We have found 19,298 posts across 4 actor forums:
Submission To Audition Ratio : Actors Access by CaliforniaStoked • last post Jan 9th
Hello, I was curious what everyones submission to audition ratio is on Actors Access? I'm mostly asking for my own research, and to look at my materials to see what I can improve on in order to get in the room more in 2020. I know type has a lot to do with it, so feel free to mention that as well. I'm located in Los Angeles. I submit to roughly 25 auditions a week, and maybe get one audition. My type is very girl next door/best friend/troubled teen, and I usually play around 17-24. I mostly get called in for dramatic roles. Lifetime movies, heroin addict teen, etc. I feel like my headshots are an 8/10. They are strong, but could be stronger. Once I save a bit more money, I plan to take some new ones. My reel needs to be updated, because I lost a significant amount of weight, and I feel like I need more variety in my reel clips, for when I submit to different types of projects. I'd love to hear from everyone else, just to get an idea of how I can improve my submission to audition ratio in the new year, and what the average audition ratio is for others who are a similar type to me. Thanks!!
How do Actors take off? Is it really LUCK and PERFECT TIMING? Or is it naturally hard work and effort that matters more? by TheUnidentifiedBoy • last post Jan 9th
I'm asking this because I've seen a lot of stuff on this topic and more importantly I've seen a young actor take off being super famous with never ending work as a child and having that success for their entire life, then I see other Actors who also started young, but never got much work, or fame, or anything even up to the age of 50. Some can take 1 year and become famous from nothing or some can take 30 years and STILL NOT become famous with experience???
I want to get into the art of acting. Is there anything I can learn just from watching tv shows and movies from day to day? by Kamihkaze • last post Jan 9th
First time posting here guys. I have been really interested in acting for the past few years now but business school has prevented me from dedicating much time. I graduate in Spring so I will have more time to pursue this. In the meantime, What can I pick up from watching actors/actresses on screen? Is there certain things I should pay attention to? What are some other sources I can use or read to better my understanding of what I can expect when getting into the field hardcore. Thanks!
Headshot-Age Range-Character Type Post - Jan 9 by AutoModerator • last post Jan 9th
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
Planning to move over to LA later this year frustrated by regional stigmas UK actors face- what can I expect with day jobs? by EFC94 • last post Jan 9th
Just to add a bit of context. I'm a dual national of the US and UK. I'm currently living in Liverpool, UK and I find my regional accent is closing a lot of doors in my face over here when I go for roles. I can switch between any UK and US regional accents but I'm never given the chance and am often told how well I have auditioned, or have a good profile but my accent isn't right. Frustrating. I also notice my lack of stage background or drama qualifications block me from getting to an optimal number of auditions over here as they like actors to have classic theatrical training before they audition for shows in most cases. Again, frustrating. So, using the only ace I have, my US nationality, I plan on moving over to Los Angeles to remove my regional stigma to just being an English guy who can do a perfect regional American accent when required. It seems a lot of actors in LA are in a similar boat where they take part in conservatories and weekly classes whilst they audition but don't necessarily have classical training. I'd be interested to hear the experience of others in terms of the day job they have to support themselves whilst auditioning. Here in Liverpool, I've been able to work as an office Copywriter on decent pay and just take classes in the evening and book a half-day/full day/unpaid day when needed for auditions. It seems that in LA most actors I read about are just scraping by waiting tables or working at a grocery store. Is this a stereotype, or the stone-cold truth? Is it not possible to work a qualified role of some variety whilst you are auditioning, must you struggle on with borderline poverty until you start booking regularly which could take years if ever?
Is there a subreddit for hiring voice actors? Is it this one? by dbksfo • last post Jan 9th
I scrolled for a bit and didn't see any hiring posts, and the rules aren't very clear (they just explain what's not allowed). Is there a subreddit for hiring voice actors? Is it this one?
Can you act and be a PA? by GameSeven • last post Jan 9th
I'm looking to get out of the food service industry and potentially move into being a PA, hopefully in an office environment. Is being a PA more about making connections in the industry, or does it enable you to still work as an actor? Does anyone have experience with this situation?
I always dream of acting but don’t want to be an actor by Ness_quik • last post Jan 9th
It’s hard for me to pinpoint and stay committed to my passions mainly due to my mental health struggles. But every time I wander off, watch a movie, etc I started dreaming of me playing parts and I become engulfed in that fantasy. The problem with this passion is that realistically, I don’t think I could aspire to be an actor. I’m too worried about the financial instability, my mental health being negatively affected by the characters I play, face wrinkles from overuse of facial muscles (call me weird but I’m very nit-picky about most things). What profession is close enough to acting that I could get a “fix” from? Maybe behind the camera? Voice acting? I’m just weary of working in the film industry because pay isn’t always promised, but I’m always called to it.
what scene study / on-camera classes in NYC have the most experienced actors? i'm tired of watching bad acting, it's not helping me grow and it's a waste of money by creatingmyreality123 • last post Jan 9th
i feel like most classes and workshops I find are filled with really bad actors. you perform once maybe get feedback and then perform again..... and then you're stuck watching 2 1/2 hours worth of bad acting. it's not helping me grow and it's pretty frustrating when you're spending $400 a month for this. what studios have more experienced actors? -susan batson- I've heard bad things - t schrieber - i've heard he's good but that most actors go on to study with somebody more advanced after - lee strasberg studio - seems like a meat grinder but i don't actually know of anybody that studied here - MN acting studio - seems good for audition technique but they want you to go through their levels (like co-star workshop, etc.) before you can study with Matt and i'm not trying to spend thousands of dollars before i get to a class filled with better actors - stella adler - very expensive, set dates - atlantic - heard good things but they only have set dates which is not convenient with my schedule - anthony abeson - i've heard he's old school, which i like, and I like that it's day time 2 days a week for 2 hours, fits my schedule and I like having it split into 2 different days instead of 1 4-hour chunk - HB studios - i dont even know where to start they have a milion classes and i feel like you don't even know what youre going to get because it depends on the instructor you get - scott freeman - i know nothing about him - barrow group - i've heard good things, but again, they have so many damn classes and i'm sure quality fluctuates depending on the teacher you get - michael howard studios - again i know nothing, but a couple people dropped his name - deborah hedwell - i know one person that swears by her but that's it - maggie flannigan - very expensive and only 1 or 2 year programs - larry singer - i know nothing - terry knickerbocker - i know nothing - tom todoroff - overpriced with 200 students in each class reading tv sides on a stage - kathleen mckenny - i know nothing all of these classes are expensive as fuck. i'm tired of wasting money and feeling like i'm not getting better, not meeting high caliber actors, not gaining community, not gaining mentorship from a teacher, etc. etc. i want to spend my money and get value and be around actors that are better than me so I can learn from them and grow and make the connections that are supposed to happen organically when other professionals see your work, and that's not going to happen unless I find where the professionals study i've done meisner, previous scene study, on camera audition, improv, etc. I really want to take my game the next level and develop a relationship with a good teacher. part of me thinks maybe I should just do 4-week CD workshops and then change it up each month with a different CD i don't know... I'd love any feedback from you guys on the quality of these classes and perhaps any suggestions for me to look into?
Practicing by yourself by GabiCap • last post Jan 9th
So a little background: I'm getting back into improv with some classes (it used to be a hobby in high school). I've never been an actor or see myself as one. But in my last improv class level, the focus was on being an actor and seeing yourself as an actor. To be honest, that's something I really liked and would like to get some practice with acting. My work schedule prevents me from actually becoming an actor and doing local productions. Lately I've been just practicing with tongue twisters, a monologue from Red I had to perform years ago in my only acting class, and writing a short film. So I was wondering if there were any things I could do to practice even though I don't have plans to act? It's just something I'm enjoying to do as a small hobby.
How do you organize your character research? by _xmb • last post Jan 8th
Do you use a binder? Are you a digital organizer? Curious to see what other actors do and recommend.
Backstage & IMDB pro by and0210 • last post Jan 8th
At the moment I have actors access and casting networks, but am looking to get more breakdown services. Does anyone use either backstage or IMDb for breakdowns? Any recommendations? Thanks in advance
Beginning Voice Actor who would like advice by IdShaveForHim • last post Jan 8th
As a beginning voice actor I am not quite sure where to get jobs. I have a walk in closest with lots of clothes (should I also get sound foam?) and studio quality sound equipment. Where are the best places to find voice over, audiobook, and voice acting work? They don’t all have to be the same site, I just want to cover as much ground as possible.
Getting an agent in the UK by harryaspinwall • last post Jan 8th
Hello, UK actors! I'd love to get your take on representation in the UK. For context, I'm a US-UK dual citizen, grew up mostly in Scotland but have been living in the US for many years, currently in NYC. I've booked some great projects over here, including a co-star role on AMC's "Turn: Washington's Spies", regular VO as Mr. Monopoly for Hasbro's commercials, a whole bunch of indie films, and I'm costarring in a Netflix original film opposite Malin Akerman, Ken Marino, and Joe Manganiello, coming out this summer (my [IMDb](https://imdb.me/harryaspinwall) and [legit reel](https://youtu.be/-tfP10bDckc), for reference). I have representation over here, but I'd love to start approaching agents in the UK, and I'm more than willing to travel back and forth. So here are some questions (feel free to weigh in on any/all/none) - * Should I only be thinking about London? Do many CDs cast from Edinburgh? (I have family there still, so much easier for me to be based in.) * What's the best way to approach agents? Is it mostly through referral? Should I be Equity before I even reach out? * Will agents even consider me, since I'm (mostly) based in the US? Would I have to move to the UK full time first? * Would having dual citizenship be a bonus in any way, or the ability to code-switch between RP and General American English? Cheers!
Acting Stage Names by theatre_kid18 • last post Jan 8th
I know a lot of people in Hollywood have stage names that are totally different than their actual names, so when do you think the right time is in an actor's career to make a stage name? (e.g. when they first join an agency, have a strong resume, etc.) :)
Acting agencies in NSW by stile03 • last post Jan 8th
Hey guys Australian based actor here seeking an agency! Just wondering if any other actors from Australia could lead me in a direction to an agency? Really don’t want to waste my time on scams and just get right to the auditions! Thank you
VOICE ACTORS NEEDED!! by otakuforanime_vr • last post Jan 7th
interests on an acting cv? by teamnameglobalissues • last post Jan 7th
long story short, in a couple days im gonna be auditioning for a young actors course - at the audition, though, as well as a monologue and headshot, we have to bring in a cv of our experience, training, and interests, which seems perfectly normal, but thing is i only really know what to put for experience and training. i'm completely stuck for interests. my thoughts were things just in relation to the course (so what sorts of performance and acting) but some people ive asked have said to do it like a regular cv, so just things i'm vaguely interested in even if they don't relate to the school - they said to email if we had any questions, but i wouldn't want to look like an idiot over something this stupid. does anyone here know what sort of things they'd be looking for?
Australian actress considering move abroad - Canada or US? by beachpeach11 • last post Jan 7th
Hey everyone, I'd love your input on this! I have considered a move to Canada for quite a while to try and progress with film/TV opportunities, but I don't know if I should go ahead and do it OR if I should stay in Australia for a bit longer and aim for LA in the next few years? I've heard things like 'you have to start again if you relocate,' 'credits in other countries don't mean much' etc, so I'm not really sure which direction to take. I have a couple of friends who work in both Canada and Aus, while my agent only has connections with the US.
Can producing your own short films/web series be valid acting credits for your resume? by eeetee32 • last post Jan 7th
Hi all. As a relatively new actor, I'm just starting to get into auditioning for stuff. FYI, I am an Asian female in my 20's. I've been looking at casting sites like Actors Access and Backstage and noticed that there are very few roles that I can apply to, as not many roles are looking for Asian females. This worries me because I am trying to get some experience and credits on my resume with the intention of getting an agent in the near future, and I know agents like to see that you are actually booking roles and have several credits on your resume before they take you on. I enjoy writing and have been working on a few screenplays that I would like to film, produce, and direct with other actors/filmmakers. I hate relying on others and waiting for opportunities to come to me, so I don't mind taking the initiative to do it myself. My alternative to getting myself in front of a camera would be to produce my own work, but I'm concerned about self-produced work not being seen as valid acting credits for your resume? Do agents prefer to see you on projects that required actual auditions and another person doing the casting? Do they want to see that the project was put together by a real production company? What are their opinions on seeing mainly self-produced work on your resume and would those credits be enough to get an agent to sign you? Any advice or clarifications are welcome.