We have found 19,298 posts across 4 actor forums:
Casting Call! Survival/Fantasy/Mystery Audio Drama. by and15rewpod • last post Oct 14th
Hi all! I'm looking for female and male voice actors to join the audio-drama podcast I'm currently producing. The roles are currently unpaid, but I'd like to profit-share any revenue from advertising, patreon, etc. Season 1 is written and contains 14 full episodes. Feel free to respond here or DM me with any questions. Please see this google doc for full show information, story background, and audition instructions: [https://docs.google.com/document/d/1kOC7VLfi-2xjh7JyzD5-sw3npGMAZT5B6jlmlx2WDj0/edit?usp=sharing](https://docs.google.com/document/d/1BZ_5da2RRxzGqTKpB4Zvk6dQKIdhRo74tI4CcWAHp0k/?fbclid=IwAR2wi9jYbSQLl6j7uU0l0BFj1pdHt2lYOU-neyea109pI3nHsaeGHilCuHg) **Premise:** A group of seven people and two guides depart on a twelve day backpack in the Mackenzie Mountains of northern Canada. During these twelve days odd things occur - people disappear, nature shifts, and the group is attacked. This story attempts to describe what happened during this trip. **Format:** The story of what happened is revealed as certain characters narrate its events to other people. These two time-frames - the present day when the story is being told, and the near past when the trip took place - operate simultaneously to tell the story. Each episode is narrated by different characters. **Casting Note:** There are 10 roles to audition for 4-5 female and 5-6 male (one character, Matteo, can be renamed and re-written to be either gender). Auditions are open to any ethnicity, accent, or age. The backstory for most characters can be altered in order to match a preferred actor, so please feel free to audition for any of them! For example, as written Caio is from Brazil, but his backstory can easily be re-written. Country of origins are included but not related to ethnicity, and age ranges are provided but not necessarily set in stone. Again, please see this google doc for information and instructions [https://docs.google.com/document/d/1kOC7VLfi-2xjh7JyzD5-sw3npGMAZT5B6jlmlx2WDj0/edit?usp=sharing](https://docs.google.com/document/d/1BZ_5da2RRxzGqTKpB4Zvk6dQKIdhRo74tI4CcWAHp0k/?fbclid=IwAR2wi9jYbSQLl6j7uU0l0BFj1pdHt2lYOU-neyea109pI3nHsaeGHilCuHg) Thanks!
Reading the Actions During Auditions by S_Gertie • last post Oct 13th
Two questions: 1. When you audition for things, does the reader (or anyone else in the room) also read the actions? 2. What sort of projects are you auditioning for? This came up at an audition I had this past weekend. As an actor, I am ready for however they want to do the scene. But I was noticing that it seems like most of the student film auditions have someone reading the unspoken actions. Versus most of the nonstudent films I audition for where they don't read the actions and we just do the lines. Curious on other's experiences with this.
Sometimes an actor has to take whatever gig they can get by Harrison-Bulman • last post Oct 13th
Any actor can relate to this by TrifectaComedy • last post Oct 13th
Is it worth starting acting at 30 years old ? by Product_of_80s • last post Oct 13th
is it really worth pursuing it at 30 years old or am I past it now ? I have always been interested in film and tv but only recently gave it any real thought saw a film or two with older actors in it and thought I could give that a go. Do you think acting school is a waste of time or am I better off going and getting some theatre experience somewhere else and just see what comes along. Also as I am based in Liverpool uk the likes of Jodie comer are quickly rising to fame looks like it might be a good time to get into it. Obviously talent is a key feature to success but I believe I could work hard in it.
Stand-In SAG vouchers? by dumblewhore6969 • last post Oct 12th
Does anyone know if under the new short film agreement if stand-ins get background vouchers? It says the first 10 background actors must be covered... are stand-ins considered one of those?
Exception to SAG Global Rule 1 for Producers? by stringtownie • last post Oct 12th
Hi! I saw someone mention briefly online that there is an exception to Global Rule 1 for actors who are also producers on the project or on the creative team (I realize that last one is very broad). Is this true? Does anyone have more info? I haven't called SAG about it yet, but I have searched online and can't find anything. Please no lectures about working off the card, this is for my daughter, she doesn't work off the card, but she's getting into producing and knowing if there is a true, legal exception would be very helpful.
Me performing standup about voice actor Frank Welker @ Helium Comedy Club - Portland - 9/17/2019 by PatrickPlan8 • last post Oct 12th
Robert Forster by bflbfl • last post Oct 12th
Robert Forster of course in the news due to his passing yesterday. I recently watched Jackie Brown for the first time. The performance of the actor playing Max Cherry's stood out to me a lot. I couldn't put my finger on it, but it was so simple(!) and there seemed to be so much behind the character. That was when I learned of Robert Forster. And watching the Breaking Bad El Camino movie yesterday, I thought the vacuum cleaner guy looked familiar, and the performance again seemed very simple but there was interesting depth in there somehow. Robert Forster again. I have a lot more stuff of his to go track down and watch now.
HELP by Drcee24 • last post Oct 12th
I just got an audition for a performance arts school and I'm kinda freaking out a bit. I've always wanted to direct but acting has been something I planned on learning because I believe that understanding acting is key to being a good director. Problem is I have no experience acting outside of things I did in Middle school which barely counts. I've listened to actors talk about the craft and it's always been an interest but as far as personal experience goes I have very little experience. The audition is in March and I need two conflicting monologues ready to go. I need some advice on what I should do moving forward to prepare, any tips, things to avoid, what should someone new to acting like me expect? Should I take some classes before hand? Thanks in advance to anyone that answers, my anxiety spikes just thinking about it but this is something I really wanna do
What equipments/gear am I missing from my home studio? by keyboardtypo • last post Oct 12th
I am up and coming voice actor. Currently taking some vocal training courses. But now, i am trying to continue my build-up to a more proper home studio, but i seem to be missing some things... but not sure what specifically, so i hope some of you can advise on what else i need to get/buy that will help me even more with my voiceover work AS WELL as live streaming and podcasts. So far, i have these things in place: \- Proper acoustics/padding scattered all around the place (still needs some improvement, ofc) \- Neumann TLM103 and Stellar X2 mics \- Audient iD22 interface \- Røde PSA1 boom arm (2 pcs) \- Beyerdynamic DT770 Pro 80 Ohm, ATH M40X and Sennheiser HD 380 Pro headphones And that's about it... Next, i will probably buy some photo lighting and....that thing you place your scripts on so it's in front of you... what do you call that? :o I would probably also need a personal monitor amp in addition to my iD22? Anything else i am missing out on that i should have in place, perhaps?
Podcast feedback by candysantana_ • last post Oct 11th
Hi Everyone, I am an actor, published author, and producer. I am currently working on producing Season 3 of my podcast and would love your feedback. The Podcast is called [The Manifester's Journey](https://themanifestersjourneypodcast.simplecast.fm/episodes) where I interview entrepreneurs, artists, actors and more on their journey to accomplishing their dreams. This season will be geared towards actors and the business of acting and that is why I want to hear from you. What are the common questions/struggles/goals we face as actors that I could bring to my guest for answers?
The Importance of Publicity / PR Representation to Help You Reach Higher Levels in Your Career by Lisa j. Pellegrene • last post Oct 11th
As an 18 year strategic consultant for entrepreneurs, filmmakers, non profit and talent, as well as someone who has worked as talent on national TV (Travel Channel, producing on documentaries), and currently also working with select clients as their publicist/PR rep, I cant stress enough the importance about getting your story out to the media to help bring more opportunities your way. Many think PR representation is for those who have reached the level of perceived success, whether that be working in a co-star role on a major TV series or in a film with a following and reach - YET it is more than a platform to announce your next big project. Having publicity representation, someone such as me, who can see the forest through the trees, and your potential as talent (or your films potential if you are a filmmaker) is crucial to building reach and bringing more great opportunities your way. I focus on interviewing clients, utilizing my journalism and PR background to then tell your story in the form of a news story or feature, to introduce you to the media, to a greater audience, and to others in the industry who have the ability to cast you for their next production. Ask yourself these questions, what makes you unique as an actor? Such as what skills to you bring to the table authentically which you have honed, i.e. are you a musician, can you speak multiple languages, are you an athlete, do you have a special skill that makes your heart sing? Ask yourself, does anyone know about this? Have you had press not focused just as a part of an article about a production, and a mention about you - BUT, have you had press focused on you? THIS is the opportunity ...the opportunity to showcase your work to the media, to an audience, to industry professionals as part of a press kit too, to introduce yourself, what makes you special in a way? I am happy to speak with you to help you level up in your career, email me lisa@officiallisapellegrene.com.
Alexander Technique classes? by AmazingChickenX • last post Oct 11th
Could I take Alexander Technique classes at a studio that has nothing to do with acting, or do I need to take those classes at a studio that teaches actors specifically? The studio that I wanted to enroll for these classes are simply a studio that teaches the Alexander Technique and nothing more. It's not tailored to any particular person (actors/singers etc).
What does "an actor prepares" teach you about the Stanislavsky method? by Popsikle-Man • last post Oct 11th
I know it's a stupid question but hear me out. The book "an actor prepares" is told to have exercises / lessons, but they're only told in the form of stories, instead of just telling you the exercise / lesson. And it doesn't even tell you much about how to do the exercise, the story just tells you what happened after the students did the exercise. And plus, there's a whole book called "Stanislavsky in Practice". So what is the point of "an actor prepares"? Does it actually teach you how to do the exercises for the Stanislavsky method or is it just a book that gives you a basic idea of what it is without telling you how to do any of the exercises in it? ​ Here's another thing that makes me confused. Several articles that talk about how to learn the Stanislavsky method say to learn it, go to an acting school or go to a workshop, but they never suggest reading the book. Does this mean the book is just an introduction to it, and if you wanted to learn the techniques and exercises, you have to look else where? Or does it mean the book tells you the basics of the methods but to learn how to truly do the methods you have to look else where? ​ Again, I know this is a stupid question, but I'm really confused. I've only been learning about the Stanislavsky method (from the book alone), but not how to do the Stanislavsky method. If anyone can answer my question without lighting me up for asking a dumb question, it would be much appreciated.
Risk/Reward of waiting at an ECC by xandramary • last post Oct 11th
For a nonunion actor at an EPA or ECC, is there a benefit to waiting in the holding room after an unofficial list has been started? When there are still hours before the actual audition begins, why stay? Is it fine sign up and come back closer to the start time? Or am I risking something by leaving?
Training options by finnegan7 • last post Oct 11th
So I have been taking an acting essentials course that covers stuff like text analysis, voice and movement exercises, finding inner truth, intro to camera and audition, improv all that good first year actor stuff. Now I can either stay at this school for another year or try and get into a big conservatory acting school that would give me a lot more training, experience, exposure all that. But there's no guarantee I can get in there. Do I play it safe and stay another year here or try my luck somewhere else?
LACasting or Actor's Access (plus Headshots question) by brendanattey • last post Oct 11th
Hi actors, I'll try to keep this as succinct and clear as possible! I moved out to LA a few weeks ago. I've been doing stand-up comedy for nearly three years now, and I want to get more into acting. I've done well playing comedic roles in the past (mainly student films and sketch/amateur stuff), and I feel comfortable being funny on camera, so that's my immediate goal. As such, I know I need to get on the paid casting sites. Is there an obvious choice out of LACasting or Actor's Access? (I'm terrified everybody is going to say I need to be on both, as I'm already concerned about the price of getting on one of them) I've done some research, and it seems LACasting is a little more expensive/annoying with their fees, but I've read that both are highly valuable and must-have resources for actors. Would getting on just one of them be acceptable for someone starting out like me, and if so which do you guys recommend? **Bonus Question!** Complicating matters is that I still need to get headshots. I've found a quality place that will do $50 per look (an actor friend told me I need at least two "looks"), but another friend just signed up with LACasting, as as part of the registration he got a free 30 min. session with a photographer where he got to pick his favorite 3 headshots at the end. If this is the case, couldn't I just bring multiple outfits to the session, and walk away with 3 headshots (and 2-3 looks) for free? Or is 3 pictures not enough? Just figured that might factor into which site I choose if that's truly the bargain it sounds like. Looking forward to getting your guys' perspective on this, thanks for any info!
Identifying Audiobook Narrators - Six of Crows by LassBrittanyG • last post Oct 11th
Hello, I just finished the audiobook for Six of Crows by Leigh Bardugo. I really enjoyed certain voice actors, but I'm having trouble identifying who is who. Can anyone clarify? Inej - Lauren Fortgang Jesper - Brandon Rubin Joost - Tristan Morris Kaz - Jay Snyder Matthias - Fred Berman? David Ledoux? He has a very deep voice, but good range. Nina - Elizabeth Evans Wylan - Not narrated? Pekka Rollins - Roger Clark
Actors Pro Expo New York - October 26th by Surviving Actors & Actors Pro Expo - Lianne Robertson • last post Oct 10th
This free admission event for Actors is coming up this month. A bunch of great talks, open castings and 121 career mentoring. Who's going? https://www.actorsproexpo.com/new-york