We have found 19,302 posts across 4 actor forums:
Regarding Head Shots by Plymouth-Deli • last post Nov 3rd
New actor here. I’m hearing/reading conflicting information about head shots. My acting teacher says Don’t overthink it, get something that looks like you but does not cost a lot of money. That’s all that matters. But I know there are actors who dish out more $$ for a professional who specializes in head shots. I’m talking to someone now who charges $400 for 2 looks, 3 images retouched. Includes link to all images and Pre-shoot vision board (whatever that is). Does this sound reasonable? Thanks for the input
My self doubt by Lonely-Black-141 • last post Nov 3rd
I am so hard on myself I doubt myself to the point that i feel like i am not fucking close to any glimpse of being an actor, even though tons of people really like my acting and tell me you are really good. So what the fuck i can do, i hate this so much.
Supposed to say my lines in one language but the script I was given is in another? What to do? by writeratwork94 • last post Nov 3rd
Hello everyone! I have an audition for a role in a script I really, really like. (Hooray!) Thing is, though, **my lines are supposed to be in another language with English subtitles. But in the script I was given, they are in English.** (Not going to say what the other language is bcuz I don't want to include anything potentially identifying.) I am fluent in Language 2, but I'm not sure whether they're expecting me to go ahead and translate the lines myself or if there was simply an oversight. **What should I do here? Would it be a bad idea to email the person who contacted me and ask about this?** I'm a bit worried that this is some kind of test and/ or that if I ask they'll assume I was lying about being fluent in Language 2, because unfortunately I know people do do that. Normally I wouldn't mind just going ahead and translating myself, but I don't want to do that without being asked; I would feel a bit weird, like I was trying to impose my own ideas without permission or something. I don't want to appear presumptuous. \* I also don't want to risk going against the writer's vision. (While I am fluent in Language 2, it is not my native language so there's a risk my translations will sound a bit clunky / not how a native speaker would actually say them in the conversational context of the script, if that makes sense. It is a lovely script and I wouldn't want to undermine that for any people watching the film who are native speakers of Language 2). Especially since some of the lines are so abstract that I don't even know what they mean in English haha. \^\^ And others are very idiomatic and therefore just really difficult to translate in a way that sounds good. \* I'm not really expecting anyone else to have encountered this exact situation, because it is a bit unusual haha - just wondering what other actors think I should do based on their experience and instincts. Thank you!! :)
Just venting… by PuzzleheadedFix1487 • last post Nov 3rd
Back in June I booked and shot my first co star role and then literally the next day I booked and shot a commercial for a major company…I was on cloud nine getting to be on set back to back. I thought after I booked my first costar it would be easier for me to book more things but that simply has not been the case. Lately I’ve just been feeling down and frustrated abut not booking anything and then to make matters worst the commercial I shot got cut… so no residuals for me :/ I know these feelings are only temporary and I’m definitely being a little over dramatic (duh, I’m an actor lol) but in this moment it feels like I suck and I’m never going to book anything ever again and that makes me pretty sad. Anyway, that was my little rant/venting session.
question about casting announcement logistics by fpac • last post Nov 3rd
Hopefully y'all will know the answer. I've always wondered, when an actor is officially announced as joining the cast of a tent pole movie (or the ilk), are their scenes already filmed? I swear, I'll read principle shooting has been completed and then they'll announce casting additions. Or will production wait until a casting has been announced before filming any scenes with that actor/actress? any reasoning or clarity behind this will be awesome.
I’m in a feature film, have my own scene with an A list actor, but no lines. The focus of the whole scene was on me. Can I add this to my resume? I’m credited on IMDb. by Cute-Savings1158 • last post Nov 3rd
For context: I was directed by the director and it took roughly 1 hr to film my scene (different angles, specific activity in scene that took time to reset). I didn’t sign a principal contract but was 100% recognizable in the final shot and credited in theatres. I am trying to get a new theatrical agent and think this could help if it was on my resume, but I don’t want to look green.
Can I be a working actor while having 2 young kids? by Crista_11 • last post Nov 3rd
I've been wanting to act my whole life. I'm finally taking classes, so just starting out. The thing I'm worried about is time. I have 2 kids- 1yo and 5yo. I want to start auditioning so bad but I don't know what the time looks like so I'm afraid to audition because I don't want to be away from family too long. My husband is super supportive, we both work from home and our schedules are really flexible. Is this something I could do without taking too much time away from family?
Has anyone been verified on Twitter with IMDb credits? by ogresaregoodpeople • last post Nov 3rd
The reason I ask is that Twitter says they will verify you if you have 50+ credits. But on IMDb it will say for example… “Actor (10 credits)” …if you have done 10 shows, no matter how many episodes you’ve done. Does anyone know if Twitter is referencing this count? Or the number of credited episodes you’ve done (eg: you have “10 credits” but they’re for 10 episodes each therefore 100 credits). I can’t seem to find an answer anywhere.
I want to get into acting… I think? by drew0498 • last post Nov 3rd
To preface this, I have little to no acting experience. Once I got a callback when I was 16, but that’s it. Now, I am 23, and the question in my head occasionally arises “should I try and act?”. This question pops in my head whenever I see a performance that is really inspiring to me (this time it was Dune). What I would hope to gain from acting is the feeling of being absorbed into another world. So, my question is, is this the right motivation to get into acting? I want to know if any actors started this way, or if there are any other signs that pointed them toward acting?
Agent can’t see my profile on Actors Access by Such-Fee6176 • last post Nov 3rd
I recently created a profile and filled out every field. But my agent sees it all as blank. She says there should be a check box that says “viewable to agent” but I don’t see that anywhere. Does anyone know where it is?
Handling criticism from fellow classmates/colleagues by irinrainbows • last post Nov 3rd
I’m sorry for the generic title, couldn’t phrase my problem better. I’m only beginning in acting, I’ve been going to acting lessons in a small amateur theatre for a couple of months now. The theatre can put you on plays, depending on your progress in class, I can’t say I’m doing incredibly good, but I’ve made some progress. Anyways, I’ve started rehearsing for a substantial part and yesterday was my first rehearsal almost one-on-one with the director. The other actress attended to later start rehearsing for her own part in the play. However she kept interacting with director, giving comments and directions on how I should be playing and it bugged me quite a bit. She only attends classes for a few more months than me, and frankly not even our more experienced actors let themselves criticise the newbies this way, not often at least. She is better in her skills in some way, she also lacks in the other areas, I know that. Some of her comments might have been ok, some I doubted. In general it just distracted me from doing my best. I feel like in terms of stage acting I’m not as good as her yet, although I am more well read and have in general deeper understanding of the story and character development. Also I feel like director and few other people might have favored me a little bit, as I’m noticeably guite better than average looking and I feel they sympathise with me on a personal level. Hence I feel like they started giving me parts when I might not be fully ready for it. I can’t say no to them, as I don’t want to seem unambitious, not confident, lazy etc. I struggled yesterday, as I’m not instantly comfortable on stage, I gain momentum with time and the other actress’s comments kept throwing me off as well. Anyway, I don’t think she should be giving directions, however, as director was letting it, I couldn’t voice my objection and frankly, I’m not sure if I should. How should I handle this situation, is there a chance that it’s my insecurity speaking?
Backstage by ZookeepergameNo3630 • last post Nov 3rd
Is Backstage a good place for a new actor to start?
James is making an app that helps actors learn their lines better. by musicduke-clair • last post Nov 3rd
​ https://preview.redd.it/ccmncc29mex71.png?width=2202&format=png&auto=webp&s=508cfe6ccc56df8aeed4dab66dd66468ef9f6067 James is a lead on Peaky Blinders and has a market for his idea but needs help developing the business and technology. Here’s his email: jafrecheville@gmail.com Here’s his MVP! [https://rote.netlify.app/#0](https://rote.netlify.app/#0)
Affordable Headshots by davisen18 • last post Nov 3rd
Hi all! I’m a fellow actor and photographer here in NYC offering my services as a photographer. The lowest price I have is $150 for 10 photos/1 hour session. If interested, you can check out my website here: www.ebonydavisphotography.com. I look forward to working with y’all!
What does "Difficult to Work With" *Really* mean? by Theurbanalchemist • last post Nov 3rd
Somewhat calling out a facet of our industry which is only modeled in our industry, not anywhere else (from what I've seen). We've heard the term "hard to work with" and we equate that to being a diva, being difficult or uncooperative, egotistical, and all the negative connotations the phrase brings to us. So much so, we as actors try to overcompensate and will sacrifice pay for a project so we don't appear as "difficult to work with" or rather, "Happy to be here", even if you've trained, paid, and worked for your right to be there. It's so subjective and its not shared in corporate spaces (at least the ones I've graced). If the person has the ability to do the job, their unpleasantness may be a factor you have to accept. I'm sure you've heard a Judge being called a "hard-ass" because he gives harsh sentences or waiting for your manager to be "in the right mood" before asking them a question? Your IT guy could probably fix the hell out of your computer, but has a grouchy personality. Granted, nobody wants a diva on set, but saying they're just an unpleasant experience is too vague to have meaning. Jim Carey was difficult to work with during the Andy Kaufman movie -- does that make him an actor you wouldn't want to work with? On the flipside, Harvey Weinstein called actresses who wouldn't sleep with him "difficult to work with", as its easier to say that then "they wouldn't put out". I think this term is antiquated and has overstayed its welcome. It means nothing because its not specific; it does not measure someone's ability to do said job; its a blanket term for abusers and those with power to cancel those beneath them; and it only suggests a moment in time. Maybe that particular set caused the actor to be difficult to work with. Maybe the crew. Maybe it is the actor -- does it matter? Just a thought
by June_Etoile • last post Nov 3rd
I'm happy that my skillset has been able to win me callbacks but I have started to notice a trend...**At Callbacks: I tend to be the very first one to go.** 9 am? Me first. Noon? Me first. It's rare it's after 4 or 5 auditioners I am placed to audition. It's always 1st audition of the day. Anyone else go through this? An agent a while back had told me this is a GOOD thing because the casting office trusts the actor to open the room but here is also my question(s): Yes (and) it does open up the room, it gives you a chance to warm up the room and let the ad agency and client and director 'feel out' what they are looking for - and set the tone - but a lot of times I also feel it can backfire on you as the 'test' run. I think it makes you the guinea pig a lot of times and the adjustments you get are what they learn from and give the other actors to work with as they streamline down their choices. Anyone have any intel on this? Have you ever requested an agent to please stop doing this to you? I understand if I go first once in a while and have to make the most out of it, but taking this hit every single time as 'first one to go' - I'm not feelin'....
Tips for the Beginning Voice Actor — Seattle Voice Lab by ClosetCD • last post Nov 3rd
Things you should know before you're auditioning for college theatre... by flipsing96 • last post Nov 3rd
I've started becoming really passionate about talking to incoming college students about the insanity that happens in theatre programs. I wasn't accepted into ANY of the mainstage shows, in the musical theatre program, or the theatre performance concentration. Meanwhile, I'm releasing my first single at the end of the year, opened a recording studio with my partner, and have plans to form a theatre collective. If you're currently auditioning for colleges, PLEASE don't make the insane mistakes I did: ​ 1. The college you go to doesn't define who you are. 2. You get out what you put in. 3. don't let the adults scare you.\*\*\* 4. Remember that your future collaborators are more likely your peers, not the faculty. \*\*\*this is my favorite one lol. Anyone else with good advice please add below. I hate the current narrative around college theatre programs and want our young actors to know that they DON'T have to be doormats like we're taught. [https://www.youtube.com/watch?v=wxH8RRx\_yWE](https://www.youtube.com/watch?v=wxH8RRx_yWE) Much love to everyone auditioning this year.
[Paid Job] Female Voice Actor for Anime/Manga Dubbing by Hiroba • last post Nov 3rd
Hi everybody, I contract with a company which is looking for female voice actors to dub short licensed videos for YouTube. We already have a couple actors but are looking for another. Please message me if interested. This is a paid gig ($2.40 per 100 words, with frequent repeat videos per month) DM please if interested.
Has anyone made the move from LA to Atlanta? How are acting classes? by couldyounottho • last post Nov 2nd
Hi everyone! I’m an LA based actress who’s been living in LA for a couple of years now. I’m really considering moving to Atlanta. My family and friends are in the south and cost of living is cheaper there. I’m not SAG E, so I’m worried about acting opportunities. Has anyone made the move from LA to ATL? How has it affected your acting career? And what about classes? I take Meisner classes now and I love the technique. Does anyone have any suggestions for Meisner or even non Meisner classes in ATL? Any input is appreciated. Thank you!