We have found 19,414 posts across 4 actor forums:
TW: Weird scam — has this happened to any other actors out there? by _turtley • last post Sep 12th
Hey guys. This is long and I’m not 100% sure about posting this but I had a freaky scam happen to me the other night. I’m wondering if this has happened to anybody else, and I want to let people know that there is weird, creepy stuff that goes on out there. If this is inappropriate, I apologize! I got a text the other night from an unknown number that said they were from a theatre that I did a show at 3 years ago. “She” (who knows who this person really was) said that they had a fashion mogul friend working on a big budget studio feature about ballet, and that she thought of me. This was a coincidentally convenient front, because I did a monologue workshop at that theatre in which I danced. So I figured it was someone who was there and that I didn’t remember, who remembered me. Anyways, she said this man, “David Emmanuel” (a catfish, I realized too late) was talking to another actress at that moment, and wanted to skype with me once they wrapped up. She said to get some outfits ready, told me to ask him to keep me in mind for other projects if not this one, and wished me luck. About 10 minutes later this man calls me, and though he doesn’t have his video on, asks me to turn mine on. I do, and things seem fairly normal at first. We got to know each other a bit, and talked about the movie, with him saying it’s a feminist film shedding light on the ballet world and how sometimes dancers get taken advantage of by teachers and coaches. And how dancers are underpaid for how hard they work. He said they wanted to show how toxic the environment can be for the dancers and that it doesn’t have to be that way. He said they wanted to collaborate with the cast and take their experiences into account. Things gradually started getting weirder and weirder, though. After asking me to do some ballet, he started talking a lot about sex, eventually talking about sexual fantasies of women he knew, and stories about successful actors and how exposing themselves in different roles helped them be successful. He was using very explicit language, excusing himself as he did so, but it made me feel so uncomfortable. At this point I was thinking “okay something is really off” There was a lot of coercive and isolating rhetoric, telling me not to trust my friends or family because they would get jealous. And that I shouldn’t be tied to a partner, because I need to be free, love life, and meet different types of people (with the intention of sleeping with them, was what he was implying). He said it was a beautiful world, once you make it in the industry. He asked me what my fantasies were, after telling me all these sexually explicit stories. I was extremely uncomfortable at this point and I kept trying to change the subject—I wish I had felt calm enough to just get off the call but it all happened so fast. He kept interrupting me when I tried to steer the conversation to an appropriate topic. There was a lot of other weird things too, but this is the short version. After an hour and a half of talking to his disembodied voice (he never turned on his camera) he finally wrapped things up. He gave me a number of his to text after, to reach out so we could schedule another call and speak more about the film. He gave me another contact as well, of a woman on Instagram who was verified and could “connect me”, but after some research about who she was that seemed very odd as well. I hung up feeling very upset and violated and freaked out. After, I messaged someone from the theatre where the first woman claimed to have met me. My former cast-mate said they’ve never heard that woman’s name — so I texted her saying I didn’t buy it. She said that I was being paranoid and tried to convince me I was overreacting. It was all just very odd, because they had to have been actively looking at my resume to see where they could pretend to have met me and personalize their approach. I’ve never experienced a scam like this. I’m guessing they were recording me the whole time my Skype video was on, trying to get me to say something sexual or embarrassing or whatever. Best case, it was someone who gets off on messing with people. Worst, it’s a blackmail ring/pornography ring/cult recruitment weirdness. I guess I’m wondering if anything like this has happened to anyone else on here, I also just wanted to bring awareness to these types of situations. I wish I had set boundaries, though it seemed real enough at first. Kicking myself now because it really freaked me out and I felt terrible and stupid afterwards. And I feel so gross that they probably have video of that whole conversation. If you’ve made it this far, thanks for reading. This was definitely a lesson for me in advocating for myself, not being afraid to say “no”, or to say that something is making me uncomfortable.
Life Itself. by CommercialAd6381 • last post Sep 12th
Hello I am a 18M, my question is what are you doing with your life other than acting I know many of us aren’t full time on being an actor and have real jobs. I’m 18 i’m close to signing with an agency but my question is what to do with my life ? it sounds pretty stupid but i know we aren’t going to get bookings left to right after signing with an agency or agent. I am currently in rolled for Business Admin in college for a back up but it’s been consuming so much of my time that i can barely even practicing acting, or take classes anymore. Should i just drop out and work a full time job until i can work as an actor full time ? What if i don’t become an actor full time ? There’s just so many questions I have. (sorry if this isn’t the right place to put it)
I was just mentioned in a news article as a voice actor! My name comes up in search results now! by jadebarker • last post Sep 12th
Boone Helm by lepontneuf • last post Sep 12th
Has anyone else been asked to submit for many different roles to this film?? I have FOR TWELVE and I find it totally unprofessional and stopped after SEVEN. Does anyone have any info about this production? Paul Sinacore is the CD. I know of several other people who have been asked to read for at least seven roles. And then they keep extending the due date week after week after week. It’s really frustrating and weird and amateur. Anyone else? edit: now the entire project has been pulled from Actors Access
Going to graduate school while trying to find work? by Positive_Vibez0 • last post Sep 12th
I’m still in college (in the USA) and have two years left of my undergrad. I recently started taking acting classes and absolutely love it. However, I also love my field of study (which is in mathematical sciences) and wanna pursue graduate studies in it. I’m aiming for a PhD program in a big city which should have plenty of opportunities both in terms of my education and acting endeavors. Does anyone else has experience with this? Is this sustainable or even possible? I know graduate school is a *lot* of work and being a successful actor requires devotion so I’m wondering if its even possible to balance the two. I’d appreciate any input :)
Dream Come True. by owen3820 • last post Sep 12th
Positive venting here because, sadly, I'm at a point in my life where I don't really have that many people to spread good news to. Long story short, I'm a 21y/o who dropped out of college in March of this year after a mental breakdown. About a month ago, I auditioned for AMDA (the American Musical and Dramatic Academy) in NYC. It was mostly intended as a "hail mary," just to say I did it. There was literally no reason for me to do this. I was certain it was a fruitless endeavor. But I got in, with a $10,000 merit scholarship. I hadn't acted in any capacity since 2019. Three years. I honestly thought I'd never touch a stage again. Now, to keep things in perspective, AMDA isn't like, "the Harvard of theater" or anything like that. But It's the real deal. A significant portion of their graduates end up as real working actors. The LA campus where I'm going to be studying is like, right in front of the Hollywood sign. Two blocks away from the walk of fame. I know this is partly because I'm young and my ego is the size of Jupiter right now, but this feels like The Moment. Every young actor thinks they're going to "make it"- we should, in my opinion- but this does feel like the start of something special. Anyway, it'll be an honor to be among the make-believers again. In bacco al lupo.
Character Actors in Theatre? by Snoo_47064 • last post Sep 12th
Is ‘character actor’ a relevant term in Theatre or is that mostly just for Film and TV?
Opinions Please! by MrMelo87 • last post Sep 12th
Hi all I'm a professional Actor and Musician who is trying to transition from theatre and into the voice over world. I have a decent audio setup (Focusrite Scarlett 2i2) and I'm looking to create a more professional environment to do voice work from home. I don't really have the space (or funds) to create a full blown vocal booth or sound-dampended space but I did find this: [https://www.amazon.co.uk/XTUGA-Sound-Absorbing-Noise-Reducing-BURNER-PRO/dp/B096FQLLQZ/ref=asc\_df\_B096FQLLQZ/?tag=googshopuk-21&linkCode=df0&hvadid=570738427158&hvpos=&hvnetw=g&hvrand=16394100255954142841&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9072494&hvtargid=pla-1536459690623&th=1](https://www.amazon.co.uk/XTUGA-Sound-Absorbing-Noise-Reducing-BURNER-PRO/dp/B096FQLLQZ/ref=asc_df_B096FQLLQZ/?tag=googshopuk-21&linkCode=df0&hvadid=570738427158&hvpos=&hvnetw=g&hvrand=16394100255954142841&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9072494&hvtargid=pla-1536459690623&th=1) ​ Can anyone a bit more experienced in this field tell me whether this is a worthwhile purchase? I imagine it will provide some decent level of sound-dampening but obviously won't create a sound-proof space. Is this worth the investment or am I better off buying something more substantial? ​ Thanks for any thoughts you all have. ​ Cheers! Phil
Harry Styles? by mofowitdahat • last post Sep 11th
The fact that Harry Styles can just make his debut in a Christopher Nolan film, do a Marvel movie, and now have 2 back to back films to top it off with acting award talks?? I call BS. I understand the game and how unfair it is/the fact that Harry is a popstar and therefore has an audience to profit from but this makes me sick to my stomach. Just venting here as I think this kind of post is more welcome here than the harrystyles community PS - I have not seen any of the films he was in so I am not judging his acting. Edit: Not about me, I know the #1 acting sin is comparing yourself. The guy just came out of nowhere and there are professional actors who deserve the work. But I get the game
Editing video clips? by jad-allah • last post Sep 11th
Does anyone have any quick tips to edit over the dialogue only on video clips? My goal is to create a demo reel impersonating some of the greats and see how horribly off I am, accepting the wake up call that I can never be a voice actor and just focus my ass back to my day job. Thank you
How does anyone get more legitimate work or an agent to do so? by RothkoRathbone • last post Sep 11th
Applying on Actors Access and booking here and there does not, for the most part, lead to anything. A website just sits there. Plays and shoots all feel like isolated incidents. Social media does not feel productive. How are people (or you) turning what they (you) do into something? What can you do? What do you do? Not intending a negative tone here I’m just not seeing how people make use of their time. I do think self-producing is the best thing you can do. If you are able to male something really good, which is it’s own challenge. That’s also not everybody’s thing though anyway and many people don’t take that path.
Why do actors go to museums/art galleries? by AmazingChickenX • last post Sep 11th
I always hear professional/famous actors say this. Usually, they're the ones who are considered an "actor's actor", the ones who take their craft very seriously. Even Larry Moss has said this a few times. In their interviews, they always say that actors should be going to museums and art galleries. What does this do for actors exactly?
Join Filmbuddy.org Today to Discover & Connect with Other Filmmakers in Your City! by filmbuddyorg • last post Sep 11th
Hi everyone! Do you have an idea for a film, but have trouble finding other filmmakers in your area to realize your vision? Our platform, [Filmbuddy.org](http://filmbuddy.org/), allows you to discover & connect with other filmmakers in your city! Simply select the types of filmmakers you’re seeking for your project (eg. director, screenwriter, cinematographer, actor/actress, and many more), and you will see everyone with those positions in your city! When you visit their profile, you not only have access to their portfolio and social links, but also to the films they’ve worked on. These features allow you to carefully examine various filmmakers in your city, and ultimately help you find most suitable artists for your project. Join [Filmbuddy.org](http://filmbuddy.org/) today! ​ https://preview.redd.it/ka1kiolztan91.png?width=822&format=png&auto=webp&s=80803718378262e42bfcee2016cf06fd1ed63f21 ​ https://preview.redd.it/vggh09p1uan91.png?width=914&format=png&auto=webp&s=deabb6ef9f8d1841364a6c332bb6781d9ee89f93 ​ https://preview.redd.it/5djrueq2uan91.png?width=1030&format=png&auto=webp&s=66d158659422cd5f17be416cd8ff62d35b0551ed ​ https://preview.redd.it/9pquhtd3uan91.png?width=874&format=png&auto=webp&s=8b1610f604f0328781b0644781079af0c7a3f510
Eye Color Contacts Question by poehlerandparks19 • last post Sep 11th
Hi! This might sound silly, but it’s genuinely something I’ve wondered. Say that an actor was going in to audition as the child of an actor who had different colored eyes than them, or for some reason an audition where a different eye color would be beneficial. One can’t change hair color quickly, but putting in contacts can be done very quickly. Do actors who have colored contacts ever use them for this purpose, or even take headshots in should you ever want to audition with them? If you did use them to audition, would that be considered odd to do, or would casting be upset if they hired you and they found out that wasn’t your real eye color? Or would no one care? This is purely hypothetical, and just something I wondered about before as someone who enjoys colored contacts sometimes. Thanks!
Tomorrow I Start my First Acting Class by Koivi • last post Sep 11th
Hello everyone! I (M25) don't know if this type of post is allowed here, so if it's not feel free to delete it. Tomorrow I take my first acting class, and to be honest I'm feeling a mixture of excitement and nerves. I'm m=25 now but when I was younger I used to love to watch people perform on stage. I have so many cringey memories of myself from when I was a teenager. My best friend and I used to pull scripts of scenes off the internet and practice it in my bedroom. I have no idea if we were ever good because we were strictly bedroom actors haha. I used to practice my facial expressions in my mirror, and I think there was a point when I was really young that I tried to call a random acting agent to get signed. Anyway, I was having fun with all those things so I eventually drew the courage to ask my mom for acting lessons. My mom was/is not the best, and she turned me down. She wanted to save money for her trips to Vegas, her hobbies, or her boyfriend's interest. There wasn't any budget for me or my brother's interest. I continued to be a bedroom actor, but eventually that petered out and I grew self-conscious of doing those things because my family found out and made fun of me for it. Now, as an adult, I have my own money and a boyfriend who loves and supports me in pursuing all my interests. I found a local acting class and tomorrow at 7 PM I'm taking my first lesson. I'm nervous, I'm so scared of making a fool out of myself, but there's a part of me that's looking forward to it and I feel like a teenager again. I don't even know if I'll be any good at it, but it feels like that doesn't even matter because it's something that I've always wanted to do. It feels like I'm giving a gift to a younger me that I've been waiting years for. Again, I'm sorry if this type of post isn't allowed, I'm just really happy and want to share the news with people.
Question by Impossible-Wind-987 • last post Sep 11th
hey im an actor in nyc. I currently do background for income but i don’t enjoy it as much as acting classes. Any job recommendations in nyc?
The Benefits of Doing Background Work by synthmylife • last post Sep 10th
Hey everyone, I wanted to highlight some PROS of doing Background work and have people more interested in doing it, especially if you are a beginner and are just learning about the industry. Being a background performer for close to 7 years now I found it has benefited me in numerous ways. I myself am a working Actor but I do background on the side for many reasons that I'm going to dive in and talk about. Also I'd like to note that I am a Non-Union Actor. One great thing about doing background is that you can do it in between principle gigs and a lot of the time Background gigs come by short notice. It's better than going to a temp agency and working in a factory or doing some other industrial job that a lot of Temp agencies do. You can have more then one Background agent, hell, you can have as many as you want but word of caution is that if you get too many calls and have to say no to a background agent, they most likely won't want to bother getting you gigs in the future so take note of that. I've heard of people just having one devoted background agent and I've heard of having five background agents as well. It also depends if you are Unionized or not, since union background jobs are sometimes less then being a non union background performer, so you have to think about what your options are. Having 2 or 3 Background agents is most common I find with people. Atleast that is the way it is in Toronto. In other places like LA and NY they have a different way of how Background Agents are used, please indulge us. It's like a masterclass, you get to see actors and the crew do their work. It's a really good experience just to try even just a few times. Also, if you get into the Union, doing Background work pays really good money just to do what you love. It also helps with your acting abilities as you take direction, even if it's just a little bit of direction. There are going to be times when you are doing a principle job and will have to do some background work during a scene without a doubt. It's not like doing principle work where you are having line after line but it's the next best thing . I also feel like being on set really helps with managing nerves and getting it out, it's like being on stage for the first time and getting used to people all around you - it's perfect practice. As well when you are first starting out, or even if you're not and you are doing a docudrama or true crime show, doing background will help you do reanactments in front of the camera. It does take skill to act in front of the camera and what better way to hone down your skills then to do some background around some of the A list stars out there. Speaking of stars, it's really cool being in a scene with Cate Blanchette or Bradley Cooper for instance. Working along side great Actors is inspiring and you really can shed off those nerves while you're at it being in the presence of stars. As well, take note that you shouldn't talk to the stars UNLESS they talk to you first, if they do then by all means have a small conversation with them. It will get you psyched up, atleast for me it was really cool and it makes the job that more priceless. Sure, you might not get a lot of catering done for you in between scenes, for example instead of having a whole array of food for you like Actors get on set, Background Performers usually get free oranges, apples, digestive cookies or my favourite, peanut butter and jelly sandwiches. But that all depends as well if they are Union or non union sets. I've been on Non-Union sets as Background and I was fed like a King, it really just depends sometimes, though mostly on Union sets it's usually not the best for Background Performers... just incase you were wondering. Another thing about doing background is that you'll see how the crew works as I was mentioning before, but you have more time in holding or satellite holding (A holding closer to set) as well, being on set watching how people organize things and what part/role everyone is doing. If you are on set you usually are standing in the same place or doing crosses for 12 hours sometimes and during that time you really see how everything works, from how the gripper, rigger and lighting technician work to the Director of photography, Sound guys,1st AD, 2nd AD, 3rd AD, script supervisors and Director all collaborate with eachother all at one time - it truly is like looking at an Army Unit working collaboratively. (Fun Fact: When Hollywood was booming during and shortly after the 2nd World War, that's when film crews were getting bigger and working together as a larger Unit, they took after how the military would do there exercises and how they worked with eachother- it's a similar type of practice, though now they have Walkie Talkies to get things moving a lot faster) it truly is a really cool thing to see if you're just starting out as an Actor and it really is beneficial to see how things work on set before going on set and not knowing what everyone is doing, knowledge is power I find and knowing what you're looking at, yet again, calms your nerves, atleast it did for me. Another thing about doing Background is if Assistant Directors get to know you and see you on set and know you are pretty darn good at doing crosses, acting etc they will get you to do some major moves. For instance I was on set one time and the AD told me to do like 15 things, "Okay what you are going to do is go over to that desk over there, write something down, then turn around and go over to that wall over there, scale the wall as if you're looking for something, then go to the bench and mime talk to someone on the bench, shake there hand ( sometimes movement can be really specific ) then go past that other bench, look up at the train schedule and look at your watch and smile. This is what makes doing background really fun because you get to memorize things, especially movements and actions and sometimes you are the Hero Background performer doing multiple things. In cases like these don't be surprised if the Director of the show gives you props for doing such a great job. It really can be rewarding and you really can learn a lot. Now, one CON that for sure gets people turned off from doing Background work is that they say, "it will interfere with a role if I'm seen on camera for a particular show and I won't be able to audition for it". Now let's be real, unless you have a lot of credits and are doing very VERY well, have an agent that has resources and networking capabilities with casting directors for Union shows in particular, are getting major roles in general, have been auditioning for roles for series regulars in the past, sure I can see that being a problem BUT if you are just starting out or don't have those types of auditions coming in, you shouldn't really worry about that until that time comes and trust me, if you keep at Acting for long enough you will get to that point. So if you do and you decide to do background, remember to just try to blend in and actually be in the background as a fuzzy little ball of meat on screen. Please if you have anymore PROS specifically or any CONS from doing Background work, please leave a comment and have a discussion with me and the community!
SATIRE: Our Country Has Finally Realized That It’s Simply Not Okay For Actors To Pretend To Be Something They Aren’t by newyork0120 • last post Sep 10th
**NOTE: This piece employs a once widely familiar device known as parody and contains flashes of what some might call sarcasm.** In June of 2020, the actress Jenny Slate had apologized for her “flawed” decision to voice a non-white character on the Netflix show “Big Mouth.” Slate announced that she is stepping aside from the role, acknowledging that her initial decision to voice the animated character was a symptom of her “white privilege.” She explained that she originally thought it was okay because her character, Missy, has a white Jewish mother. But she now understands that she could only take on that role because of “unjust allowances made within a system of societal white supremacy.” She makes a salient point, of course. It is well known that the ultimate goal of any Nazi or Klan member is to be a voice actor for a mixed race cartoon character. Slate promised to do her part to fight the white supremacist scourge by “engaging in meaningful anti-racist action,” and she expressed deep remorse for anyone she may have “hurt” by doing voice overs on a cartoon show. On the same day, actress Kristen Bell stepped aside from her role voicing a non-white character named Molly on the animated show “Central Park.” She apologized for her “lack of awareness” of her “pervasive privilege,” and admitted that “casting a mixed race character with a white actress undermines the specificity of the mixed race and Black American experience.” It is not clear how a cartoon character’s voice could “undermine” anyone’s “experience,” or even what it means to undermine an experience, but whatever it means, and however it happens, the point is that Kristen Bell is very sorry and wants you to know that she’s one of the GOOD inherently racist white people, not one of the bad ones. In the Twitter thread she posted on this issue, the humble Bell responded to a person thanking her for her decision by saying she doesn’t “deserve a thank you” but instead “deserves to acknowledge my part in the problem, and then rectify it.” This was an impressive answer and it goes to show that in no way whatsoever did Kristen Bell come to this racial enlightenment at this particular moment in time, and dramatically announce that enlightenment in a public forum, because she wanted applause and approval. That was absolutely not the point at all, to be clear. I personally find these decisions by Bell and Slate to be so inspiring that I’d like to suggest other characters that should be canceled along similar lines. Obviously Darth Vader has to go. He is a white man in a black suit voiced by a black man. I’m not sure how this is racist but I’m sure that it *must* be, in some way. Bart Simpson is a boy voiced by an adult woman. For years I accepted this problematic dichotomy because I assumed that “The Simpsons” was headed for a story arc where the young Bart discovers his inner female identity, comes out as transgender, and begins hormone therapy. But after 30 years on the air, this moment STILL has not arrived, and I’m beginning to despair that “The Simpsons” will ever make the expected transition into a nuanced, introspective drama about the experiences of transgender adolescents in modern America. Other characters that should be canceled, abolished, outlawed, imprisoned, executed, or at least recast, are perhaps a little less obvious but nonetheless crucial to defeating white supremacy. E.T., from the film “E.T.,” has only a few lines of dialogue (a problem in and of itself), and those lines are handled by a white voice actress named Pat Welsh. It boggles my mind that, in the whole entire cosmos, populated by 100 BILLION galaxies and TRILLIONS of planets, Steven Spielberg could not find even one *actual* extra terrestrial to take on this role. A white actor cannot empathize with the lived reality of alien beings enough to capture the fullness and depth of their experiences on screen. We have to remember something: acting is not about pretending to be something you’re not. Acting, in an ideal society, would consist of people being themselves, and doing and saying all of the same stuff they would do and say on a normal day. In a truly progressive culture, films would have NO characters, NO script, NO plot, and instead the audience would watch people — none of them white, of course — going about their day, running errands, checking the mailbox, preparing dinner, etc. Every film would be like this, all of them would be titled “Experiences,” and all of them would win every Oscar every year. The fact that this scenario I concocted in my head is not a reality just proves that white supremacy is real and literal Nazis are running the country. Another bigoted film that must be eradicated or changed immediately is a disturbing fascist manifesto called “The Brave Little Toaster.” The film, released in 1987, tells the story of appliances, led by the titular Toaster, who embark on a quest to find their owner. There are a number of obvious problems here, including the deeply insensitive reference to “owners,” which brings to mind the legacy of slavery. But more to the point, none of the characters — Toaster, Lampy, Blanky, Radio, Kirby the Vacuum — are voiced by actual household appliances. It is difficult enough for toasters to find work in Hollywood. If they aren’t even allowed to play toasters, how are they supposed to find a foothold in the industry? Similar problems can be found in the film “Babe,” where the protagonist pig is not portrayed by an authentic pig; “Boss Baby,” a film in which Alec Baldwin ruthlessly appropriates a role that could have gone to an actual toddler instead of a man who simply acts like one (both in the film and in real life); “A Nightmare Before Christmas,” a movie about undead humans that exclusively casts *fully alive* humans; the 90’s Nickelodeon cartoon “Hey Arnold” which features a person with a normal-shaped head voicing a character with a grotesquely deformed head, a casting decision that still rankles the Grotesquely Deformed Head (GDH) community to this day. Many other examples could be provided. The point is that a great many films and television shows — arguably, ALL of them — have for *decades* featured actors playing characters that are in some way different from their real selves. This needs to change. Kristen Bell and Jenny Slate had helped us to take the first step. We must have the courage to go all the way. Until then, ALL movies and shows are canceled.
Looking for a voice actor. [Paid] by Wrong-Collection-923 • last post Sep 10th
* Project name THRIFTED * Project description * \- Recording of a voice-over for a video montage broadcast during the internal convention of COURIR stores (sporting goods) * Usage of the recording - Internal Event * **Voice actor requirements** * Language English - British * Voice gender and age, any of: Female young adult, Female adult * **Work details** * Length of the recording 30 seconds * *send* Recording and delivery options Digital delivery ​ ​ * Script for custom audition: Hello, this is Dua Lipa ! Welcome to the COURIR convention. Here is a glance at the forthcoming "Thrifted" campaign dropping on December 19th ! Contact me at Mohab#3384 with the custom audition. OFFERS WITHOUT THE CUSTOM AUDITION WILL NOT BE RECOGNIZED. ​ * Deadline for getting proposals Sep 11, 2022, 10:35 AM * **Money matters** * Budget Up to ᴇᴜʀ €130