Currently looking for an agent, have my package set up and everything is ready to go. Going to try and submit for a few dozen agencies, hopefully a few will call me back, but in the event that they do, thoughts on Small vs Large agencies? Ive heard that smaller agencies may have better relationships, as they are relying on the actor to help them, as much as actor wants the agency to help them, while bigger agencies are a lot more hands off. Do bigger agencies actually have more pull? Or is it worth it to grow with a smaller, more personal agency? Based in BC ​
Tom Kenny: Spongebob Tara Strong: Cindy (The Boondocks) Grey Griffin: Mandy John DiMaggio: Scotsman Frank Welker: Scooby Doo Phil LaMarr: Samurai Jack Jeff Bennett: Kowalski Rob Paulsen: Yakko Warner Jess Harnell: Wakko Warner Richard Steven Horvitz: Zim Cree Summer: Numbuh 5 Keith David: Spawn Bill Farmer: Goofy Jim Cummings: Winnie the Pooh Eric Bauza: Daffy Duck Khary Payton: Cyborg (Original TT) Clancy Brown: Red Death (Venture Bros.) Kevin Michael Richardson: Principal Lewis Billy West: Ren Dana Snyder: Master Shake James Arnold Taylor: Obi-Wan Kenobi Steve Blum: Spike Spiegel Troy Baker: Joel Miller Josh Keaton: Spider-Man H. Jon Benjamin: Bob Belcher Tom Kane: Him (PPG) Doug Lawrence: Plankton Jack McBrayer: Wander Christine Cavanaugh: Dexter Alex Hirsch: Grunkle Stan Ben Schwartz: Leonardo Kate Micucci: Webby Josh Brener: Donatello Dante Basco: Zuko Dave Willis: Carl (ATHF) Bob Bergen: Porky Pig Jason Mantzoukas: Jay (Big Mouth) Liliana Mumy: Panini Seth MacFarlane: Palpatine (Robot Chicken) Thoughts?
While I’m in college I’m going to take some classes because my main path becoming a director, so knowing how to act or understanding the art can help translate some parts to the actors. Let’s say I really like acting, what’s the next step? I’m unsure where to take that art after college. I’m not interested in being in any plays or anything that’s not within the film or video genre. Where should I go after college?
I do remember reading somewhere here about some famous actor who used to frequent this sub reddit a lot before they blew up? I’m thinking Simu but I could be wrong. Please help me lol it’s bothering me
Hi! We're creating a YouTube brand. It is going to be a video essay-style format, but instead of a human narrating, we have a malevolent alien. This alien is advising specific humans in power how to manipulate/influence the people they lead (presidents, military leaders, dictators, media company owners, etc.). Taking inspiration from the popular "How To Be A Tyrant" Netflix series. We need a voice for it. I do not want a human trying to sound like an alien (well done VO acting), but instead use tech to make the voice sound more alien-like. **The best way to explain the objective, is:** A voice that makes people question "Is this a human voice or an alien voice?". Since whatever humanness is in it, will be relatability/familiar (good for YouTube content). And whatever alien will fit the channel narrative. Both combined - will engage people's curiosity to listen. So crafting an interesting voice like this may be key and the most valuable balance... I’m thinking there might be a custom synthetic voice creation or voice-changer expert who can help me answer the following questions: * What are the pros and cons of a voicechanger? Compared to a synthetic voice? * Depending on which is chosen - where do we go to get it customised, and created? I'm thinking of something like this, but a bit more alien like... [https://youtu.be/UsNnkax2wNA?t=113](https://youtu.be/UsNnkax2wNA?t=113) Happy to pay for someone to provide expertise on the matter (e.g. $100 USD for 30 minutes of time discussing). And guide how we can create it. Also, any general tips from you voiceover actors would be most welcome. I'm sure everyone here has got a better idea than I on how to take the first step! Thanks, Oli PS. The purpose of this format is to help viewers become aware of their own susceptibility to influence by leaders in the modern-day. And do so with a fun format that sparks peoples’ imagination!
I’ve only been acting for about 2 1/2 years but but since the very beginning I’ve always taken classes that were built for on camera work. I’ve always heard that theater actors when transitioning to TV and film always have a tough time with that process (especially when it comes to self taping). I don’t know if I would be backtracking what I’ve learned so far if I go back and take theater classes. I heard that some casting directors love to see theater credits on resumes but Is it worth taking if you didn’t start out with that?
So I recently got cast in a film and yesterday we had a table read over Zoom. There were several times during the read when the director would stop us and ask, “Could you say the line like this?” It’s my ultimate pet peeve as an actor and I cannot stand it when directors do it. And every time I say the line the way he wants me to say it, it never feels natural. He really comes off as inexperienced. So I was wanting to know how you guys dealt with directors who would do this because I can’t possibly be the only one who gets so annoyed by this.
How did you start your career as a voice actor and what experience do you need to get yourself started on the career?
how does one get their name / project announced in one? i’m the lead in a film that has some name talent attached, but i have no clue if their teams or publicists will make the announcement since it’s a very small indie film. i don’t have a publicists, but just curious. it may seem silly but it’s always a fun actor milestone, imo.
Hey guys, I was wondering if you had some tips for identifying scams in casting calls? I am an unrepresented actor trying to get some experience/footage on camera and therefore am not qualified for the big-budget/obviously legit breakdowns. When looking at a casting call on Backstage, for example, I try to google the director if listed, the production company if listed, ensure the language is coherent, the character descriptions are thorough, and try to see if they are only seeking young women (sometimes a red flag). It scares me just showing up to a location once you book without having any solid info on the filmmakers you're working for. Usually, when I google the director or filmmaker, they are just starting out and there's very little online presence if any. I would really appreciate any tips or insights so I don't get kidnapped! Thanks!
Hi all, so recently I had someone (who is not a VA, she’s a therapist) tell me I need an LLC and business license to freelance (for tax purposes or something) and I was like what? Why? I’ve never heard of an actor needing these things to get work, and I don’t exactly have a ton of extra money to pay the fees at the moment. What do you think? For those of you who might have this, is it worth it? Thanks!
What are the differences between theatre and film prep prior to the show / shooting the film? I'm from the UK and have most experience from theatre. I'm interested to understand the process prior to shooting a film? My experience of theatre: Audition ---> get the part ---> script read ----> maybe sometime for exploring the text / characters together ---> pre-planned rehearsal period of a few months; during this time everyone does solo work outside of rehearsals on character development etc, but also that is done inside the rehearsal space. Eventually ends up approaching end of rehearsals and into tech run, dress run etc. and then boom show starts. As an actor in theatre I found it to be a real interesting process where people are learning and developing as we go together throughout the weeks. What's the process for film?
Hello, I am an aspiring Actress and trying to find auditions in NY besides backstage and actors access. Please help to identify other sources of auditions in the area. Also, would you please give me a hint where to find good monologues for my self-tapes. Thank you
So I teach a course that focuses on directing actors for camera - hence most of my students are non actors. However I believe it’s important that the director experiences life in front of the lens. I’ve got a few scenes I like to give them to go work on in groups of three - one director and two actors, but I’m looking for some fresh material now. Anyone here have some favorite scenes that are two-handers that present a fairly simple acting challenge? Preferably from films? I’m on the lookout for scenes that aren’t huge emotional moments but that do have some dramatic life to them.
We're looking for a somewhat dark reading of the text below. However, we're open to different interpretations of it as well, maybe even a slightly brighter reading would contrast nicely with our music. Male and female voices are both fine. This will be for an American audience, so that accent is preferred but not required. The four lines below would be played throughout our performance to help the audience understand the theme of each song and the overall concept of the production. Our season has already started and we're hoping to get these recordings into the show by the weekend, so the turn around time is going to be pretty quick and I'll need to make a decision by tomorrow night (Sept. 14, 2021). However, if someone has the right voice and needs a bit more time I can wait until Wednesday or Thursday at the latest (Sept. 16). I'm offering $50 for the four lines below and if needed perhaps a re-read after we try them out with the band. Please feel free to post your material here or in a PM to me here on reddit. Once someone is chosen I'll send money via Paypal if that works. Looking forward to hearing the voices of whoever is interested. Thanks everyone for your awesome subreddit! ---Begin script--- **In Greek mythology, Pandora’s Box contained all the evils of the world. Upon opening the box, Pandora released those evils into the world leaving only “Hope” inside.** **Impelled by her curiosity Pandora opened the box, and all evil contained therein escaped and spread over the earth.** **She tried to close the container, but the whole contents had escaped, except for one thing that lay at the bottom - the Spirit of Hope.** **And as all the undesirable contents left the box, Pandora catches hope before it can escape.** ---End Script--- I'll update this post when it is finally closed.
As an actress who loves television and that’s all I really desire to work in, I was wondering how long it took my fellow actors to book their first co-star, guest star, reoccurring role or series regular? I’m feeling a little down about my skills today but I know it’s just a bump in the road and patience is a must.
How many people here actually have dreams and goals of being apart of the 1% of actors, and how many people are acting just because they love it and don’t have any desire to reach that status ?
for a new actor, dont want to get scammed
I'm a recent grad and have zero money or budget for filmmaking but i have some bare minimum equipment and want to start making shorts and such. Problem is I don't really have any actor buddies, so would it be in bad taste to hit up my local college's theatre department to ask if any actors would be interested in participating in my short films. I honestly would not be able to pay them. The best i could do is provide pizza and drinks and of course a copy of their scenes if they want to use it in a reel or something. The project isn't really for profit, it would probably just go up on youtube and maybe entered into local film festivals depending on how it comes out. I don't expect much views if any on youtube for example, but if I were to make money off of it, i feel it would be fair to contact the actors again and pay them a fair cut. So do y'all think anyone would be interested in this, should i even bother asking? Edit: title should say: would it be IN bad taste...
I've done enough background acting in LA to be pretty familiar with the pay bumps. Do regular, non-background actors get the same bumps? It seems like the same things would apply, but I can't find rates for non-background pay bumps. When I google actor bumps all of the results are for background. I've tried looking through the SAG-AFTRA website but I don't think I'm looking in the right place. I'm assuming the same bumps would apply (wardrobe, late meals, etc) but I don't know if the rates are the same or higher. Do any of you know where I can find info on pay bumps for non-background?