We have found 19,320 posts across 4 actor forums:
NYC to Vancouver for Acting by benralphxox • last post Apr 12th
I’m an American Actor with an agent in NYC. I was offered management rep in LA. I’m 24, and I have a few guest star credits.. but I definitely want to build more credits/a better reel before heading out to LA. It’s a city saturated with actors. There’s a ton of work in Vancouver and Toronto. I also LOVE Canada. Has any American actor ever successfully transitioned into the Canadian market? What is the process of obtaining a visa like?
Are actors naturally confident most of the time? by shugarshlong • last post Apr 12th
Im curious, as i today was in an acting class type thing, and i didnt actually talk but was preparing to talk because i believed i was. We ran out of time though, regardless, at first i was really shaking, this is what happens when the anxiety hits for me. I start really shaking and hearing my heart and not knowing where to put my hands. So i just decided to try affirmations for once, combined with box breathing and im shocked to say it really did work, my anxiety went down significantly, to the point where it was barely there and was probably just nerves at that point. It made me feel very normal. I was just thinking ‘i’m confident’, ‘i have to do this to move further in my career’, ‘this isnt embarrassing’, and i visualised myself being confident speaking. Who wouldve though such basic advice would work? But regardless, my question is, do actors further down the line have to do this too? I understand they’re more experienced, but is it normal for actors to have to do these 3 things before an audition? Because if not then do i really have a chance of being a professional when ive got such anxiety issues? I believe its my calling honestly, its the only career i can see myself absolutely loving. Please help me guys, and if you have any more confidence tips id really appreciate it! Anxiety sucks, but i can learn to deal with it especially with you guys’s help, thank you so much!!
LA Actors vs Atlanta Actors? by MarieN1989 • last post Apr 12th
Is there a difference in how they’re perceived by the industry in terms of talent level, professionalism. I ask because I’ve heard various views this from industry pros, CDs, etc. I personally think LA actors are challenged a bit more as far as competition, and have heard it’s easier for them to adjust to the southeast market vs southeast actors adjusting to the LA market. I think Atlanta has a great selection as well as far as quality but would love to hear more views on this.
Opinions on updating one Casting Service more over the other? by CaliforniaStoked • last post Apr 12th
I wanted your opinion on this. I'm an unrepped actress in the LA market and exclusively use Actors Access more over LA Casting. I love Actors Access and I get all my quality auditions from there. LA Casting, in my opinion, is kind of trash. Nothing but music videos looking for "Gorgeous Models", prank videos, and testimonials. I do get the occasional commercial audition from there, which is the only reason why I keep the service around. I got new headshots recently and uploaded about 7 of them to Actors Access. Payed around $70. LA Casting charges $25 per photo, unless you want to pay a monthly fee for the unlimited package. But once you stop paying that extra monthly fee and transfer back to the regular paid service, those photos disappear I heard. I don't update my headshots enough, to keep paying that fee over and over every month. Am I doing myself a disservice by updating my actors access with new reels and photos, way more then my LA casting account? Don't get me wrong, my LA casting is updated, but the variety of headshots and reel clips aren't as prominent on there as they are on my Actors Access account. Is anyone in the same boat as me?
Acting on camera online classes you have enjoyed? by nacho__mama • last post Apr 12th
Normally I would never do an acting class online but since I have left L.A and do not have any plans to return anytime soon I have been considering it. I'm only interested in acting on camera classes where I can record the scenes. I was thinking it might be fun to do a scene study class where I could meet a fellow actor and we would rehearse via Zoom outside of the class. I got high recommendations for Doug Warhit and Robert D'Avanso (I hear there is like a 2-year waiting list for him) Wasn't clear from either of their websites if they are doing online classes. Open to recommendations.
How can I avoid being part of the 98% of the actors who don't make it? by shugarshlong • last post Apr 12th
By make it, I mean who don't get a sufficient living from acting alone. i know how unlikely it is to make it, but i truly believe in myself and believe it's my calling. what are some tips you can give me to make sure im in the minority? its what i truly want to do to make a living as unlikely as it is, i want to get as close to that as possible. not speaking on fame, we all know how unrealistic it is to want that as actors. so please let me know, i appreciate any advice, i love my craft and pray that everyone reading this becomes successful in acting too if that's what you want :)
Action anime - voice actors needed by Iuciferous • last post Apr 12th
• plotline • in a dystopian world where artificial intelligence has caused a civil war, everything goes downhill when the prince of the royal family Haruka attempts to take his life and a mysterious man with a mask saves him during his attempt to rob the castle. Once he’s taken to safety, that’s when an outbreak of a strange illness breaks out and it’s up to them to find the culprit. Meanwhile, the two royal clans find themselves at war. It's about a man (Kasai) who's seen as a cold blooded killer who saves the Prince (Haruka) from taking his life, although their clans are at war. That's when Masahiro the main villain comes in and wreaks havoc, the Yaocho clan summons the Namahage and the two are thrown into a match where people have to fight each other to survive and there are trials. It's a life or death plotline and it has lots of action and suspense For now it’s unpaid because my family is having financial issues but if it became successful, there would be a contract where you would get a split of the revenue from the show the character Haruka has already had his role taken Kasai’s personality is very dark, sarcastic, and his voice is husky and dark as well. He has a deep tone He’s 19 years old and known as a killer He’s the second lead role, the supporting roles get casted later on Asahi is the third lead role, he shows up during the trials and from then on is a main character. He has a funny personality and his voice is on the boyish and airhead end Yua is a girl, she’s very shy and soft and sensitive. She has a very high voice, think loli and she appears at the same time as Asahi. She’s a supporting character Masahiro is the main villain, he has a demonic voice and is a hybrid between a demon and a human His personality is mocking and rude, he’s also full of himself The King is another villain, he’s an old man and has the voice of one, he’s abusive and cruel. He’s 60 years old
How do known but not huge actors get most bookings? by TimPrice2 • last post Apr 12th
I'm very curious how actors in the IMDB Star Meter range of 2,000 to 10,000 get most of their bookings. I'm sure huge stars like Ben Affleck and Aubrey Plaza must be directly sent offers constantly so they can usually just choose from those. For famous actors who aren't the very top of the Hollywood elite, how do you think they get most of their roles? Do you think it's mostly through their agent being contacted with a direct offer? Do you think it's mostly from their agents submitting them to casting calls on Breakdown Express? Do you think I made the range too big, so that the top half book differently than the bottom half? Do you think it's from a different method I haven't mentioned? P.S. I'm sorry for using the IMDB Star Meter rating as a metric for this. I know a lot of people don't like it, but it was the best way I could describe actors who are famous but not mega-superstars. Actors on a similar level to Danny Pudi, Elizabeth Henstridge, Linda Park, Wade Williams, Robert Knepper, Beth Behrs, Jonathan Kite, etc.
Which of these cities should I choose to start working in/continue studying acting? by pbnh7 • last post Apr 12th
Hello everyone! I live in South America (but also hold a European passport), and since the pandemic pretty much murdered the tiny acting/theater/TV/Film industry we had in my country, I am currently considering moving somewhere else where I can truly work in my field of choice. I've studied acting before and have also been working as an actor for several years, but it wasn't my Major at University, so I'm also thinking of applying for a Master's in acting or an acting-related field (I'm very academically oriented). My first choice was always London because of my European passport, but Brexit has made my plans considerably harder. So I am now considering the US and Canada, particularly Texas (Austin-Houston area) and Toronto, because I have contacts there who could house me (and I really need all the help I can get! Remember, I'm an actor who has been living for over a year in a country where the pandemic left no work for actors lol). My question is, what do you guys feel about these cities for studying acting and working in the field as well? Any Universities you'd recommend? Also, do you have any info on good cities/Universities in Europe (other than the UK)? Any input/advice/help will be greatly appreciated! I'm only now starting to plan this out so I'll definitely come back with a lot more questions. Thank you!
Actors of Australia, I need some help by Katops • last post Apr 12th
To anybody currently living in Australia that’s pursuing acting successfully or that feels is doing more than the average guy or girl (idk how to word this): Run me through what you did to get to the point you’re at. I’m currently only taking private lessons but know I should be doing more. Or at least, I know deep down that I should at the very least be auditioning for things while taking lessons. Even if I’ll fall hard on my ass while doing so. I don’t really even know how to find auditions without paying to keep a profile up somewhere... I don’t know where to go from here. I’ve been taking private lessons for maybe a few months now and don’t really know where to go from here. I can’t just take lessons my whole life without taking extra steps to get my name out there if you know what I mean? I’ll likely never stop taking lessons. I just know I’ll never get anywhere if that’s where I remain; doing lessons and nothing else. I’d love some advice if anybody has any? Being paid to work doesn’t bother me. I don’t care what I work on. I’ve always had this idea that I should take any opportunity I’m given. I guess I kind of just want credits to book better things or so I can at least get an agent or something. Idk how this stuff works. I feel dumb just writing this. I have no idea how to find an agent either honestly haha. I’m panicking a little as I’m typing this too because I know I’m not doing as much as I should be, and I’m worried about not ever getting anywhere with acting if I don’t go straight for the mark. Thank you so much in advance! I’m 20 btw, in case anybody also wants to share. I’m sure it all kind of helps to know. No pressure, only if you’re comfortable. Thanks again.
Yale MFA/certificate degree by rosenbelluci • last post Apr 11th
I’ve been considering applying to Yale’s graduate program in the near future and would like to know how hard it is to get in if you’re already a professional actor. I’m aware of how expensive it is, which is why I’d have to wait a few years to save some more. So in terms of auditioning and being accepted, how hard is it? I’m a foreign actor and believe this experience would give me connections that perhaps I wouldn’t be able to have in a different scenario, but I’m not sure it is a guarantee of better opportunities in the industry. Also, is it possible to balance study and work? Or once you’re in such a handful program, it’s impossible to audition? I’d love to get some wisdom from actors that went to any top school or has friends who did.
So I’m not a actor however I love the idea, how do I get past the worry of looking stupid? And would learning to act help my stand up? by ozzborn586 • last post Apr 11th
77 Films to Watch (for filmmakers/ Actor) by JayKumarRJ14 • last post Apr 11th
I highly recommend watching these movies. Check out and let me know how many films you have seen? 1. Memories of Murder (2003) 2. Fight Club (1999) 3. Persona (1966) 4. Stalker (1979) 5. Bicycle Thieves (1948) 6. Schindler’s List (1993) 7. 8½ (1963) 8. Annie Hall (1977) 9. Apocalypse Now (1979) 10. Chinatown (1974) 11. Pulp Fiction (1994) 12. Metropolis (1927) 13. Birdman (2014) 14. Goodfellas (1990) 15. There will be Blood (2007) 16. Life Is Beautiful (1997) 17. 12 Angry Men (1957) 18. Se7en (1995) 19. Psycho (1960) 20. In the Mood for Love (2000) 21. The Godfather (1972) 22. The Godfather 2 (1974) 23. The Matrix (1999) 24. Raging Bull (1980) 25. M (1931) 26. Amélie (2001) 27. 2001: A Space Odyssey (1968) 28. Citizen Kane (1941) 29. Seven Samurai (1954) 30. The Master(2012) 31. The Father(2020) 32. Sounds of Metal(2019) 33. Another Round(2020) 34. Parasite(2019) 35. The departed(2019) 36. Nostalgia(1983) 37. Phantom Thread(2017) 38. The Shining(1980) 39. The mirror(1975) 40. Vertigo(1958) 41. The Aviator(2004) 42. Taxi Driver(1976) 43. Persona(1966) 44. Solaris(1972) 45. Blade Runner(1982) 46. American Beauty(1999) 47. Minari(2020) 48. Shoplifters(2018) 49. To be or Not to be(1942) 50. The Florida Project(2017) 51. The Kid with a Bike (2011) 52. Shutter Island (2010) 53. Saving Private Ryan (1998) 54. The Lighthouse (2019) 55. La Dolce Vita (1960) 56. The Hunt (2012) 57. Portrait of a Lady on Fire (2019) 58. Peeping Tom (1960) 59. Arrival (2016) 60. Under the Shadow (2016) 61. Carol (2015) 62. The Act of Killing (2012) 63. Contact (1997) 64. Ravening (2019) 65. The Wolf of Wall Street (2013) 66. Her (2013) 67. La La Land (2016) 68. Airplane (1980) 69. The Red Turtle (2016) 70. Shame (2011) 71. Billy Elliot (2000) 72. The King of Comedy (1982) 73. The Irishman (2019) 74. Whiplash (2014) 75. You Were Never Really Here (2017) 76. Marriage Story (2019) 77. The Lunchbox (2013) Hope you enjoy it. I'll keep adding more films.
Curious by Imnewhereokay1 • last post Apr 11th
So I learned that on Actors Access you can pay extra to submit a headshot and resume to agents and managers for representation. Has anyone tried this? I’m curious if it’s worth it or not!
Total noob question about background actors / extras appearances by Good_Consumer • last post Apr 11th
I live in Vancouver and it’s been on my bucket list to be an extra. I’ve worked closely with Hollywood studios in my day job (anti-piracy) so I want to experience a set and to be able to say I’ve done it. Anyway, this is become a reality next week. I’ll be dressed as a military officer. I’m fretting that in my headshot I had just had a haircut and had very short stubble. Currently I’m a week away from needing a cut and the stubble is closer to a beard (trimmed, not scruffy). Should I cut my hair? Should I shave? Thanks!
If I was to be in a movie tomorrow with no acting experience, what is some advice you'd give me by Schlong_Jesus • last post Apr 11th
I've been writing a film, but I need actors. I'll probably just use my friends, but note, none of my friends care about film or filmmaking. Meaning, they have no acting experience or interests, and they probably won't take their roles that seriously. What's something that I can tell them that'll maybe make their performance a little more convincing, or what's a directorial technique that might make a bad performance seem a little better.
What are some red flags for an acting job? by apws201 • last post Apr 11th
I auditioned and was offered a large supporting role in an indie film in the UK. It is paid at min. wage per hour. But since my casting there have been a number of red flags and was wondering whether they are valid or me overthinking? Very little communication but occasional updates on instagram. Originally supposed to start filming in Feb but was pushed til end of March due to Covid and lockdown. New pencilled in dates for filming were coming around and had had no contact from them for almost a month. Emailed them ('production team') twice 10 days apart to find out if it was going ahead and got no response. 3 days before pencilled dates production emailed to say they had location issues due to Covid. Perfectly understandable but a little more of a heads up would have been nice. Replied to the email and asked if they had a rough idea of future dates . . . no reply again. But they were still posting on instagram. 2 weeks goes by and we suddenly get an email telling us there will be a photoshoot for global PR in 4 days time (Tue 13th) and will email a schedule later that day. Took them an extra day to email basically the same thing but telling us we need to provide our own tuxedos and make sure our hair is like our headshots (again the hair thing is usually not an issue) BUT we have been in lockdown, Monday will be the first day hairdressers are open for almost 3.5 months and they gave us no notice. Plus they are assuming everyone just owns a tuxedo (luckily I do) but still. On top of sloppy communication, the script is littered with typos. There's one in the first line ffs. If it were one or two I would brush it aside but there seems to be a lack of care throughout. It all seems very unorganised and they just keep 'dangling the carrot' with no real commitment to when filming will start and expect us just to wait. I feel I can't keep turning down crew jobs on much bigger films just to be in my first indie feature as an actor. There's a couple more things that have been bit of a red flag but the poor script and lack of any real communication or even response are the main ones. Opinions? What are some other red flags?
Rookie actor. Falling prey to picking apart every little movement, facial expression, and mannerism. by mynameisnotbecky1 • last post Apr 11th
I heard that your supposed to let it flow naturally. But it’s hard because I wanna look convincing. I keep on judging my acting and saying “do this, raise your tone, don’t raise your eyebrows” etc. it’s good to be self aware but I think I’m overdoing and as a result can’t move last a few lines. I’m practicing at home by myself btw. How do you create the fine line between improving your take & nitpicking every small thing? It’s actually driving me crazy. Bonus question: how to cry? The most I can get is watery eyes.
NYC Actors? by writerwriterwrider • last post Apr 11th
Hello! I am an actor and I hope to be moving to NYC soon. I have been looking at the FILM life over there and I feel like it constantly goes back to LA. I feel like NYC has defenitely has been a theatre place although I have looked through Backstage so many times and there are a lot of film oppurtunities. Yet nobody talks about it. If there are any Actors in NYC that can shed light on what its like being a Film Actor in NYC that would be greatly appreciated. I havent seen anyone talk about it. I know there must be a lot of competition any tips? What are Agents like in NYC? etc. etc. anything you can tell us would be amazing. Thank you so much!
Sounding the same when you record by pauleydsweettea • last post Apr 11th
Hello, I'm not a voice actor, but I am trying to record a voice over narration. I read out the script, and a couple days later I needed to punch in to fix some parts. The problem is, my voice is like 2 octaves lower today for some reason. No matter how hard I try I can't get it to match the original recording It sounds like 2 different people lol. Well idk if anyone here deals with this but I hope I can get some insight