I graduated from University last year studying acting. I didn’t bother pursuing an acting career last year due to the pandemic. Since things are looking a bit more positive recently, I’ve slowly been making progress to getting my career up and running. I’ve just gotten accepted onto Spotlight, however from what I can see there doesn’t seem to be many jobs available at the minute. Just a few commercials and some stage work. Is there usually not many acting opportunities this time of year or is this just an effect of COVID. Also is there another place to look for work besides Spotlight? Thanks!
Hey friends! I’m a voice actor in that gray area where I’ve got the training and skills under my belt, as well as a couple of solid demos, but I just can’t seem to find gigs on my own. I’ve been using a pay to play site (voice123) and have had a few “almost” gigs, and want to explore other options. I’ve heard about people finding gigs in discord servers. Does anyone know any solid groups that would be good to join? People have also mentioned using Twitter to find gigs if anyone has advice on that. I’m specifically looking for stuff that would be appealing to a potential agent down the line, as I want to (hopefully) make a full-time career out of this. Thanks in advance!
I don't mean to offend anyone, but I was genuinely curious about it. Listening to some of the character work by Tara Strong and Grey Delisle, and even VAs like Nancy Cartwright and Pamela Adlon and I noticed many young male characters being voiced by them. Is there a reason for this? This isn't even a case of Japanese anime sub-to-dub issues where Japanese male voice actors (who are voicing children) often have much higher pitches to their voices than American male voice actors and so in ADR (automatic dialogue replacement), it's hard to find men to voice the boy characters with the correct adherence to the Japanese voice actor's range. Thus they usually get American women to voice male children. But in Western animation, a ton of women voice boys and not many men voice adult women, let alone girls. Is there a reason why and doesn't this just weird you out a little? Shouldn't people voice what they are?
i’ve always wanted to be an actor but i feel like there is something putting me down. my voice. im not sure if ive been talking incorrectly my whole life, but i feel like i can never talk too loud, talk for a long time, or yell because it feels like my voice will get sore, feel/sound weird and be monotone. i already feel kinda monotone as is. i graduated from high school last year, and am planning on going to college and considering acting classes there once covid wraps up. will acting/vocal classes help? what about any teas? what can i do to improve my voice?
Me and my bff (Non actor. Or she used to want to be one but gave up because, frankly, she wasn’t a good actor and she realized it after 10 years and moved on. And I’m her biggest supporter in her new career but that’s neither here nor there) had a 2 hour long discussion over something that was just a comment from my side that then escalated lol. I said that I strongly believe that the majority of those actors who have famous parents don’t deserve to be where they are because I don’t feel like they fought as hard as a self made actor usually does, and she strongly disagree saying that they have. I explained just the difference between someone (talented) who’s fought for instance for 10-15-20 years in Hollywood, waiting/making dishes or other survival jobs, giving up their whole life basically and have nothing to lean back on should they not succeed as an actor is something you can’t say about these millionaire kids born to famous parent. And the fact is that as soon as I realize that an actor is the child to some famous star, I automatically roll my eyes because I don’t “respect” them in the same way I respect a self made actor. I respect them as a human being but I’m not sitting there convinced they got the role because they truly deserved it. Especially once I see some family member produced the movie. She strongly disagrees, saying they’ve fought just as hard as everyone else in Hollywood, but just in a different way and they sure deserve to be where they are. It’s mind boggling to me. She says it’s toxic that I think the way I do. Especially when I said it’s not about jealousy and that even if I’d be a series regular with for instance Scott Eastwood and become his best friend and love the guy, I’d still be thinking for myself at least once “Hmm. Would you really be sitting here if it wasn’t for your dad?”. Is it really toxic? Be it or not, that question will probably always pop up in my head as soon as I hear about a new famous actors kid.
I’ve seen articles saying what survival jobs you *should* have as an actor. Honestly, none of those jobs are jobs that I’d want to have anyway. I’d rather know what jobs I WON’T be able to have so that if I do pursue a certain survival job, I won’t be wasting my time or juggling a survival job and pursuing acting with difficulty. So what jobs would be *terrible* to have as a side/survival job?
The following points involve my history with acting, SAG, and where I'm at with life. I've been going back and forth with getting the membership, due to the cost, but any input on what I should do would be greatly appreciated. ​ * I used to act in my high school's musical club and received good reviews for my comedic performances. During my senior year, I won a local regional acting award for my performance as one of the managers in Phantom of the Opera. * I went for my undergrad in film production and attempted some acting on campus with bad results. It was a big music school and the acting department was very toxic. I tried doing acting as a minor but ended up dropping out, due to the toxicity of the department. My experience there made me realize that I have a lot to work on. * While this was going on, I did four SAG background acting gigs at my nearest city and became eligible for membership. This was in 2018 and I haven't acted in anything professional since. With that said, I do really enjoy being a background actor. * I just recently got my masters in film production and have been dedicated more to the writing, editing, and production side of the film industry. I really want to get a start in the industry now but due to my current location, I am struggling to find work. * I plan to move to NYC and try the scene there. Ideally, I wanted to try Central Casting and see if that would work out but the pandemic put a pause on signing up. I'm getting my second vaccine soon and I was hoping that they would open up registration for those who are vaccinated soon. Would getting a SAG membership now benefit me now or should I wait? I'm just trying out a bunch of things and feel loss in general. I can better explain my situation in the comments. This was pretty rambling but I'm kinda feeling sad that I'm struggling to get back into filmmaking, either on or off screen.
Is getting the membership for both sites the way to build up my resume? I'm new to acting, but I've been taking some undergrad classes at my university to get some training. I don't have any credits, so I don't have a reel; But, I do have some headshots that my friend took of me. I'm also looking to start local (Bay Area, CA) to increase the probability of booking. Overall, do you think it's worth using backstage/actors access or is there another way to build up my resume? Thanks!
currently auditioning mainly on co-star level for network / streaming shows, had a few series regular / recurring / guest reads, and couple weeks ago had a tape for Oscar winners, so im feeling pretty hot, even if I haven't broken through yet. 99% of my friends are not as far as me so I'm trying to meet more people operating on a professional level. would be great to find more people to work on self tapes with, or get a group going to do tv sides once a week or something. in Brooklyn here. shoot me a PM if you're interested!
I'm seeking a voice actor for a brief role in my audio play, The Other Side of Darkness. The project is a feature-length ode to both Seinfeld and the works of David Lynch. If anyone is familiar with @seinpeaks on Instagram, that's me. The character in question is Bruce, the maitre'd played by James Hong on Seinfeld. I'm hoping to find a Chinese American actor, but internationally-located actors of Chinese background will be considered, too. Bottom line, I'm trying to maintain authenticity and representation in casting this role. The part is small (two to three lines in a single scene), but very important to the story. I can pay $100 USD. I'm planning on recording this summer, and releasing the play as a multi-part podcast this fall. Interested? DM me or email me at seinpeaks@gmail.com. And feel free to ask questions.
The other day I was talking to an actor friend (that wound up getting into Slamdance and Sundance), he said he wrote a short that starred an A-list celeb that agreed to do it. My actor friend said, "I hate to say it (my name), but it turned out I looked at 'agencies' more than I should have when it came to actors wanting to audition for my film." He said that those that came from CAA and UTA WME he looked at first. Then GERSH/PARADIGM, etc. Then the other ones...and he said he felt terrible but the numbers of submissions were so many that's how he did - he said he did what he hates others do to him. So now, CDs, I am asking you - how much does Agent matter? Hell, actors that got 'better' and 'bigger' agents that 'matter' - look I am an an 'okay' place and I like them a lot but damn I am sending in good tapes (I have recurred as guest stars and I've had series reg before on Amazon series) and I know my tapes are strong and the girls that are booking over me are just with much better agents. I'm looking up their reels and their reels are not good work. I am a WOC in a very specific category and I have been on shows where they wind up writing me into more (many more) eps bc the writers like my work. Do I need to contact the showrunner from my prev show that loved my work and have him call his better agent friends and have them talk to me?
Anyone taken classes here? I have an interview with them next week and would love to hear about people’s experiences. Which level of classes did you take? Was it worth the monthly tuition? How did BHP classes differ from others you’ve taken? Overall feel of the environment? Do students get the chance to act in plays put on for the public? Thanks! Edit to add: I’m also considering Playhouse West so any insight on PW VS BHP is especially appreciated.
Hi I was wondering if folks can offer me advice on where/how I can get involved in a voice acting class for someone pretty new to acting. Not sure if classes are mostly on Zoom nowadays. I live out of my van and work seasonally so I’m not around major cities (Salt Lake and Vegas I guess are within a long days drive). Any suggestions or advice would be appreciated thanks!
Hello! I recently submitted to a handful of LA Agency’s and heard back from a good amount of boutique agency’s. I’m looking for both theatrical and commercial rep and I do have some decent tv/commercial credits. Nothing mind blowing, but more then your average beginner actor with known networks/companies. I have two meetings tomorrow. Agency #1 for across the board rep and Agency #2 for commercial rep (even tho my email requested ATB rep, but they want to meet with me commercially). Agency #2 is stronger in both theatrical and commercial. But they just want to meet for commercial. Agency #1 is not as strong commercially, but decent theatrically. Would it be out of line to request for Agency #2 to sign me across the board? On the other hand, would it be out of line to request for agency #1 to just sign me theatrically, so I can also be at the stronger commercial agency at agency #1 as well? I’m not sure what’s okay to ask and what isn’t. I didn’t expect to get multiple responses to my emails, so that’s my fault for requesting ATB meetings. The last thing I want to come off as is rude or ungrateful. In a perfect world, Agency #2 will sign me across the board, even tho they originally said just commercially. It’s a small agency, so the agent runs both divisions. I’m in weekly class, go to CD workshops every month, have strong headshots, and I have the funds for private lessons for network tv auditions. I know I have what it takes and I’m being proactive, I just need them to know that too. My fear is that they both won’t budge and I’ll have to choose between one or the other and possibly be without a theatrical agent. I’d love any advice from seasoned actors who are familiar with the ins and outs of agency’s. Thank you!
Hey all! I'm an actor new to NY and I'm looking to enhance my home base set up as I look for work/explore this new community. Any recommendations or ideas for chrome extensions or apps designed for actors? Thanks so much!
All through school I heard you should steal from the best actors, and that you should study your favorite actors. I originally thought that mean consuming so much of your favorite actors movies. And hope unconsciously your subconscious picked up something. Now I’m not sure I know what it truly mean.
Hello everyone, I’m shooting a 3min story for a 48hr film competition this weekend. Prompt will be released Friday evening and until then, I’d like to generate a short list of professionals who would be interested in working with me. I’m a creative developer with motion picture credits and want to use this as a way to highlight my writing. I’m aiming for 1st place and if successful will have the attention of two highly successful, well known filmmakers/producers. If you’re interested please DM me. And everyone please upvote anyway this is a good opportunity for creatives to get together. Thank you!
I didn’t really know how to phrase the title so I’ll try to explain it better here. I’m in no way a veteran or seasoned actor. I mainly look through actors access and backstage to see what roles and productions are out there. And I just see so many things that involve romantic relationships, substance abuse, and addiction problems. Personally I am a 21 year old male Muslim. I know because of my religion I won’t be able to participate in majority of the productions because of this. But my main complaint is that is seems like more and more productions have to include these kinds of things as a part of the character’s story. Even for Muslim characters, they are mainly shown participating in acts that aren’t really Islamic. Nobody’s perfect and I get that. But just why isn’t there more productions that don’t need to dwell into those kinds of things to tell a story. Maybe I’m just being nit picky and that’s the way things are but it just feels like every show has to incorporate a sex or intimacy scene throughout the season.
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.