Hey all, I've been acting sort of for a bit. I've had some training but I wouldn't say it's good training and that's why I wanted to commit to a program and fine tune myself and be a lot better of an actor. I heard that The Barrow Group, T. Schrieber, and Kimball are some of the best but I would like to get some insight from people here on what studios they prefer and why. Appreciate the help.
I want to share the latest article I wrote for Backstage http://ow.ly/6HVB30iwgY5
Would love to hear what questions you asked during an agent meeting that you found helpful.
Hello, I'm an actor and am interested in graduate schools in the UK. I looked up some names such as RADA, LAMDA, Mountview, Rose Bruford, CSSD, Guidhall, Rose Bruford, etc. but I wanted your opinion. First off, what kind of training to they specialize in? Secondly, are some of these specifically for theatre or can they encompass various mediums for the actor? Third, are there techniques they use the most like the Michael Chekhov technique, Grotowski, etc.?
My city basically has two acting classes to choose from. I haven't performed in about 4 years, so I want to start from the bottom and work my way up. Both classes are taped. Thoughts on if either one is a better choice? **Class A:** * Beginners Ongoing Sessions, Then 6-Week Advanced Session * 3 Hours, 1 Day/Week * Ages 16+ * Taught by Former Talent Manager * $165/Month * 2-Month Sign-Up to Start, No Free Trial Session * Covers Scene Study, Commercials, Cold Readings, Auditions, Improv, and Monologues **Class B** * 4-Week Intro Session, Then Ongoing Advanced Sessions * 2 Hours, 1 Day/Week * Ages 18+ * Taught by Working Actors * First Class Free, $125 * $125/Month * Can Try 1st Week Free Before Paying for Remaining 3 of Intro * Covers Acting Methods, Character Development, Commercials, Auditions, Taping/Acting Reels, Local Market Info/Strategies
Hi there. New to reddit and new to asking the right questions. Hoping to find a class in LA that isn't wildly expensive, and is focused on just having actors get up and run scenes with one another. I'm looking to work out some scenes and stay limber between auditions. If anyone has any experience with something like this, please let me know!! I was in a Meisner group a year ago and would be so down for something like that again! Thanks.
Why do you want to be an actor? If the chance fell into your lap today to be in a starring role within a film that could potentially impact your "acting" career on a very positive level for many years to come, do you believe that you would ace the role...whatever that role may be? And if so, what makes you so certain? Enlighten me with your answers....I'll be waiting. :-)
Was curious as to whether there are any Aussie actors on here that have done/heard anything about the TAFTA Casting Director Workshop with Thea McLeod? The reason being that I'm from Adelaide and from what I've gathered there are only occasionally workshops with Melbourne/Sydney CD's over here, so would appreciate insight on the subject. Cheers.
Yes, actors in L.A. aren't supposed to get direct copies of the Breakdowns, only agents, but actors ARE getting them. HOW? WHERE? Seems this would eliminate the role of agents as "gatekeepers" and put the actor more in control of their own career.
**Hey everyone!** [It’s the day of the show y’all](https://www.youtube.com/watch?v=gZcNfcUA6QI). #Time: **February 22nd, 3 PM EST** #Place: **r/Acting and r/Screenwriting** #Dress Code: **Underwear optional, but encouraged.** /r/Screenwriting mod /u/1NegativeKarma1/ and I are excited to bring dual AMA's to our platforms! Don't forget to subscribe to both subreddits, you never know what you may learn from the other side! - What's a community AMA? > Well, I just came up with the term like 12 hours ago (although it's likely this has been done before haha), but it's exactly what it sounds like! Two Ask Me Anythings! One on r/Acting and one on /r/Screenwriting, at the same time! *** ##r/Acting Members: ##[(Announcement Post)](https://www.reddit.com/r/acting/comments/7z9741/announcement_tomorrow_3_pm_est_well_be_hosting/) ##__[(OFFICIAL r/SCREENWRITING AMA THREAD!)](https://www.reddit.com/r/Screenwriting/comments/7z9702/tomorrow_at_3_pm_est_we_will_be_hosting_dual/)__ The essential idea is for **actors** (amateur or professional) to come on the r/Screenwriting thread to answer questions posted by **writers** -- specifically tailored to your profession. Examples -- > What do you look for in a script? > What can we do to make an actors job easier on set, or on the page? > When you read a script, how do you 'become' the character on the page, what is your technique? As you can see, these questions can be anywhere from personal to general asks. **Writers** don't be afraid to ask tough or out-of-the-box questions, **actors** don't be afraid to give tough or out-of-the-box answers! **To be clear: Actors ASK on r/Acting, and will ANSWER on r/Screenwriting! That way we all have to come to each other's turf!** *** ##/r/Screenwriting Members: ##[(Announcement Post)](https://www.reddit.com/r/Screenwriting/comments/7z9702/tomorrow_at_3_pm_est_we_will_be_hosting_dual/) ##__[(OFFICIAL r/SCREENWRITING AMA THREAD!)](https://www.reddit.com/r/Screenwriting/comments/7z9702/tomorrow_at_3_pm_est_we_will_be_hosting_dual/)__ The essential idea is for **writers** (amateur or professional) to come on the r/Acting thread to answer questions posted by **actors** -- specifically tailored to your profession. Examples -- > What's your process for creating characters? > When writing, do you keep things like race, sexual orientation, or creed in mind? > If you could cast your own lead actor, what qualities would you look for? As you can see, these questions can be anywhere from personal to general asks. **Actors** don't be afraid to ask tough or out-of-the-box questions, **Writers** don't be afraid to give tough or out-of-the-box answers! **To be clear: Writers ASK on r/Screenwriting, and will ANSWER on r/Acting! That way we all have to come to each other's turf!** *** ## To Everyone: - I don't want this to feel mechanical for anyone! There are no rules in these AMA's other than civility and respect. - Talk your professions, your hobbies, your passions! Writers -- tell someone about your 130 page Sci-Fi homage to the original Star Wars trilogy. Actors -- tell someone about that amazing performance you gave at your local theatre! Be open, support each other's endeavors! - Talk about your failures, your success, what you've overcome, what you're about to... We're all people who share the same emotions, someone out there is feeling exactly like you! - Finally, CONNECT. And I mean really connect. Are you an actor looking for a project? Are you a writer looking for actors? Introduce yourselves to your future colleagues, the *real* you. Not u/BigBalledPlaya1968 (thank the lord that page was not found), the person behind the screen name, *if* you're comfortable doing that. Say it with me: N-E-T-W-O-R-K! You may know this is just an online forum, but what you didn't know is that u/BigBalledPlaya1968 is actually Tracy Morgan. ### Have fun and good luck! Remember, the *Cream Always Rises to the Top*! -- u/1NegativeKarma1 and u/thisisnotarealperson
Has anyone done or thought about doing the 2 year conservatory at the TT Studio? I've trained with Tom before and really enjoy him but I'm not sure the 2 year program is the best choice for me. For one, I can't afford it. I probably couldn't even afford to live in NYC. But they have payment plans and there's loans etc, so it's not impossible. They're very persuading, like "if you really want this and you're serious about it and you want to be the best actor you'll commit and join" and that "you'll pay it all off after with two commercials" and that the industry wants NYC trained actors. I would love to join and I would, but I just can't afford it. It's 17k per year. I'm also not a US citizen so it's even more money in my currency, and I would need some kind of income.
Acting is the one career that can't simply be followed on one path. There's no guarantees or list of steps to success. So what I want to know is: what was your path to getting where you are as an actor today? how did you start? first roles? get an agent/manager? get paid? etc. Share your acting journey to this point so far! :)
Ive been researching online how to start acting, and all the websites I've found talk about getting agents and doing research and moving to big cities with saccrine sweet motivational pieces about being patient and warnings about not making it big straight away. I have no interest in any of that. The thought of being a famous actor anywhere near Hellywood makes me feel sick. I have no interest in making a career out of it. I just want to act for fun. I want to take some classes, get on a stage and do some local productions. I can't find information about doing this anywhere! My school was too poor to do plays or even have a drama class, and I'm in my mid twenties now. All the acting schools around me seem to be for children, maximum age 15. I can't find an adult drama class anywhere. I can find some seedy looking expensive acting courses but they seem to be taking advantage of those people who have stars in their eyes and dream of movies. Not interested. Please, my research is failing me - anyone in the UK know of any specific places that do adult drama groups which could teach me a few things and give me an opportunity to be part of a production? Or know the best way to find one? Google fails me
Not for myself, but I noticed a few colleagues who sign up with big name agencies. At first I see them posting selftapes or getting roles. Even their agents post their accomplishments on their own instagrams. But then after awhile, nothing happens for a long period of time. Usually, I notice this with actors who aren't very good at acting to begin with (that is, they come off as super unnatural to the point of no return). Usually these actors will get some costar roles, and rarely willthere be actors who get principal roles. These actors are marketable types too, so I dont think it can be blamed on luck and look alone. Why does this happen both from actors and agents pov? And how do you prevent it as an actor?
Weird question but I heard in America good teeth is very much a status thing. My teeth need a year of bracers and then veneers if I wanted them to look better, but I'm comfortable with my teeth how they are. But I also don't want to aim for America if I don't fit what they look for in young female actors. Opinions?
Hello all, Does anyone have a recommendation for a good community theater that takes new people in? I am a beginner actor, having only been practicing the past 3 months, and I absolutely love it. I am trying to get involved in as much as I can, so I was looking for a good theater that I could possibly audition for? Any and all suggestions are truly appreciated
I'm reading contradicting advice from different people/sources on when an actor should take the plunge and move to LA. I currently live in Austin, TX, and it's a great city and I have a pretty comfortable/stable lifestyle. The acting scene is decent enough; it's never going to be as bustling...
Hi everyone! I'm a 21-year-old actress, and I left college to move to LA almost a year ago. Since then, I've gotten new headshots, started taking classes at Lesly Kahn, been working with a coach one-on-one twice a week, attended a couple workshops, networked like crazy, and acted in a...
Hey everyone. I'm an actor in the LA area currently on the representation grind. I have newly acquired commercial rep, and aside from getting that and booking a national commercial, the feedback I get the most on the occasion I do have a theatrical agent or manager meeting is that I need more relationships with CDs. Are there any classes known for bringing in CDs or workshops that are still reputable? Or any other ways you've had success building relationships with them? I'm going to assemble and email list tomorrow and email a bunch of them, but we all know how unsolicited materials are usually treated. Thanks everyone! Edit: I am at UCB already and am in a scene study class. Not against a change in scenery.