I will need a fast and slow recording. Please pm demos. Payments will be made by Venmo only.
Hi! Our company Crealon Media Group is looking for a voice actor who can report on movie related news to our YouTube channel. It’s important that you are available on all days of the week when you’re working to cover breaking news as soon as possible. You need a soft/personable voice. Lmk if you're interested and we can decide on a good rate! :)
I'm an early 30s guy living in Southampton, UK with a 9 to 5 job and I want to act. Interested in both stage and screen. Is my case hopeless? I considered quitting my job (which I hate anyway). I have savings to last a few years. But the problem is I'm at absolute zero right now experience wise. All I've done is Am dram - couple of one act play festivals (at least I got best actor nomination for one), week at Edinburgh fringe. I've also been attending casual evening classes. But I've never done an audition in my life (besides the everyone gets a part AmDram type) and have not a single thing on tape for a showreel (one of our Edinburgh shows was taped but it was a shaky early one). I'm worried about quitting my job and discovering I'm not even capable of getting a part in a student film to get me started. So what's the best way of moving forward for now without quitting? I'll need to prioritise what I apply for on StarNow, Mandy, Backstage. I guess it would be stuff I can put in a show reel that's most important for now? How do I get started with that? Student films? I'd also need to get enough paid credits for a Spotlights profile (4 I understand?). I guess that would be the 2nd step after getting a showreel? If, big if, I'm successful in getting to the point where I have a showreel and spotlights profile then I'd consider quitting my job. General tips for balancing 9 to 5 and the starting stages? I heard some people do it but does it only work if you're somewhere like London, NYC or LA where opportunities will be not too long a journey away? I'm lucky in that I have a generous holiday allowance which they're also flexible about, flexi hours and some opportunity to work from home but it's the kind of professional career job that all my colleagues are there because that is what they want to do so it's not like I can say "I want some flexibility because I'm actually trying to get a career in acting" and hope they understand like if you worked in a bar in LA and everyone's an aspiring actor.
I have some short scenes each 2 pages long I wrote myself and am hiring a DP to shoot for my acting reel. There is no pay but I can give you a copy. Because I'm making a reel that is going to focus on myself, the camera will be on me more than it will be on you. I'm paying the DP $100 to shoot the scene so if you wanted him to have the camera on you as much as it is on me and edit a reel that is focused on you as well, we could split it and pay $50 each. I'm flexible about the shoot date but I'm planning to shoot it one day during the last two weeks of October in L.A. Currently looking for male actors any ethnicity ages 25-45. PM me if you'd like more information.
Hi! as the title suggests i am looking for a female voice actress to help me finish the film i have been working on for a year. the film itself is a mixture of film and 3D motion graphics and the voice over is a poem that was created using a machine learning algorithm, trained on recollections of dreams which were collected online (if that makes any sense). it is roughly 3 minutes long but there is not speaking throughout. in short it is a semi abstract poem. the combination of the film and the voiceover are quite dream-like / floaty - so i'm looking for the voiceover to reflect this. i have attached a screenshot to this post! the piece is personally funded and 100% non commercial - i am open to hear about your rates but i'm afraid i wont be able to pay industry standard. please get me on [hello@jacksachs.co.uk](mailto:hello@jacksachs.co.uk) or reply here! ​ i hope we can work together :-) ​ Jack ​ ​ https://i.redd.it/nbw619ndkdk31.png
​ ​ https://i.redd.it/gb01mmum2ek31.png (Art by my friend 1000visages on DA and tumblr) Here's the link to the development blog: [https://www.tumblr.com/blog/newpaperradsongames](https://www.tumblr.com/blog/newpaperradsongames) I'd like to request two voice actors for this project, the main one being a female with stoic voice, similar to Hikage from Senran Kagura if possible, and the second a male also with a rough voice, kinda hardboiled or very deep, similar to Kazuma Kiryu from Ryo Ga Gotokun. All the voice lines are mostly short and in Japanese, with the exception of a small manifesto like speech used for the trailer of the game done by the main protagonist The only thing I can offer in return is credits and including whatever information you'd like me to put in that section, so if you are interested in this project pls send me a message.
what are some “survival job” recommendations for someone looking to eventually move to los angeles for acting? i’m currently in college to get my associates degree, but i’m not sure about what will come after that schooling wise. i’m still not sure what i want to major in and i’m feeling a bit lost. acting is my passion, but i know i obviously need to make enough money to support myself, especially in los angeles. for all you struggling actors out there: what’s your “side hustle?” does it pay the bills?
Hello lovely actors! I have been acting for most of my life, have been in something like 30 shows, but I am just rubbish at learning blocking. If I have time to go over it with myself again and again, it’s fine, but time is one thing you just don’t tend to have a lot of in the theatre. I have to go over my notes ten times more than other people, and when the blocking is complex/we’re learning in a space that’s significantly different than the performance space/some people aren’t there/etc I just cannot get things right the first time (or often the second or third time), which (understandably) pisses directors off and makes them think I’m not really committed or am inattentive/lazy/irresponsible/etc. I really want to be that person that the director can rely on, and other cast members can look to when they’re unsure what to do, and who knows everybody’s tracks and not just their own. To me, that’s what being a good team member would look like, and I want to be that. But I truly do not understand what happens in people’s brains that they are able to hear the directions for a complicated blocking and see it demonstrated one time and then execute it perfectly every time after that. Plus, no matter how many times I’ve practiced a scene, it takes so much mental energy to remember where I’m supposed to walk when, and what direction to turn, etc, etc, that I can’t give my best effort to the acting and singing side of things, which is incredibly frustrating. And It’s even worse with choreography. I’ve been studying dance for about 5 years now, but I bomb dance auditions, even simple ones, unless I am in dance class every. single. day for several weeks beforehand. I have extremely severe dyscalculia (my comprehension in every other area of cognition tested at >99%; my spationumeric comprehension is at 12%, LMAO) and it’s caused major deficits in my spatial awareness and spatial memory (to name another example, learning to drive was nothing short of hell; I didn’t get my license until I was in my 20’s). Usually I end up stealthily just following the lead of someone who knows what they’re doing, which I know is not rhe right thing to do. On more than one occasion I have had a director call me out in front of the rest of the cast for screwing up the blocking, or switch me away from being at the beginning of a row, and it’s just humiliating. (Once I tried explaining to a choreographer in a community theatre show I was doing that I’m sorry, I’m paying attention and doing my best, but I have a learning disability, and their response was borderline offensive, so now I just don’t bother). It gets so discouraging and I don’t know how I’m ever going to advance if I go on like this. Does anyone - particularly people who have dealt with this disability or similar - have any tips/mind hacks/etc to suggest to learn more quickly? (Just please don’t say “practice more”; because I have, in fact, tried that. :) But anything else. I’m willing to try pretty much anything if it will help. Thank you so much!
so i am applying as an actor in this production but she asked me to give my portfolio but i dont have the experience.
Hello, I've recently accepted a place on a MA Acting Course in London, England. I was very happy during the audition process as the school looked very professional and it's fairly well known. The head of MA Acting appeared very well informed and experienced and it seemed like a great place to be at. I was originally waitlisted as I applied a bit too late (applied in May, auditioned in June and accepted their official offer a few weeks ago) and they said that the course fills up in February/March usually. I am trying to find out more about the school's reputation but literally all I've found is testimonies from the students themselves saying how fantastic it is - and how much they loved it etc. however I can't find anything about its reputation from non-students/alumni. For other schools, such as Guildhall, RADA, Mountview, Drama Centre, and the like, there's articles and information about how reputable they are and how great the training is, how most students get top agents after graduation and such. This school has no notable alumni, despite being around since the 60s (I think). Out of the 2017, 2018 and 2019 graduating class, only a couple of them per year have agents and most are just "represented by Spotlight" (aka don't have agents) and have only been in student films or amateur theatre performances. I understand that this is a reality for many actors, but when you compare the same profiles of students from, say, Mountview, the majority of those have agents and are working after graduation. All I have been able to find about the school is so neutral, except that this school has an international course as well for foreign students and apparently it's not very good. I'm not on that though, I'm meant to be on their regular MA. I actually got accepted into one of the more reputable schools I mentioned above, but couldn't afford to pay the massive costs (cause that course did not offer a student loan! oof!) so I had to turn it down. This school does offer student finance. Is going there going to hinder me from professional opportunities? Anyone got any general advice?
Honestly, I can. I can see myself doing tons of other things. And I'm worried all that makes them not seem as appealing as acting is my ego. Don't get me wrong, I adore acting. It's not just about my fascination with art of TV and cinema and how our understanding of the world around us is increasingly informed by it. It's the thing itself. I'm in love with the opportunity to adopt the mind of a new person. I love facilitating the audience's entrance into that world alongside me. I love being funny! I love eliciting the spectrum of human emotion. There's nothing as beautiful as acting on stage with another person whose energy drives your energy and driving theirs in turn and producing something that feels magnificent. No greater adrenaline rush. No greater sense of achievement (for me). When I act I feel alive. When I'm acting the world's in colour. But what I don't love so much is the idea of doing a shitty job for years while I try and achieve my passion against all odds. I didn't go to drama school, I studied something else (big regret) and now I can't afford it. And where I'm from, pretty much all actors come from an accredited drama school. I do think I have something special, but so does every wannabe actor. Can't I get the thrill of acting alongside a more stable career? Does acting really have to be your whole life in order to be able to derive enjoyment from it?
Hi every one. Do you have any advice for a non British/Non American actor to find some casting in the UK and the US ? I know that sometimes casting directors are looking outside their country, and I'm not gonna lie, the movies/tv shows in my country are rarely interesting (I'm French btw). So, do you have any advice ? How I can be considered by an agency or a casting director or what are the best websites to find some casting calls ?
What's the price on Voice actors on this subreddit? I need someone who doesn't procrastinate and committed
Self-Tape groups are cool, so are rehearsal groups, but being a person that only talks about acting or being around people that only talk about it is extremely draining. Would anybody in LA like to start group meetups for Karaoke once a week or bi-weekly? Get to know each other and talk about things OTHER than acting or film 24/7? Don’t even have to reveal online identities to remain anonymous. Real networking. I say Karaoke because it’s one of the best training methods an actor can do outside of rehearsals and class. (Just my opinion)
(keep in mind i’ve never been to los angeles before) i’m stuck between burbank, los feliz, and north hollywood. obviously i’m looking for the place that is closest to most auditions, but also a safe place with lots of things to do & preferably with metro access since i’ll likely be taking the metro or uber most places. any help would be appreciated.
hello, i'm looking and asking my friends who are voice actors for voice clips (10-30 seconds) for a dialogue piece to put in my portfolio. the problem is that i don't know how much it costs.. i know everybody has their own rates and i have asked them but i wanted to know to be more educated. i tried to google this but i kept finding voice overs for commercials or things like that.
For example, if one were to have a corporate job would that be possible? Or as a scientist, or accountant? A "normal" job.
Hello fellow Producers, Actors and Writers! Audio Fiction Network is a creator driven discord community of audio drama actors, writers, and producers getting together to chill, share our love of the medium, and have a reliable place to share work and get feedback. We have creative server events for our members such as Table Reads where we periodically have our actor members do cold reads and give direct feedback for the writers to help them improve their draft. We currently have over 600 members but we are currently looking for more smart people to join in on the workshopping! The more, the merrier. We've relaunched our creative hub and we'd like to extend an invite to folks here who may be interested in it as well and find it useful. All members are also invited to the discord's creative hub where we have over 360 produced audio drama scripts for any writer's viewing pleasure, outlines, templates, and a royalty free commercially useable sound library of over 100 GB+ for audio drama producers and sound designers to use whenever and however they want. **Link to our community:** [https://discord.gg/K89jk9b](https://discord.gg/K89jk9b)