Hey everyone, I'm a relatively new actor based in Connecticut looking for some options on getting auditions around the state. I don't know really where I should start, so if anyone knows how I should get started in a quiet town in a quiet state, all advice would be appreciated
Musical instruments? Basic MMA skills like kickboxing? Accents? What are your thoughts!
Hey all, Wondering if there’s a good podcast for a guided warm-up for actors (physical or vocal), or if there’s a mindfulness / “checking in” /meditation podcast folks enjoy before working on material. Thanks!
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Use this post to discuss any element of the craft of acting you wish. Have you learned something recently that's worked really well for you? Is there something you've been having trouble with and you need some help? Are you interested in an approach to acting but don't know much about it?
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As the title says, is there a way for me to see everything my agent submitted me for on Actors Access and castingnetworks.com? Or can I only see things that I’ve submitted myself for?
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
For the play I'm doing right now, most of my dialogue is with just one other character. I'm making a concerted effort to listen, and sometimes that means that it takes an extra moment for me to say my line. I'm not talking about full on pauses or silence, we're talking 0.5 seconds here. It all depends on when the impulse arises. Problem is, my scene partner keeps moving on. She won't wait and really listen to my line. It's almost like she has a metronome going in their head, and speaks only at pre-determined time intervals. This makes it difficult for me to work because I have this constant insecurity that I need to say my line quickly or else she'll just start talking; the train will leave with out me. The director has even asked her to give me some time on a couple occasions, but she just moves back to old habits. She's a good actress, but this is really starting to interfere with my exploration of the character. What to do?
If there was ever a time I needed this communities help it's definitely now! I'm 23 years old and haven't acted since I was 19 at college. I was very very passionate about acting and wanted to be an actor though life got hard at 18/19 and I lost faith in myself. I went to uni and left acting behind though it has always stayed in the back of my mind as regret for not carrying on. Recently I've been desperately yearning for acting again. I saw an open casting call for a new BBC drama about two months ago and thought fuck it, I'll apply. Sent a quick impromptu headshot in and just yesterday I received an invite to the casting workshop on Monday in Manchester. It is an 'improvised acting workshop' for a lead role in a new BBC drama called World on Fire. I'm writing here to ask for either tips, tricks, advise, anything that might help me prepare a little bit or know what to expect. I haven't acted in four years and I know I used to be good at it and still can be with some help. Please Reddit!
I'm struggling to choose between Meisner and Strasburg. What have you found to be effective? And if you don't mind... Why have you found it effective?
I've recently only received one actual audition, and was wondering why I wasn't being asked in at all. So I had a look at my submissions via the casting websites and found out that my agent had submitted me for 8 roles since January 2018, but that I had only been asked to audition for one. Does it have anything to do with the fact that I am of Asian ethnicity? Or does this mean she is a bad agent? She's not a top tier agent for sure, but she is very nice to me and does get me a fair few auditions. Now it makes sense why me scoring only 2 roles out of 5 auditions isn't an issue for her; I thought for sure she'd be disappointed in me! Is she just submitting me for everything she can without thinking if I'm of name enough and she doesn't have the power to get me in either?
A feature Length production is holding auditions on May23rd 2:30 - 8:00pm. If you are interested in expanding your portfolio, and being apart of a Houston project E-mail spiralisstudios@gmail.com
I have a feeling this will be pretty hard to get off the ground. But I'd like to ask the question to see if there is any interest anyway. I'm sure I'm not alone in this on reddit, but one thing I have in my background is web dev. And it got me thinking. I'm sure there are amateur actors on here who could benefit tons from having a website, but who probably can't afford one right now. Would there be any interest in setting up a support group of sorts (skillshare) where say... I write you a website, you write me a script, whatever.. Very loose idea, but one with promise. Let me know if this sounds even remotely interesting.
The title pretty much says it. I’m looking for interesting and effective ways to improve memory skills. What tools and approaches do you suggest to memorize dialogue and longer monologues?
Hey y’all! I’m not a huge fan of physical activities, I can do a fair few things okay, namely horse riding, badminton, sword fighting and dance, but I’m not highly skilled and don’t enjoy them much. (I would totally invest in the training if I got a role and it was required of the role.) I work out because it’s healthy, but I prefer running to all of the above. However, I am a musician and gladly spend hours on piano playing, singing with my ukulele and composing songs. But it seems that action movies are really a strong way to book roles and advance a career...so I guess my question is, should I stick with my music abilities and continue to advance them, or grit my teeth and get better at the physical stuff? Especially as I’m Asian so that stereotype of knowing karate still pervades.