In your opinion or observation... I would say based on what I've seen, average isn't all that great. Certainly some actors are amazing. But even the average working actor doesn't seem to be too remarkable. What do you think?
I had an audition today around 7:15 PM, and it's currently 11 PM where I live. Callbacks are tomorrow evening. I am a beginning actor, so it's killing me wondering if I should have been notified by now. When is a good time to assume I haven't been called back?
I have been offered an audition for a lead in an American Tv show. Highly acclaimed network. I’m not American nor do I have a visa. I’m sure that wouldn’t be a problem otherwise the Casting Director and my agent wouldn’t offer me an audition. However I don’t at all expect to get it, even if my audition is AMAZING, because I imagine they would already be in talks with already famous or up and coming actors to play this part. I’m from Australia, have no representation in America and my rep here isn’t one of the best either. I love her, and I book commercials and sometimes guest roles in my home country, but I always imagine the bigger agencies throwing their clients before me. Am I right?
Basically, I have an audition due today for a really cool role, but I'm not satisfied with the final product. It was a last minute self-tape, and with the time I had I wasn't able to get it to where I wanted it to be. I did put in my best effort, though. Realistically, I won't get this role, and if I got called back I probably would have to turn it down due to subject matter that I'm not comfortable with (which wasn't made clear until after I got the sides). The main reason I wanted to do it was to get seen by this particular CD. I submitted for the role myself on Actors Access. Bottom line: Is it better to send in a sub-par self-tape or none at all? Would a CD remember a bad tape and not call me in for something else, or would he not call me in because I declined the audition? I haven't sent the tape in or declined it yet. edit: fixed sentence
I know there are all different ways to get an agents attention so I'm trying to see how the majority of people land representation. Did you submit to them and get a response back for an interview? Did you have a friend refer you to them? Were you noticed at a performance and approached? Noticed at a film festival? Other? The more detail, the more helpful. Thanks for sharing!
I want to do a short course in acting, just because I think I might be good at it and I want to try it out. However I’m not sure what to expect, which makes me nervous. My irrational fears: - I’ll show up and in the first class I’ll have to stand in front of the class and pretend to be a tree that is being chopped down or something ridiculous - I’ll have to sit and recount a past trauma to the class so I can learn to cry in front of an audience on cue - The teacher will be one of these people I’ve read horror stories about who makes the students do all these weird exercises that makes every one uncomfortable Questions: - Should I go to acting classes expecting to find a lot of it embarrassing or am I being completely irrational? - Is this just something I should be expected to overcome as an actor? - How do you think about embarrassment and humiliation as an actor. - Is fear of humiliation common among actors? - What are the different types of acting classes and what should I expect from them?
I get told a lot that I’m a good actor but because it’s always from friends, family etc. I feel like I have no idea whether I’m actually good at acting or whether they just tell me I am so my feelings aren’t hurt. Advice please?
Today I woke up this morning having the feeling of “ just gotta get it “ My name is Brandon and I’m a submariner . im currently in Honolulu , hi . I live a comfortable life but , here comes the cliche , I feel like empty . im...
Hello all, I'm sure I'm not alone when I say I'm a game of thrones fan. I think that show really pushed me to persue acting (at a drama school in the U.K across the Atlantic for me). bc of how much I love the characters and I wanted to be apart of something that affects me as much as that story does. What do you guys think of the acting on the show? I think it's great to be honest. Emilia Clarke apparently gets hate but I really love her as Dany. I know that she, kit hargington and much of the other young cast were basically kids right out of drama school with no credits and I wonder what led them to choose those specific actors...what do you guys think? Isn't getting such an opportunity kind of the mystery that is luck? (Plus timing and talent). Sometimes I'm like overwhelmed with wanting to be apart of something like that, not for money or attention but because of how much heart is in that story and I hope I get the opportunity to be apart of something like that one day. And hope you guys do to.
Do you have any tips for getting SAG roles or moreso the opportunity to read for SAG roles. I have an agent, read for LA agent - she will sign me once I book a SAG role even if it is a one liner. Literally no idea what to do besides just wait but I have been training since the 3rd grade. 21 now. Made a backstage the other day additionally, literally no clue wtf to do.
It sounds like a silly question I know, but is there a way to try out exclusively for small roles which may for example be a reccurring character who only says a few lines every few episodes? I'm thinking of times I'll google who an actor is, and they'll have a couple thousand instagram followers or less, and not really have a "fan base" who interact with them, yet they get to actually have some form of career in TV acting. Thanks in advance for any responses!
I've been wanting to voice act since my junior year of highschool but my mom kept telling me to go to college and get my degree which makes sense. I went into communications and was extremely unhappy so recently i changed my major to theatre to work toward my goal. The only thing is i'm still unhappy. I have no motivation for school at all even though i feel this obligation that i should be doing. Now luckily because of the pel grant, and my adoption etc im going pretty much for free, in fact the school gives me money at the end of each semester around 1,800$. I feel like i should be going because i have the opportunity to go but im not happy. The biggest obstacle however is if i leave i lose my adoption health insurance and my mom loses the money she gets from my adoption which she needs and these are the two big things she keeps bringing up (plus she doesnt want me to move to LA or Dallas to work and would much rather me stay close). If i were to go on her health inssurance theres no way shed be able to afford it because her current jobs health inssurance is complete garbage. Her at age 57 and a software engineer doesnt think she can find a job at her age, which i dont find to be true but im inexperienced in the working world and have no idea. I just dont know what to do at this point. I want to work full time and begin saving up to take acting classes, (my school only has acting 1 and i already took it.....) and i can already begin to audition for projects online because i have all the equipment. I guess my question is do i drop out, and risk the health insurrance dissapearance or stay in school untill im 24 to get a degree that wont gaurantee me a well paying job at all. My thought was also i could save up so just in case i struggle int he future i could get myself certified in something but thats worst case scenario.
The number one thing you have to do to be a successful voice actor is get acting training. It's voice ACTING, after all. Assuming you're doing that, THEN what do you do? There's so much more to it, just like there's so much more to on-camera acting. I teach a beginner class - there's some acting training, and a lot of "how to make it happen" training. The assignments will take you out of your comfort zone in baby steps and get you going. More details here: https://www.youtube.com/watch?v=EBqenrx5exM
Basically it's a combination of the ol' "pretend they killed your dog" trick (at least what my drama teacher called it) and something army cadets taught me. In the army, (Prince of Wales Royal Regiment at least) making direct eye contact isn't allowed. So we were always told to look at the rim of the beret, which is roughly where your eyebrows sit unless you have some crazy stupid eyebrow setup like some do these days. When it comes to direct eye contact, a little smirk from one actor can sometimes send another into full-blown laughter. Which, happened to me at least 8 or 9 times this past week working with another actor. Anyway, the tip that really helped him was to stare at the eyebrows. This stops you from picking up on micro expressions around the mouth (leading to ghosting) and it also stops you from doing that awkward "where do I actually look?" thought process. It really helped him, who kept laughing during the fight scene whenever I took a back bump. It's how I used to win staring competitions as a kid, also with a combination of making dumb faces to make them laugh.
I hear of many actors using an acting coach for roles in feature films and television. Have you ever employed the services of a coach? If so, why? Was it a large role? Personally, I usually only work with a coach for self tapes, but I was wondering if it’s seen as industry standard to use a coach for guest star roles and alike. Or is it standard to only use a coach’s services for larger bookings? Thanks.
Really sorry if this is the wrong place to post such a question, but I would love all the feedback possible! Im currently casting for a short film which takes place across 20\-25 years. My problems comes down to casting. I have both a male and female character. The male being the father ages from 35\-60 and the female, the daughter, 9\-34. Am I better off casting similar looking actors, if so how similar are we talking and how can I find actors that resemble each other? Or is makeup the better option? Thanks!
I go to a small state school. Recently switched my major to theatre beacause i really want to be a voice actor (might drop out but thats for another post). My school has a very small theatre department and 90% of the people in it arent serious about it. For my final i had to do a pretty intense scene from daredevil in which two characters are arguing. My scene partner never showed up to class like ever not even for the workshops except the last one. Becasue of this i, during my scene in the workshop really went for it and yelled when i thought i should etc. Which of course is not good but i just ended up making him look bad and it seemed pretty pre rehearsed on my part because we never got together, he didnt know his lines, etc. Which my professor told me and that i needed to react to him. When it came to actually performing the scene for my final he knew his lines but was very monotone so i tried my best to react to him but it seemed very much to me like i ended up performing worse than during the workshop. Is there any way to wotk around this?