We have found 19,242 posts across 4 actor forums:
Tips for projecting in more intimate productions? by CombustibleOre • last post Feb 26th
I’m in a play that is more intimate than I’m used to: I’m a lot closer to other actors, the content is more sensitive than usual, and it’s a lot more realistic than anything I’ve done before. The problem is, despite the intimacy of the play, it is being performed in a 500 seat theatre, and I’m having trouble projecting. I think it’s because the content is so sensitive and my proximity and connection to the other actors is a lot closer than usual, so it feels weird to speak up and project my lines out to the audience. The performance is very soon, and I’m always either too quiet, or too focused on projecting that I lose my intentions for my lines and sound robotic. The director is getting frustrated with me. Any tips, or is this just a mental block I have to deal with on my own? Thanks!
Moving to LA/SD as a non-actor working pro, just throwing myself out there by ExtraConsideration • last post Feb 26th
Up front: I am a 27/M with zero experience acting, zero classes and I am a working business professional about to accept a job in either LA or SD (two offers, still mulling which one is better). Thoughts: My career is going to pay for my COL, savings, and life. My income from either job will be around ~$150k. However, my pro job isn't fulfilling at all and I am starting to realize none of these corporate jobs ever will be. I've always had this aching desire to move out to Hollywood and give myself a shot, but growing up poor with social anxiety and financial anxiety, I never attempted to pursue anything to avoid rejection. Now that I have an actual income though, who cares if I never get a real role? The experience and the rush of trying sounds really intriguing. Really stupid question: Can I just get pro photos done, and randomly start submitting myself to either in-person or video casting calls? EDIT: Some of you may be annoyed because this sounds careless and facetious, its not. Im just trying to keep the initial post small to help readability.
I see a lot of auditions for film/tv done through videos sent in by the actor. How would I go about doing my own/who would I send it too? Also, where could I find reliable casting calls at and would an agent be necessary? by smokemonkey97 • last post Feb 26th
I know, I'm asking for a lot here. I'm mainly looking for insight. Now saying I'm going to just get up and audition tonight.
Hi actors of London, if you could recommend the best acting classes near central I will be very thankful x by alec1803 • last post Feb 26th
ATLANTA ACTORS: How many auditions do you get per month would you say? Or week or whatever from your agents. by mockmejay • last post Feb 26th
Thinking about relocating.
just lost 2 agents due to being broke by NYCactordude2018 • last post Feb 26th
I’m hoping it’s not forever, and I know I can always get more, but I worked really really hard to get the breadcrumbs that I have. Because of the fact that I can’t survive financially in these bullshit survival jobs that dick you around non stop and refuse to give full time / living wages I’ve had to stop acting and basically go backwards. It’s the worst feeling in the entire world and I want to breakdown and cry right now. Because money. I don’t even know why I’m posting this here, I guess to tell everybody else to just please save money, so that when the time comes that you need to start auditioning for paid work you can actually do so and you won’t be held back by being broke like I am. All I can do is take time off and find some time of job that makes more money and is stable, so that maybe I can get back into acting in the future. This is truly a nightmare, to get so close and then have to erase years of hard work because of not making enough money at bullshit survival jobs with managers that don’t give a fuck if you live or die. Blah sorry for the negativity, sending you all peace and love and positive vibes. Please just save money so this doesn’t happen to you. Love, working class actor.
How do you actually 'improve'? by ilIest • last post Feb 26th
Hi there, I want to keep it short and to the point. I live in Ireland, there isn't many auditions and opportunities for aspiring actors, not down south anyway. I'm stuck as regards to improving my acting abilities. I attend drama lessons only once a week due to the distance, but feel like even the lessons aren't enough. My question is: how can I actually constantly be improving until I'm finished with school and manage to move somewhere with more opportunities? Are there available online classes? videos? books? This is the biggest problem im fearing, that im spending so much of time fantasising about the future but im not actually doing much to ensure it. Thanks!
Short Film - "Pillow" by Miles B. Miller • last post Feb 25th
Check out the first short film, "Pillow" by the Miller Brothers! Enjoy! https://www.youtube.com/watch?v=trj55KzzhHY
What techniques or training is need to be a "Well Rounded Actor" by Idobjj • last post Feb 25th
I've done alexander, scene work, and started doing voice/singing. What else would fit in for a good resume? By the way I have to add that voice has definitely helped when being mic'd on set.
Acting Performance: the art of sharpening your talent: 1-24 effective acting exercises to perform (Acting performance, Training handbook) by Mikha_Wageh • last post Feb 25th
https://www.amazon.com/dp/B079J4P59G/ref=sr_1_5?keywords=acting+performance This book Is a step by step training handbook that guides you as a performer to master both sides of your talent (inner and outer) from the very first step further to a point that allows you to act like professionals. It's very helpful and suitable for the start-up actors to discover the exact way to do this.
Drama school in USA? by Pixlez_ • last post Feb 25th
I live in Europe I'm 16 and it's been a year now since I started acting. I start to consider work and enter bussiness. But the best place is in US to work in film industry, it's not easy for an actor to move there with visas and these things. I think the best is to go on a dramaschool in US and then will I would able to work as an actor? Also this will give me the opportunity to strengthen my english as well my accent . Just want to know your point of view and advice, as I am still young.
Which acting school out of these 3 would you recommend? (The Barrow Group, T. Schrieber, Kimball Studio) by blakxzep • last post Feb 24th
Hey all, I've been acting sort of for a bit. I've had some training but I wouldn't say it's good training and that's why I wanted to commit to a program and fine tune myself and be a lot better of an actor. I heard that The Barrow Group, T. Schrieber, and Kimball are some of the best but I would like to get some insight from people here on what studios they prefer and why. Appreciate the help.
4 Questions to Ask Before Signing an Agent Contract + 3 Not To by Aaron Marcus • last post Feb 23rd
I want to share the latest article I wrote for Backstage http://ow.ly/6HVB30iwgY5
Would love to hear what questions you asked during an agent meeting that you found helpful.
Acting in Britain by mindful_serenity93 • last post Feb 23rd
Hello, I'm an actor and am interested in graduate schools in the UK. I looked up some names such as RADA, LAMDA, Mountview, Rose Bruford, CSSD, Guidhall, Rose Bruford, etc. but I wanted your opinion. First off, what kind of training to they specialize in? Secondly, are some of these specifically for theatre or can they encompass various mediums for the actor? Third, are there techniques they use the most like the Michael Chekhov technique, Grotowski, etc.?
Need Help Choosing an Acting Class by saltheron • last post Feb 23rd
My city basically has two acting classes to choose from. I haven't performed in about 4 years, so I want to start from the bottom and work my way up. Both classes are taped. Thoughts on if either one is a better choice? **Class A:** * Beginners Ongoing Sessions, Then 6-Week Advanced Session * 3 Hours, 1 Day/Week * Ages 16+ * Taught by Former Talent Manager * $165/Month * 2-Month Sign-Up to Start, No Free Trial Session * Covers Scene Study, Commercials, Cold Readings, Auditions, Improv, and Monologues **Class B** * 4-Week Intro Session, Then Ongoing Advanced Sessions * 2 Hours, 1 Day/Week * Ages 18+ * Taught by Working Actors * First Class Free, $125 * $125/Month * Can Try 1st Week Free Before Paying for Remaining 3 of Intro * Covers Acting Methods, Character Development, Commercials, Auditions, Taping/Acting Reels, Local Market Info/Strategies
Acting gym in LA? by poppygolightly • last post Feb 23rd
Hi there. New to reddit and new to asking the right questions. Hoping to find a class in LA that isn't wildly expensive, and is focused on just having actors get up and run scenes with one another. I'm looking to work out some scenes and stay limber between auditions. If anyone has any experience with something like this, please let me know!! I was in a Meisner group a year ago and would be so down for something like that again! Thanks.
YOUTUBERS: 7 Advantages They Have Over Film Actors by prueslove • last post Feb 23rd
Podcast Network by Patrick Anderson • last post Feb 22nd
Why do you want to be an actor? If the chance fell into your lap today to be in a starring role within a film that could potentially impact your "acting" career on a very positive level for many years to come, do you believe that you would ace the role...whatever that role may be? And if so, what makes you so certain? Enlighten me with your answers....I'll be waiting. :-)
Australian Casting Director Workshops by brodiewilko • last post Feb 22nd
Was curious as to whether there are any Aussie actors on here that have done/heard anything about the TAFTA Casting Director Workshop with Thea McLeod? The reason being that I'm from Adelaide and from what I've gathered there are only occasionally workshops with Melbourne/Sydney CD's over here, so would appreciate insight on the subject. Cheers.
How Are Actors Getting Breakdowns? by The_Analaog_Kid • last post Feb 22nd
Yes, actors in L.A. aren't supposed to get direct copies of the Breakdowns, only agents, but actors ARE getting them. HOW? WHERE? Seems this would eliminate the role of agents as "gatekeepers" and put the actor more in control of their own career.