We have found 19,369 posts across 4 actor forums:
Moving to Santa Barbara by kcirtap93 • last post Apr 29th
I am a relatively new actor based in NYC. I was wondering if it was reasonable to move to Santa Barbara and still be able to take advantage of the acting world in Los Angeles. I realize last minute casting calls would be impossible, but, with just a couple hours between the cities (and a train) as well as the shift to some digital processes in the industry (self tapes, Zoom, etc.), is it reasonable to think it would be doable? Thoughts?
5 Tips for Actors in Isolation by ActorPlaybook • last post Apr 29th
If our career choice was a roller coaster before it now feels like the coaster has come to a screeching halt at the top of a loop leaving us dangling and unsure of how we are going to end up. First and foremost, you are not alone. As a collective, we are all in this together. So, how do we manage? How do we stay connected to our craft? How do we focus amidst all the challenges we now face? Step by step. One by one. Bad days are bound to come, but more productive days and joyful moments are out there, too. #### 1. Put down the whip and pick up the feather. If you're like me sometimes you are your own worst critic and are exceptionally hard on yourself. This is uncharted territory and we can't expect ourselves to simply "carry on" unaffected. Sometimes there are days I don't even want to get out of bed. Being one of those people who is brave enough to experience all of these feelings can be OVERWHELMING. This is why we do what we do. **We feel things. Deeply.** If you don't feel motivated. It's okay. It's more than okay. The only way out is through, so rest. Do what you can. When I feel sad, overwhelmed, etc. sometimes I pick a sad piece, an angry monologue or scene to "get it out". I create a self-tape and let the emotion that is right there simmering under the surface due me justice in my art. #### 2. Master your self-tape set-up. None of us can say for sure how this pandemic will shape our industry. What we can do is be prepared for the potential changes ahead. One of those changes might be casting leaning towards more self-tape submissions in lieu of in-person auditions. These offices might not want the additional new health risks a daily influx of actors coming and going could potentially bring. **Now is the time to perfect your self-tape set-up at home.** Practice with your lighting, audio, and backdrop. Create a pool of potential readers. Do everything that is within your power to ensure that when productions start rolling again, your tapes are industry-standard, elevated and are the best representation of you as a professional actor. #### 3. Connect with other actors. Zoom and social media have both made this incredibly easy. Like anything, there are pros and cons of both, but as actors we need feedback. **We need connection for our craft.** There are numerous online groups for actors. Do your research. #### 4. Create your own playbook. Do you have a role prep technique? Have you tried various memorization techniques for getting off-book quicker? Do you know your own emotional triggers or emotionally specific physicality? As actors, we have to be constantly learning and growing in our craft. **Our minds and our bodies are our instrument.** Honing it is a lifelong journey. Get crackin'. #### 5. Expand your mind. There are so many great books on creativity, acting and technique. Utilize this time to read some! Here is a list of recommendations to get you started: *The Art of Acting* by Stella Adler *The Intent to Live* by Larry Moss *A Challenge for the Actor* by Uta Hagen *Truth* by Susan Batson *The Artist's Way* by Julia Cameron If you ever need support in your craft, another actor to connect with or have questions about the industry, please don't hesitate to reach out. My community of actors have been a saving grace to connect with, to focus on the craft we all share a love for and to develop our skill-sets for when the industry starts to roll again. **Stay safe. Stay healthy. Do your art.** \~Jami xo
youth actors ! by suckiara • last post Apr 29th
hii ! does anyone ages 12-17 wanna be in a Instagram gc? its strictly to talk about acting. we can speak on our own experiences, and tips. acting for youth is a bit different than for adults so i figured it'll be a good idea :). if you wanna be in it, comment your age and Instagram username! (also im hoping this isnt considered self promo lol) <3 :) .
Help me I’m stupid. by moderndaymusicals • last post Apr 28th
Hi. I’m an actor and need help with getting the technical stuff set up. I want an easy preset for auditions. I just downloaded rx elements 7 and am pulling my hair out because I’m stupid. I was using audacity, but it’s not working with Catalina on my Mac now and I’m over it. I’m looking for a DAW I can use rx 7 elements with, and I want a de-Esser plugin that is good and will work with the daw. I would also like help with my levels. Trying my best here but I’m an actor and I’m stupid with technical stuff. Don’t want to sound overly edited as my room is pretty quiet. Anyone offer affordable lessons to create me something to run my audio through and help me set it up. Or do you recommend anyone. I’m not money bojangles so I’m looking for someone affordable. Know anyone?
Has IMDb Rejected Your Indie Film? I Can Help You Get It Approved In Just A Few Hours. by Michael Johnson • last post Apr 28th
If you're having trouble getting your independent film, documentary, or student film added to IMDb, I can help. Guaranteed approval to IMDb for all short and feature films, documentaries, and even older films which are no longer available to watch or stream anywhere. Please feel free to drop me a message via Skype or WhatsApp. WhatsApp: 213-262-3874 Skype: live:.cid.e794eb07a5aeb1a3
Beginning actor and potential moves by MajorFish3 • last post Apr 28th
I'm currently based in Orange County outside LA. I have minimal university training in theatre and am looking for an opportunity to practice, gain professional training and grow. Would it be useful to stay in my area or look elsewhere (such as NYC) to build a resume and credits? I have heard about smaller markets i.e. Atlanta, Chicago etc. And I also have an opportunity to move to Orlando for cheap. I would like experience in all areas including stage although my main focus is film & TV. My boss has connections to Disney entertainment (non acting) that I could consider as a day job. My main question is, what would be the best path moving forward to start my career? How would I begin the process of gaining experience and would moving out of CA give me a better shot? I am a woman of Asian descent (20s) if that gives more information about role availability. My classmates of similar backgrounds have been using experience as an extra to get their foot in the door.
Producers looking for content? by Kyle Paul • last post Apr 28th
I've had projects optioned but never actually talked to a producer directly about picking up content. Does anyone have a good resource to find producers or production companies looking for content?
Becoming a better actor! by actordownunder • last post Apr 28th
Don’t get me wrong, I completely understand that to become a better actor you go to acting lessons, you analyse film and then the other 90% is actually ACTING a scene or whatever. However I would now like to ask a question with the comparison of acting to sport, when you are for example playing basketball, you will train a couple days in the week (acting class) and you will play a real game on the weekend (actually acting) and maybe you will watch the game after yours to see what the better players are doing ( analysing film) however a good basketballer will also train 10 hours a day doing drills and all of that to improve himself if he wants to be successful and maybe go pro. So my question is what’s the equivalent in acting? What can I do 10 hours a day to be better than my peers and actually book a gig?
I've Created a Cartoon Show... but Where to Go from Here? by FAVPresents • last post Apr 28th
Hey all, it seems I’ve ended up in a very peculiar situation and would appreciate some down-to-earth advice on the matter. What I have in front of me is a gag dub of a flop animated program from 1987. Not an abridged skit but a full season of twenty-minute-long episodes rewritten, reordered and cut up quite literally down to the frame to create an entirely new show – new plot, new characterisations – with the aim of continuing for three more seasons. Not only that, it’s a legal creation too. Wildbrain CPLG was contacted before production as the original company, DIC Animation City, folded into Cookie Jar which was subsumed by DHXMedia which later became Wildbrain. Supposedly, they no longer have access to the rights of the series and, as the former companies have since then dissolved, no presently existing body does. While most would rely on Fair Use, this series would be a lawful appropriation akin to recreating a fairy tale or Shakespearean play, as none of the creators are around to maintain or sell licensing permissions. Now, that’s all great news, however, as the advert suggests, I’m in need of voice actors for 14 main characters as well as minors and extras. For one season alone, that’s a total of $3650-6370 USD – and I’m Australian so that’s a whole lot more – but at least there’s a manageable figure. So, this is where things get tricky. As a show designed to be wacky, sex-positive and LGBTIQA+ inclusive, focusing on absurdism rather than offensive satire, some have suggested a Kickstarter. However, this is not a game, the product is not purchased but freely distributed online and I can’t quite see there being many backers when that feeling of being rewarded isn’t present, regardless of the show’s content. Others have put forward approaching indie developers to collaborate with but, again, the concept of “here’s a free show now pay the expenses” isn't exactly too desirable a pitch if there isn’t enough foreseeable profit. Though, if well-known, they may have far better odds at crowdfunding. Then, of course, there is the other answer here involving a whole lot of people with a whole lot of altruism, but we all know that’s unethical and a lot to ask of strangers in a time when the world is financially strained. To put this all as a question, I’d say what avenue would you recommend as a suitable course of action to fund voice actors? It’s rather embarrassing not being able to afford your own show, but I’m still hopeful a bizarrely progressive *Ghost Stories* has a place in the world and only needs some attention in the right places to get there. In any case, thanks for reading this whole thing and any input is greatly appreciated!
Do agents invest in actresses who’ve gone through full-time undergraduate acting programs more than ones who’ve only done short courses? by morganacauli • last post Apr 28th
I need some insight because I want to apply to drama schools in the future for 2-3 year programs but is it worth it? And which programs do you recommend (which schools in the world have good programs?) Is it better to go with the 2-3 year course or will having gone through short courses be enough? Would appreciate your insight.
Being an artist is really complicated by StrobeRogers • last post Apr 28th
I've recently come to the conclusion there are two types of actors. One that discover acting at an early age, and they then pursue it, and it gives them hope and direction for the rest of their lives in some fashion...and if they don't listen, they end up rudderless and have to scrape everything together in an unorthodox manner, if it comes together at all. The other type, discover it later in life, and make it happen because their life is already organized, can make it an 'add on'. Thoughts?
I fancy myself a creepy character actor, haha, here's a paraphrased bit from The Devil's Rejects I just did on a whim. by CameronTheCinephile • last post Apr 28th
Something Different - I'm a singer and Made this Video with Breathing Exercises that Actors can Practice at Home by dreamkonstantine • last post Apr 27th
[Video](https://youtu.be/SjbzRR2cu_E) I usually make tutorials for singers, but as an actor-in-training myself, I have been in many classes where instructors impress upon us the importance of breathing. Since we are all quarantined, I thought this was a great time to hone our skills. Specifically, these exercises all use stuff you probably have lying around at home-- candles, glasses, straws.. I hope this is allowed, and let me know if you watched it and found it useful!
What movie inspired you to become an actor/want to become an actor? by z3r0z9 • last post Apr 27th
I'm a Swiss born asian male living in Melbourne Australia, and I've been a movie fan since I can remember, I have always loved watching movies and doing research of how an actor prepares for a role and the behind scenes. It has always been at the back of my mind to try and get into acting but it never really went any further; you know how life is it has it's up and downs, someday you feel inspired someday you just don't want to do anything). But I recently watched the movie 'Crazy Rich Asians' (it is a very good movie, would recommend), and something about that movie got my inspiration up again; maybe because the whole cast was asian and gave me motivation that I can do it too, and I started to starting doing research about acting and acting schools/classes. I would love to hear how your story.
Actors Access Question by hiponcronus • last post Apr 27th
Can a Canadian actor submit themselves to submissions/breakdowns that are posted under US (e.g. Los Angeles, New York, etc.) Do you pretty much have free reign to submit for any projects that are posted on the site?
How much do I pay Voice Actors? by darkangelvbh • last post Apr 27th
A little background. I have a small youtube channel (3k subs) and am currently working on some animated shorts. I plan to post the shorts in my channel (monetized), twitter, tumblr, instagram and facebook. I am in the process of hiring voice actors for these shorts but for now, my budget is quite limited, but I still want to provide a fair price to these voice over talents. Please note as well that as far as I'm aware, the ones in my selection are voice actors with no prior experience and not ones working professionally. Aside from paying them per number of words.... 1. Do I pay them for commercial, or social media rights? Or both? How much would that usually cost? 2. Do I need to pay for broadcast rights too? Because the way I understand it, broadcast rights only come into play if you're using it for TV and movies, whereby you make money directly off of the product (unlike commercial, where you make money after the fact like in advertisements) 3. What would be a fair price for amateur voice actors per 100 words? These are shorts and there's very little dialogue for now (each short is usually just 1-2mins long). In fact, one character only has 20 words of dialogue, and the other 100 words. 4. Am I able to use their voice clips in perpetuity or do I discuss that with the voice actor of the limits of the use? What's the usual limit or the fair limit for my situation? Use per episode only? Thank you so much guys and I appreciate the input!
Giving up on acting by amandawendy • last post Apr 27th
Anyone else feel like giving up on this? I’ve been at this for years and have booked jobs but not at all consistently or enough to live on. At the same time I see other actors that started after me being much more successful. I’ve invested so much time, money and energy into this but I don’t feel like I’m getting anything out of it. I’ve been rejected several times for big, what would have been a breakthrough, projects and I’m starting to think that maybe I’m just not good enough. So I’m asking has anyone else ever felt like this and would you give up in my situation? I’m almost 24 years old now.
Drama school for screen acting by lisaloxo • last post Apr 27th
Hi guys, this is my first post on reddit so I’m sorry if I’ve done anything wrong. I’ve dreamed of being an actor my whole life and cannot remember a time where it hadn’t been my life’s plan. I am about to complete my drama A-level next year and I also do youth theatre at my local theatre. I am planning to apply to RADA, Guildhall or LAMDA however I would like to primarily do screen acting (I know I will probably need to do more theatre for experience aswell) but I’ve searched the internet over the past year trying to see if drama school is ‘worth it’ if you want to work on screen but I can’t find any solid results.