We have found 19,250 posts across 4 actor forums:
Anyone else have a hard time with the app version of Backstage? Anything I click on automatically submits me whether I want to be submitted or not. by nacho__mama • last post Oct 27th
​ Some of the invites I get for projects turn out to be porn. But before I hit decline, just opening the app is interpreted as acceptance. I can't find a way to go back and decline. Also I resent having to login after it's already emailed me and taken me to the web page. I should automatically be logged in and stayed logged in. But it never lets me stay logged in. Even when I click on Update Application there is no option to decline. And what is up with seeing " Need to request payment from the owner of this project? Get started › " at the top? Backstage is starting to feel more like Onlyfans but less user friendly. Actors Access is way easier to use.
Do I Need A Reel To Apply To Actors Access Jobs? by Lollydusty • last post Oct 27th
I’m a young actor in Chicago and I’m just starting my career. I want to apply to things on Actors Access but they always ask for a reel which I don’t have. My question is, can I use self tapes I’ve recorded in the past for a “reel”? Or should I avoid it in general and just apply without a reel?
Should I take up the chance of someone willing to set me up with an interview with an agent yet? by heyyyman14 • last post Oct 27th
Ive only been in five acting classes so far, did an actors showcase for my city’s film summit, have no reel, and only recently managed to get one audition this Sunday for a student film (which I’m extremely grateful for) but had no luck self submitting on actors access (makes sense because I don’t have any media or enough on my resume). An acting teacher of mine was willing to introduce me to her agent, but should I take it up when I’m so inexperienced? Or should I wait till I have more on my resume but I’m struggling to get anything so will an agent help when I’m such a beginner?
SAG Eligibility question by adaedadaed • last post Oct 27th
I’m a background actor who has gotten a few roles that have granted me TH waivers. I have 3 TH waivers currently, which I understand makes me SAG eligible. I’ve just been offered another role which would be my 4th waiver. Would this 4th waiver make me a must join? Looking at the SAG eligibility checker, it says I’m still not eligible. I assume it takes a while to update, and my 3rd waivered role was only a few weeks ago. Any advice would be appreciated!
Secondary Theatrical Agents by detlillaspoket • last post Oct 27th
Question for you all! I live in LA and am rep'd here with both a theatrical agent and manager. While I've had a handful of auditions, work has been slow for me and I know a big part of that is that as an actor with so few credits and studios currently seeming to be unwilling to take risks on no-name actors, I've turned my sights to other markets where it might be a little less competitive. I'm wondering if it's worth it to seek an agent in another market like Atlanta or New Mexico? Is it normal to have multiple theatrical agents? Seems like some people do but I also don't want to cross my current reps by seeking it out if it's not commonplace. Also it's easy for me to travel for callbacks, etc. so not being near the market isn't really an issue for me in terms of accessibility.
Anyone worked for The Dinner Detective? by Bnaleid • last post Oct 27th
I've been studying acting and improv for over a year and have just freed up time to audition for some simple roles. I was approached on backstage by The Dinner Detective for an audition. The teacher, cop, detective is one of my main archetypes so thought this might be a good opportunity to start developing the character and get paid for it. But, I've never heard of the production. Apparently they have live shows all over the southeast U.S. Just curious if this group is good to work for and if this live improv format is going to be productive or will it be counter-productive for development as a screen actor.
Good News For Actors In the NY and Philly Markets by gregieb429 • last post Oct 27th
Any Brits in Canada? by sophierohini • last post Oct 27th
Im Looking to make a move towards the end of 2022/early 2023 ... I figured its very hard to get a O-1 for the states (I have solid regional and European touring credits in and a few Short films but after attending a load of seminars I realised its a little far off) and would love to work a little more in film, however I really fancy a change of scene (fed up of Brexit Island), new adventure and I would like to try my luck in the Canadian market as I can do a solid to native standard GenAm as well as my native RP/London - I also love the people, scenery and general vibe. If I am sensible at the end of the summer I will have a nice solid chunk of money to use to support me/pay for rent upfront/pay for classes etcAny advice or thoughts on programmes? And indeed what visa you went for? I am 27/will be 28 so might consider the exchange scheme or entry as a professional actor! Would love any tips, tricks, suggestions and experiences of markets in Toronto and Vancouver! (or even elsewhere, im very open) Thanks!
acting audition websites lowdown? by Purple-trick-2164 • last post Oct 27th
Is there a consensus of what websites are best for an actor to use, is there a lowdown of differences between actors access vs casting frontier, vs, backstage, vs. ??
I want to become an anime voice actor, any tips? by Justin_TJ • last post Oct 27th
I have seen a lot of English dubs in anime, and I kinda wanna get myself involved with voice acting in dubs. Do any of you have advice or any tips on what I have to do before I can attempt to be an actor at Funimation or something like that.
Why are some speaking roles in film/tv uncredited on IMDb? by penguin_reddit • last post Oct 27th
Looking through imdb and noticed some speaking/principle roles that certain actors have played were labeled as “uncredited” in parenthesis…when they clearly had a role and lines. Why is this ?
How to get over voice anxiety by Dear-Trash-3302 • last post Oct 27th
So I'm trying to work up the nerve to record my voice so I can start doing storytime animations. I have everything set up, but I've been having a lot of anxieties about recording my voice I know that this is something that a lot of people deal with when they first start out, but in my case, it's a bit more complicated. The problem comes from my voice itself which I have a few insecurities about. Despite being a 22 adult male, I don't have a deep voice. At all. I mean I know a lot of men complain about having a non deep voice but mine is REALLY baby I've been told that I have a great vocal range and I'm not a bad actor, but hearing how high my voice gets when I have a lot of energy in my performance (which is 90% of the time) just feels really embarrassing. I sound like a kid no matter what the situation. One person said that I would be a great fit for the nerd, funny friend, scientist or young hero. And while I understand that there's just as much a need for those characters as any low ranged, badass action hero, I'm still not sure how I feel about the idea of only being suited for those roles Is there any way I can start to appreciate this voice of mine more?
Help with demo reel by Openmik2 • last post Oct 27th
Anyone know of any good companies out there that can help out with my demo reel. Or better yet are there any pro voice actors here that could help me out with it? I have one put together but would like some professional opinions. Thanks y'all!
My parents tell me I can never make acting a full career, are they right? by NuttyDuckyYT • last post Oct 27th
Recently my school has wanted us to really think about our careers, and something I love more than anything is acting. I’ve played in a dozen musicals or plays, drama club member since the 7th grade, never feel anything more amazing then performing on stage. My parents have always been supportive of all my acting stuff, so I thought I would be fine to tell them I could pursue a career in acting. I was shut down immediately. Don’t get me wrong, becoming an actor is HARD and I know it’s not the easiest path. I’m practicing, learning, putting so much effort into acting, it’s something I really want to do. But my mom saying I would need a different job and acting to always be some side thing I do on weekends… it’s hard to hear. There’s always a chance another career I like will pop up, but I’ve never enjoyed anything like I do acting. If I power through, put the effort, get training keep on working and working towards this, will it actually work? Or will I just have to accept that I can never become a person who acts full time. (Sincerely a distressed teenager who’s want to make sure her goals are realistic enough that she can actually pursue them)
Do agents like persistence? by Imamuffinz • last post Oct 27th
My against is also an actor He said he will help with making a demo reel and find scripts for me to join his commercial division. Every so often I'd ask him about the scripts and I know they are busy so I tend not to spam or prod a lot. So my question is do agents like to see persistence? He said he liked my persostamce but is it the right thing? I took it upon myself to find a few short scripts to show him and he can help pick out the right one for me. Is this a good thing? I don't want to be pushy but I am so excited.
Need a little acting class advice.. by hoehoehoe96 • last post Oct 27th
So, I’ve been in a couple of different acting schools during my years in LA, one of which I did 2 year full conservatory program. But since I always wanted to learn the Meisner technique, I started taking classes at a Meisner school a while ago. The beginning classes was really fun. Learning a new technique was sooo exciting and I was looking forward to class every time. But now that I advanced to intermediate…not as fun. I don’t know what it is? I don’t feel challenged at all. This may sound stupid, but a lot of the intermediate and the advanced students (we had class together with advanced for a couple of weeks) are to be frank pretty bad actors. Basically all of them aside from maybe one or two. And not only does it worry me that they’d advance just like that even if they don’t seem they’re ready to do so, but what bothers me even more is that the teachers say to everyone that they’re great after every performance. And tbh 90% of the performances are NOT even near great or good. I can’t have teachers that I don’t trust will tell me the truth if I’m doing good or bad. But I soooo wanna learn Meisner and feel like I should continue taking the classes because this is what I want. And that maybe it’ll get better. I would really appreciate some advice!
How have directors given you notes between takes? by r_z_ • last post Oct 26th
I'm directing my first short soon. After watching a few videos, and reading a few directing books, I'm seeing that it's a good idea to pull an actor aside to give them notes, instead of in front of the other cast and crew. I’ve seen many posts, videos, essays, etc. on using the right words, and speaking the actors’ language, but I'm trying to figure out the actual mechanics of it. It feels like pulling someone aside between **every** take draws as much attention as just giving quick direction from where I am; especially if there isn't a lot of resetting for the rest of the crew to do. Can someone go into the nuts and bolts of how they’ve been given notes from directors they’ve enjoyed working with? I’m looking for things like: Are you and/or your scene partner(s) pulled aside after every take? If you're the only one getting notes for that scene, are you separated from your scene partners? Or are you given the notes together? What are the words used? Is it something like: “Cut! Good, thank you. Everyone take a minute. John/Jane can I get a second over here?” > Walks to side area to give notes. Basically, what does giving notes "look like" after saying ”Cut”? Thanks!
Is this a real offer? by Isaac706 • last post Oct 26th
https://www.famestreet.com/cgi-bin/members/pm.cgi?action=display&login=id-fantastic-ww&session= Hi, so sorry if this is a very stupid question, but I’m a teenage boy and would really like to be an actor someday. I found this listing in class to be an extra in the new fantastic beasts (sorry if that’s wrong, I’ve never seen or read any Harry Potter but I would like to try out anyway). I haven’t got any acting experience (hence why I’m looking to be an extra) but think I’m decent as I’ve done some training by myself. Just wondering if the website and listing is real!
How to deal with an ensemble mate in a bad headspace? by The-Cosmic-Ghost • last post Oct 26th
To give some backstory, I am in Uni for theatre acting, we are a few weeks away from performing our play, and it's clear that one of our ensemble mates is in a really bad headspace, obviously I'm not a therapist, and depsite majority of us in the cast being pretty close with one another, I dont know everything about their life. The issue is (despite of course someone I consider a friend clearly suffering) is that, they are now inflicting that suffering onto the rest of the cast. The negativety has gotten real toxic. The director is aware and has tried talking one on one with said actor but there's been no change. They're just...mad about every single aspect of the play, and it's probably exasperating whatever other outside factors that's going on. Idk what to do at this point, I did try to talk to them (I thought we were close enough friends to do that) but I got stonewalled. They are a rather great actor imo but a good chunk of us can't get excited about the work because we know that its just gonna be a wave of negativity once we're on break. Idk what to do, ignoring the problem seems like the only way to go, and I know that we are a cast/coworkers before we are friends, but it's just a shit situation. Any tips on how to deal with this?
Genuinely at a loss for how to move forward. by iovoko • last post Oct 26th
Yes, it is the same story as everyone else’s. I’m from a small town that’s an hour away from any cities. Even the bigger ones have little to no market outside of local commercials (which are EXTREMELY competitive- no agent, no audition). There are five reputable theatres within thirty miles of me and they rarely cast minors (I am a student, very important). In two years of looking I’ve gotten one audition. Didn’t get it btw. When I put in the appropriate filters to Backstage’s search, 0 jobs with 0 productions were found. I haven’t tried Actors Access because I couldn’t travel for any roles even if I wanted to. I’ve done classes, group and private. I’ve looked for summer programs out of state— they are all veeerrrryyy expensive. I WANT to do theatre. I want to start there and build a strong foundation in my performance style. I could try to get an agent for tv and film now, but I feel like I wouldn’t be prepared. I’m drawing a blank and it is exhausting. I have decent connections. Great ones, actually. A guy I know has been in several shows and movies with Oscar winning actors, a girl I did class with is starring in a show, my uncle is a producer. But I don’t want to milk those relationships. I feel as though I can’t go to them and ask for something they are not prepared to give to an unexperienced actor! Y’all please help me. I’ve read the FAQ and the sidebar and everything else. I am tired and a little heartbroken. I will gladly accept any advice or ideas, just please take a minute and think about my situation.