We have found 19,242 posts across 4 actor forums:
What direction to take for university by worriedkiddddd • last post Apr 23rd
If you ever have the time to read all this, I would LOVE some opinions because I am so absolutely torn on what to do for university. I’m a canadian who wants to be a working actor basically trying to pick between 2 programs, creative industries at Ryerson (about more of the business side of film, fashion, theatre, etc) and theatre & drama studies at UofT (Mississauga campus). So first - ryerson. -The program really interests me, I can learn all about the business side of industries like theatre and film and fashion, and I think I’d still be happy with another type of job within these industries. -I get to do an internship in the third year within one of the industries I’m interested in (film, theatre, etc.), which would be a great experience, great to put on a resume, helpful for finding a job after graduation. -The program is more practical, if acting does not work out, I would be better prepared to find work and a career (still within the industries I love and am interested in), and it’s less risky. -I have read about actors taking this program before. -Being downtown Toronto (location of campus) is an amazing opportunity as I would be at the heart of these creative industries, this means that while I am going to school I could be trying to get an agent, going to open calls for commercials, for being an extra, for shows, etc., I can be trying to get my foot into the industry while learning practical sides on the side. The years that you are in university are sometimes said to be some of the most marketable years for new faces in the industry, and I am also kind of absolutely itching to get started really being a part of professional acting and being on film/tv sets and trying to make it happen - but am I ready? -Being downtown Toronto would also mean I could take acting classes outside of school because many are offered in Toronto, so this way I could be improving my acting and working on it without needing to be in an acting program. -Also I would just love to live in the city, so much to do and so many places to go and people to meet, if not now, when will I get the chance to live right at the centre of downtown. And things like parts of TIFF and fashion shows happen on rye campus, which would be v cool to be immersed in. -Being in this program does not mean I cannot pursue acting, I won’t be immersed in it and developing my acting in class, but I can be pursuing it on my own, while studying. I would need to try to find my own way though, no roadmap when pursuing on my own. Would I be missing out on fundamental training? -This program gives me more free time to be pursuing things on the side and trying to get actual acting work. This was a competitive program to get into and seems promising for employability. Now onto UTM. -This has been my dream program for years, the day I found out about it I could not stop smiling, I was amazed by it, thought it would be the ultimate achievement to get into it. -Acting is what I love, it’s been my raison d’etre for most of high school, what makes me happy, and life is so short, we could die anytime, I think the most important thing is working towards a life that makes you happy, + I don’t see the point in a life of mediocrity, tediousness or monotony, 100 years may be the longest thing I’ll ever experience but what was the point of those years if I’m not pursuing my passions and doing something that means something to me. -It only accepts 24 people out of ALL the applicants and they wanted me, this is kinda validating, hopefully means I have something good, maybe I have some kind of a chance in this business. From the phone call I received it seemed like they really want me. -This is an amazing opportunity that a lot of people don’t get, would be kinda heart-breaking to turn down. -It is a conservatory acting program so I get to be fully immersed in acting, which is what I love, and improving my craft, making connections in the business, getting experience in productions. -They have successful alumni. -I would get to learn about film + tv acting, stage acting, auditioning, the business of acting, everything I’ll need. -Get to do a showcase in front of agents, definitely will learn a lot about getting into the business and have an easier (?) time understanding how to get started. -I get a university degree + college diploma. U of T is an amazing school, one of the top in Canada, so it is pretty great to have a degree from there, plus it’s joint with Sheridan college, well-known for theatre, so a great place to have a diploma from. -I would have no free time because of how intense this program is, can’t get a job. Because of time and location restraints I would likely not be able to work toward getting actual industry work for my 4 years there, i.e. no looking for an agent, going to casting calls, so I couldn’t get started till AFTER I graduate (or summer?). but maybe I need those years of personal development. -Have to live kind of in isolation in the forest (could be good or bad), I don’t like the location, while there is less to do I would also have less time to do things anyway though. -Since its 24 people in the program with so much of your time together, you gain a little family of friends (who all share interests + aspirations with you). -Do I need drama school? Some say no. I would be taking some courses unrelated to acting (ex. I don’t rlly care as much about history of english/theatre, etc), and I could be spending these years actively trying to make it in the business without the whole theatre education, just taking acting classes downtown and grinding to audition, but could it be a disservice to myself to not undergo full training? Lots of actors don’t get degrees, but lots do. Is it worth it? I don’t know. These are all my thoughts and I really don’t know which to pick. My mom and sister think UTM is the obvious choice because of how few people get in and if I really wanna act I should do it, but I don’t think thats the only route to acting. And my dad likes the sound of ryerson better. And I just can’t pick because I can see myself in both? really clearly. And I don’t wanna make the wrong choice. I’m like on a teeter totter right now because I keep flipping back and forth on what I want. I had kinda settled into thinking I was going to ryerson and got pretty pumped abt being in the city, then the UTM offer came in and now I have to consider everything and I’m stuck.
Beginner one on one voice acting coach recommendations? by zacmwilson • last post Apr 23rd
I’ve never had any training nor done any work as a voice actor but I’m eager to start! I’d like to find a one on one coach to help me get my career started. Classrooms haven’t ever been my thing, I learn well in personal coaching environments. I’m hoping my classroom issues/fears will get better as I get more comfortable with an instructor. Eventually I would like to do video games, animated shows and/or commercials. But at this point in my “career” I’m willing to try anything to see what I’m actually good at! Any recommendations for private coaches are much appreciated. I live in Los Angeles, San Fernando valley to be more specific.
Any alternative to Actors Access that has auditions in Georgia (U.S state)? by Big_Interaction • last post Apr 23rd
AA does not have Georgia listed, or maybe it does and I don't see it.
Voice acting advice by metallaugh666 • last post Apr 23rd
Basically to keep it simple. I want to be a voice actor(or at least theatre). Its something ive been wanting to do since i was young but im in my 20s now and stuck at a job i hate. I figured that now i should try to finally get off my ass and do something about it. Basically im here needing advice. Where should i start? What can i do? Anything will help at this point. Also to clarify i live in the US if that helps any
Self-tape basics by tomrichards8464 • last post Apr 23rd
I've worn a lot of hats over the years. I've acted on stage (a lot) and in movies (a few). I've produced, directed, written, production managed and stage managed plays, and I do script development for film. Now, for the first time, I am helping to cast a feature. I have seen a lot of self-tapes. And some of the simple ways actors and their agents (and their parents, in the case of child actors) shoot themselves in the foot have been eye-opening. So, for those who need them, here are some simple ways to not screw up and hurt your chances. 1. Casting is often happening under severe time pressure. If a CD says they need tapes by Saturday lunchtime, sending them at 8pm on Saturday is probably not a good idea. Sending them on Tuesday morning is definitely not a good idea. Turning things around quickly so that you can get the tape in well before the nominal deadline is likely to help your chances of being seen by the people who ultimately make the decisions. 2. Send tapes in a downloadable format, not just a viewable one. There is every chance the CD wants to - for example - create a Vimeo album of shortlisted tapes to share with the director and producers. Having to send a separate link and a separate password for each video is a total pain, and this sort of friction can make the difference between a marginal case being included in the shortlist and not. 3. Start the filename with your/your client's/your child's name. 3835735723487.MOV is not easy to keep track of in the morass of downloaded tapes. 4. If the sides you have been given include passages where the character you are reading for is not speaking, don't skip over them unless the CD has explicitly asked you to. Your reaction to what other people say and do is an important part of what we're looking for. 5. Don't have your scene partner read out character names or stage directions. The CD knows what's happening and so should you. If there's action you can act out, great. Otherwise, leave it. 6. If it's true, there is no harm saying that you're on standby to reshoot if the CD has any notes. You never know - they might take you up on it, which could be another chance to impress.
Best private coaches both in person for NYC/DC area and online? by westrideforward • last post Apr 23rd
Hello all, I am looking for some private coaching and would prefer to travel on weekends if necessary in person to NYC, or DC areas but if there is some good coaches online in LA that actually are developing actors then please mention all you know. Thank you.
Looking for actors for NYC-based short documentary series re-enactments (true crime style). by moviemakr • last post Apr 23rd
I'm looking for actors to perform a few re-enactments for a 3-part documentary series about an ex-roommate with a personality disorder and a criminal past. It's a personal project, so there's pay involved although not very high and it's non-union. On the bright side, the series will be uploaded to a YouTube channel with 70k+ subscribers, so at least it has a guaranteed audience and will be sharing it with my 200k+ Twitter followers. After a few weeks on YouTube, it will be available on Amazon Prime Video. Each episode clocks in around 20 minutes. The style will be cinematic/true crime, sort of a hybrid between a podcast and a documentary. Think Wormwood or The Imposter, with a bit of The Disappearance of Madeleine McCann. A voiceover will be narrating the action, so all roles are non-speaking except for one. Lots of slow-mo. Planning to film the first week of May, but exact date TBD. If you want an idea of the aesthetic, [this is a doc-style video I shot a few months ago.](https://vimeo.com/295847991) Roles: - Female (speaking role/voiceover) for a 2-minute 911 call recreation. American accent. Can be recorded remotely on your own phone. - Male. Middle eastern-looking or mixed race. Must have a beard. Age: 30-45. - Male. Hispanic. Age: 23-30. - Male. White/Caucasian. Age: 30+ - Female. Any race. Age: 25-40. If you're interested, please PM me with your reel and anything else you consider relevant.
Found a project that has a TV star actor in it, but they aren't paying extras.....should this be reported to SAG? by TheRadHatter9 • last post Apr 23rd
Not paying extras is normal for non-SAG shoots, but this is a film with an actor who has a leading role in a current network TV series, so it's obviously SAG. They're offering "imdb credit" and "free headshots with a pro photographer" as "payment."
So are we only relying on these websites like Actors Access and LA Casting to get jobs? by patrick_luvs_LSD • last post Apr 22nd
I'm not saying these aren't good to get your career started; but is this how every actor nowadays starts in order to get noticed and make it towards big budget films?
[PAID] Monochrome Beauty: An innovative, narrative-heavy serious game surrounding a psychosocial issue by InspiratioStudio • last post Apr 22nd
Before going any deeper into the description, let just make a quick disclaimer right from the outset: This game is not exactly a cash grab game. Please do explicitely not join the team, if your main goal is just to make loads of money. Neither do we have a massive budget, nor is the main goal of the game to maximize earnings; though we do care about proper marketing and making a *fair* offer for everyone involved. In the end, we are simply a small, enthusiastic team of people mostly working on the project in their spare time, yet driven by a vision and sick of seeing the same types of games over and over again. Yes we are idealists, but we are also realists ... organized, reliable, know our craft and have industry experience. So once again: If any of the above is a dealbreaker to you, please don't join us, as these things are not negotiable. If this - and please excuse the language - haven't pissed you off already: Congratulations, this is where the interesting part begins! So let's cut right to the chase, shall we? ​ \_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_ # A sneak peek at the game in question ​ [\(Screenshots may appear too dark or light, depending on the display.\)](https://i.redd.it/82bvvntpnut21.jpg) ​ >Despite the late hour, Arifa, a friend of yours, invites you to her apartment. She is sitting in the dark, and – noticeably agitated – seems to be in need of someone to talk to. As Arifa begins to recount the events of the day, you put yourself in her position and try to live through her experiences yourself, slowly unveiling more and more about the psychosocial problem she is facing, the ramifications coming with it … and why all of that extends far beyond just her. ​ Monochrome Beauty expresses a socio-philosophical thesis, presents the current and ideal state and examines the latter for feasibility and meaningfulness, ultimately leading to a recommendation for action based on the resulting ethical evaluation. It attempts to do so without being overly preachy or moralising, but by embedding these points into a dramatic, self-explanatory narrative, to not only convey the mental side of this issue, but also provide further undistorted sensory information, in order to have a better understanding of the impacts in play. For this purpose, many of the game’s features are based on the idea of maximising the amount of information to impart and the quality of doing so. These features include: * Almost no extra-diegetic components, instead partially even an extension of the game to reality * Shifts in core mechanics, depending on the emotional state of the protagonist * Context-sensitive gameplay in synergy with the plot and not just as an onerous vehicle to drive the latter * Specific changes in perspective, in order to maximise empathy and immersion ​ \_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_ # Roles up for grabs ​ Regarding the sample lines, please note that both the translation, as well as the lines themselves are not final and are just here for application purposes (italized lines provide some context). Please don’t „overplay“ the role. Yes the voice acting here is supposed to be cinematic, but it’s also supposed to be natural – after all, this is a video game, not a listening comprehension exercise for non-native speakers. ​ **Voice actress: Arifa’s mother (female, supporting character)** * Character attributes: * Adult, irritable, uncompromising, caring, conservative * Sample lines: * Excerpt 1: *Arifa: Did he say when he'll be back?* Mother: (Snippy) Mhh … let's see: It's Friday, he barely lives here more than you do and has a girlfriend with her own apartment, so … No, I have no clue. * Excerpt 2: *Arifa: (More threatening, more hysteric) Start believing me!* Mother: And then what, hu?! What do you want people to do? Is everyone supposed to say it doesn't matter? Should we remove it from every single movie and ad? Just because a dozen people in this country have gone nuts?! Grow a thick skin and don't be such a wimp! ​ **Voice actor: Neighbour 2 (male, supporting character)** * Character attributes: * Young adult, obsequious, insecure, attentive * Sample lines: * Excerpt: *Neighbour 1: New one, hu? Mh … (Leering) Did I miss something?* Neighbour 2: Well … What are you into? *Neighbour 1: The same as every man you have ever met or will ever meet.* *Beat. Neighbour 1 continues to throw away the trash.* Neighbour 2: (With a grin) She was really amusing, that's for sure. *Neighbour 1: Left bag, come on.* *Neighbour 2 hands neighbour 1 the bag, who throws it into the bin.* *Neighbour 1: "Amusing" you say?* Neighbour 2: Yeah man, everything about her was awkward as fuck. ​ \_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_ # What else is there to be said? ​ The initial research for the project started in early 2017. A number of interruptions and a few hundred pages of notes, concepts, tests, drafts, and the like later there is a screenplay, as well as an in-engine (UE4) prototype that, besides the level layout and all the core mechanics, also includes some more refined level design sections and advanced gameplay systems. Of the advertised roles, none’s main work is expected to take longer than a few days of work, depending on the role, it’s possibly even manageable in on recording session. The intended period for this to happen is somewhere between June and August (once again depending on the specific role and partly adabtable to your personal schedule). Please note that, as of the writing of this ad, the project has no external funding or budget. All of the spendings so far where financed by personal savings from the core team. I'm confident that if money is not your main driving force, we are able to reach an agreement, but once again, please don't expect huge sums. That obviously does not mean we don’t appreciate every little contribution that goes into making such a game – we definitely do. It is just that unfortunately, surprise, there are simply no ressources for much more than what we can offer. Still, working on Monochrome Beauty could not only be an interesting experience and enhance your portfolio, but also bring in new friends and industry contacts, and possibly even lead to building up a reputation and/or being part of an award-winning game. ​ [\(Screenshots may appear too dark or light, depending on the display.\)](https://i.redd.it/rr5b6grrnut21.jpg) ​ \_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_ # So … what's next? ​ If you are interested in one (or even several) of the roles, please don’t hesitate to send us your version(s) of the sample lines at [inspiratiostudio@gmail.com](mailto:inspiratiostudio@gmail.com)! Just go ahead, even if you don’t fit every aspect of the role, as qualities like reliability, perseverance and eagerness to improve can more than outweigh skill alone. There is no fixed deadline, but for a good shot, the recommendation would be to apply before mid-May, the sooner the better. We are looking forward to (literally) hear from you, so we can have a relaxed, non-binding chat, get to know each other and hopefully work together! ​ [\(Screenshots may appear too dark or light, depending on the display.\)](https://i.redd.it/ulif9yxsnut21.jpg)
Curious if anyone uses Casting Frontier? by WordAndCopySayer • last post Apr 22nd
For anything at all? Someone in Chicago made actors there join it years ago for some reason but it seems to be irrelevant now. Anyone using it, and if so, what for?
Who did you decide to pursue acting? by Reptilianhumanhybrid • last post Apr 22nd
Title says it. Why did you decide to become an actor?
A very quick survey that is very important for me. by Sapchoto • last post Apr 22nd
Hello everyone. I understand it is a bit late but I just wanted to throw it out here. I have created a survey with very simple 10 questions which should not take more than 5-10 minutes to complete. It is 100% anonymous and I will greatly appreciate it if you took the time to answer the questions. I am doing a 3000 thousand word essay based on "How can improving physical and nutritional health enhance and develop theater performance/preparation". It is very important for me as I will be basing some of my research and arguments on it. I decided to post it in this group as I am looking specifically for actor's responses. Thanks in advance! Link to the survey ---> [https://www.surveymonkey.com/r/8V5VXXP](https://www.surveymonkey.com/r/8V5VXXP?fbclid=IwAR2EP7Q3xrUq74QGPg4_E8LIuxTDer4pdzQ2D26TKSkBQxq--j9aJgRrmuE)
Fitness shot for actors? by whoyouflexingon • last post Apr 22nd
So, within the last year, I've gotten into remarkably better shape than I've ever been in, and I'm wondering how to showcase this. Do any fit actors out there make a point of having a headshot that showcases a little more physique, or scenes in your demo that show it off a little? ​ I am 27F, and mostly go out for nerdy/wholesome roles. I'd like to someday play a badass or athlete, but as it is, my headshots and demo do not showcase this aspect of my look/ability.
Headshots/Acting in Brooklyn/NYC Area by bstachiio • last post Apr 21st
I was looking to get some good quality headshots at an affordable rate. I am not an actor but i am contemplating pursuing it but for my own purposes. I would like to have some headshots on hand just in case, for acting gigs or even just for a linked in profile pic. It does not hurt to have them on hand. Idk how the process typically works in terms of rates and stuff so if someone can help me, i would greatly appreciate it. Thanks!! Also, if you guys have advice for someone who has never acted before, where do i start? Idk if its worth trying to take classes or even jumping in to be an extra wherever i can find a gig. Ive never done any acting or theater work (since 2nd grade lol) but i don't want to skip out on this and say i never tried so i am coming into this optimistically but i also understand people who are actors/actresses, dedicate their lives to this so i understand what is out there and the workload needed. I am 24M living in BK, if anyone has any experience with this let me know, and if i should stop in my tracks, i will heed the warning respectfully. Thank you again.
How to BETTER your acting skills (AMAZING VIDEO) by austinneum • last post Apr 20th
I found this really great video that helped me to hone my acting skills and think of it more as a craft rather than a job. It truly is an artistic craft and this video helped me to understand that and become the more established actor that I am today. In this video only a few steps are given but they TRULY helped me! Here's the video: [https://youtu.be/i8L84pRocpo](https://youtu.be/i8L84pRocpo)
Help. You know those shows like Single Parents and Happy Endings? You know those shows like Boss and The Good Fight by OkActingIllTry • last post Apr 20th
Can you eli5 and tell me what are these two genres? And what sort of training I should pursue if interested in either (or both) I'll take scraps of information. Give me anything I feel like all advice sends me to theatre and school training. Both of which I value but I'm old and female. Not interested in fame, just a deeply fulfilling life in creating story for a living. I just need some plain speak about throwing one's self in the ring. I want to play character or supporting actor in a succession of projects I live in NYC and I'm willing to work and am able to afford to try at least a little. Tell me what you know?
How many "special skills" do you personally have listed on your resume? Does it matter if you don't have a lot? by BUTTERSANDWlCH • last post Apr 20th
I don't speak another language, I'm not into martial arts, I can't do any accents , etc. I basically like to go for runs, read and write, none of which I can imagine should be on an acting resume. Does it matter if you don't have any special skills to put? Are special skills something you picked up over time in your career (I'm a beginner)? I guess I just feel a little discouraged after seeing some other actors' resumes online. Many seem to have a large amount of special skills and I can basically do nothing.
Can anyone give me some constructive criticism on this monologue? by april_ludgate4 • last post Apr 20th
[https://youtu.be/0Uf8qUw10-w](https://youtu.be/0Uf8qUw10-w) I was doing it mostly for the fun of it -- I am not an actor by any means. I did improv here and there, but never fully committed myself to the art. I was curious if I was any good, and if not -- no hurt feelings, I'm sure I will find my calling elsewhere, or maybe put in some work to get better at it. Ideally, I would love to pursue acting as a hobby, but I fear rejection. Thank you for your time!!!