little note with my website on the receipt. lucky enough they emailed me for coffee. i know I just need to be a human being and be cool get get to know them, but I've kind of allowed my head to be spun around for a while now with how the industry works and shit and I just want to get it back on straight before I handle this, so yeah figured I'd ask you guys for some advice. Make sure I check off all the boxes to really learn from this conversation without being desperate or an asshole.
Hey all, I have a podcast that I started a few weeks ago. I am an actor and creator based in NYC. I graduated from the MFA-Acting program from The New School for Drama. The podcast is an open talk show about the creative process and what it's like to be a creative on the ground level. And we talk about everything in between. Check me out on instagram @markpuchinsky. We are going to go live at 2pm E.T. on Youtube and Instagram live. Youtube link here https://www.youtube.com/channel/UCbKrduPmnwSSe5xJfPkCtuQ/featured Also, the podcast is currently available on iTunes and will be available on google play in a day.
I recently auditioned for the lead in a student film and wound up getting cast as an extra. I am debating doing this. I really wanted to be an actor as a career and I KNOW this shouldn't be going on my resume, but at the same time, I'm a beginner with little credits. I wanted to be an extra professionally and I normally would not go out of my way to be an extra in a student film but I was given this opportunity anyways. I am very grateful they considered me but I'm confused as well. Should I take the opportunity and do it or should I back out? Also, if I take this, should I create an "Extra/Background" actor resume, since this might not likely be my last extra role?
I’ve seen a couple of these Chinese “state sponsored films” advertised on Backstage that are looking for American actors to travel to and shoot in China. I’m curious to know if anyone here has any experience with them, good or bad. The pay looks pretty good and they seem to cover all expenses. I’m wondering if there’s a catch or if they’re legit.
I have always wanted to be an actress all I have done is a bunch of plays in middle school and high school I am now 24 and I was thinking of taking some classes but I’m just wondering if they are even worth it?
This project tells an inspiring story based on the real conflict of Nigeria and the terrorist organization called the Boko Haram, who have kidnapped thousands of girls to be sold as sex slaves. This is a story of female empowerment. We're able to offer free professional headshots, but unfortunately, this is unpaid. There's not a lot of funding for this type of movie, so our budget is small. That being said, this is a powerful story that we're very excited to tell. You would be playing a Boko Haram captive alongside our ensemble of leads! There are also many days open that we need talent for, so you can come out for as many as you like to increase your time on camera! We will be filming in Santa Clarita. Please include a photo with your submission. Below are the dates that we're looking to cast, along with some additional info about the project. Help us tell this important story! IF INTERESTED, PLEASE EMAIL ME DIRECTLY AT risethefilm@gmail.com "Heir to the throne, Princess Aisa has her world flipped upside-down when her sister is kidnapped by the terrorist organization known as the Boko Haram. When her government fails to take action, Aisa gets herself captured to find her sister and bring her home safely, learning the plight of those captive women who came before her." AVAILABLE DATES: 10/31, 11/2, 11/6, 11/8, 11/9
If you’re looking to build a book, questioning what’s in your book, wondering if a song is good for you, if you want to workshop a song or a monologue for an audition, if you can’t choose between a song or a monologue for an audition, Actor’s Therapy is amazing....
what is the proper way to slate at an equity MT audition?
I (27 F) have always wanted to try acting, and I am moving to NYC in about 6 months. I have spent the last 9 years in school, and I got my Master's in Creative Writing. I recently got a windfall of money, and I paid off all of my debts, built an emergency fund, and have some left over. I have around 20k that I can spend on pursuing acting, and I am not sure how I should use it. I want to take some classes, but I don't know if it would also help to spend money on cosmetic procedures like Lasik (I wear glasses), porcelain veneers, under eye fillers, etc. I know that appearance isn't what makes one valuable as an actor, but I also know having a neat appearance could help me. tl;dr Is it worthwhile to spend money on cosmetic procedures when pursuing acting?
I have been acting consistently for about 10 years now. I have finally gotten to a place in my work where I feel very proud of the work I do. That is not to say I think I'm hot shit. I still have TONS to learn and infinite room for improvement. But, while I can and will continue to grow and improve, I do feel comfortable with where I am in my journey, especially in my ability to develop a strong point of view and listen and respond within the borders of that POV. Hooooowever, I am currently in a show playing a role that is INCREDIBLY emotional. It's a character that is HYPER sensitive so she is moved in ways that I often have a hard time dropping in/staying connected to. In particular, there is this one moment right at the top of the show where I am REQUIRED to break down sobbing over something that many people would deem trivial. I desperately want to honor the character's experiences and treat her and her emotions with the respect they deserve. Yet, despite my best efforts, I cannot get myself to where I need to be in that moment. This is kind of a theme in the rest of my work too. I feel very confident in my risk taking and listening abilities and generally have no fear of looking stupid or silly. Still, despite the fact that I often get cast as characters with mental illnesses (probably because I understand them on a personal level), I cannot get myself to truly get emotional in an organic and truthful way, at least not with consistency. (I can sometimes, but my average is not nearly as high as I would like.) Has anyone else had a similar experience? Do you have any tips or exercises for dealing with this within the perimeters of the show and/or in the rest of my work? (As a note, if you're coming from the Larry Moss school of thought as I do, no need to ask if I'm in therapy. The answer is "why yes of course." It's also relevant to mention that the sobbing in the above mentioned scene is required. I am usually more interested in the fight against crying than I am in the actual tears. I'm not trying to be a weepy actor. I just don't know what to do when it is a necessity. And, lastly, I am not looking for quick fixes or tricks. I just want to get to a place where I will be able to consistently give my team and the character what they need.) Thanks in advance for any and all advice you can give! Much appreciated.
Confused as usual LOL. I had an interview with an agent who mentioned that if you are new, they will always start you off in the bottom of the career ladder, being commercials. ​ I find this news to me since I have met people who never done commercials but book gigs for principal roles. ​ I don't understand the career ladder too well. Starting in commercials make absolutely no sense since the auditions are fairly easy but **most importantly**, it is much more competitive and chances of booking is difficult due to the lax standards for acting quality (you do not need to be a trained actor to audition for commercials, maybe improv but definitely you need training for principal roles). ​ I can understand principal roles then moving up to lead and supporting, but I am not quite sure how starting commercials would be beneficial. ​ ​
I have a real long commute, so listening to podcasts really help me survive the grind. I've heard of a few different acting podcasts, such as Inside Acting and Hollywood Close-Up but I'm curious to see what else is out there, and what listeners find helpful. What are your favorites...
I am a college student and we are doing A Streetcar Named Desire. I was called back for Blanche but ultimately was cast as Eunice. I asked the director for notes on my audition and callback (a common practice in my school) and she basically said that what held me back from the role was my vocal skills. I have a tendency to go into a higher less grounded place when my emotions really kick in. It is hard for me to notice when it is happening because of said emotions. I also have a slight lisp. The combination of these things made my director believe I could not carry the show vocally. I am incredibly frustrated and I want to fix this about myself as an actor ASAP. I am reaching out to the schools voice for the actor teacher (a class I have already taken but am thinking about taking again for no credit) and have not heard back yet. I want to prove myself during this rehearsal process. TLDR: Do you have any recommendations on exercises/other things to work on to help me get this vocal grounding? Is this something you have experienced?
Actress I know here in nyc brings her baby into a professional sag-AFTRA audition- another girl and myself have to audition with baby in stroller uh what do you think happened as soon as CD calls action? Baby starts freaking asking for attention- wtf - girl’s husband a big wig and has connections and is known in industry so I couldn’t say anything - basically all of our auditions were ruined wtf how is this allowed? So much of audition was improv and I could barely hear her wtf how is this allowed!?!!
The scene we've been rehearsing for months involves my character getting hit with a breakaway glass bottle then beat up by thugs. Tonight when we rehearsed it I performed my part as usual only to see my fellow actor 5 feet away pointing a revolver at me and pulled the trigger. Everyone knew about this scene change but me. It was loud as shit but I didnt want to over react because I thought it must have been a cap gun and the actor is kinda my friend and hes been known to mess around and take scenes a little too far. I've been pissed ever since I found out it was a real gun with blanks. He showed me. It's his personal gun and he said "it's fine its blanks" It's a close quarters cramped scene with 8 people involved and no one seems to think it was a big deal. And it's in a smallish building so my ears still hurt. Should I be pissed? I'm kinda venting on here I guess but I would really like to know what you think.