We have found 19,445 posts across 4 actor forums:
Hungry For A Performance by ElliotIsRami • last post Sep 24th
I’m at my wits end. Hoping some of my fellow actors can help with this: I want to continue my training, I took an ongoing scene study class for 4 months but switched to a conservatory due to needing more performing experience versus just watching a scene of someone else’s every class. I know both approaches can be beneficial but Im a tactile learner. I did leave the conservatory when we began memorizing lines/walking in with an emotion to play with (performance wise). I do feel the two experiences helped me get a foundation of sorts as I did perform in both classes but this was in 2016-2017. I haven’t performed professionally since then aside from self tapes I’ve done for my own evaluation purposes and to stay performing. My dilemma: I am wanting to return to a class to meet people to potentially perform with outside of class/build a network, but I also want to just perform at local community theatre and get the experience versus taking more classes. I am near a university that has a theatre department but I’m not interested in a bachelors as I already have one in an unrelated field. TL:DR- I want to just perform in theatre to get experience versus more classes that I can’t afford out of pocket or using student loans (I can take out student loans for the university but I feel it would be rude to leave once I’ve felt I’ve gotten what I need). But I’m not confident my foundation is solid. Plus I have a bit of social anxiety that arose during my training, but I’m determined to make this work. Any input would be appreciated as I can’t seem to make a decision, but I know I just want to perform again I’m hungry for it.
Looking to go professional, any advice? by lenmister654 • last post Sep 24th
I'm an actor that has only really done localised shows so the professional aspect of acting is unknown to me, I'm looking for an agent but I have no idea how to even go about doing that, I feel like I'm way in over my head but I'm still holding out hope.
Asian actors, how are you doing in the business? by fuckthepatriarchy241 • last post Sep 24th
Fellow Asian actor here. I feel like it’s nearly impossible for the average Asian actor in the West to live purely off of acting unless they’re also outsourcing themselves to China/Japan/Korea which entails becoming fluent in that language. And if you’re any type of Asian besides East Asian, the chances are even worse. On top of that, Asian roles in the West usually go to white-passing half-Asians like Chloe Bennet and Henry Golding. With Asians making up less than 1 percent of Hollywood, job opportunities are pretty bleak when the only Asian roles that are available are the ones that are typecast and those roles are often white-washed anyways. How do y’all remain optimistic when trailblazing through an industry that has never been touched before by people that look like us? Do you have any tips you could offer? How have you built up your resume so far? Have you outsourced your labor to your “home” country in order to find work? Thanks in advance for your stories and experiences!
Anyone have experience using LA Casting or Casting Frontier? by asyouwish17 • last post Sep 23rd
Hi! Aspiring actor based in LA here. I’m already signed up for Backstage and Actors Access, which has been decent in terms of finding roles. Someone recommended I use LA Casting and Casting Frontier as well. However, it’s pretty pricey to have subscriptions to all four. Anyone have any good/bad experiences with these sites?
10 Things Beginning Actors Maybe Don't Think About by westrideforward • last post Sep 23rd
Ever fantasized about becoming an actor or celebrity? It’s attainable, but the many challenges of reality are not usually known until pursuing such a dream. Time spent practicing or rehearsing for a production is not glamorous, the market is highly competitive, relationships can become tense, day job’s are what you make them, sacrificing a date for a new head-shot, importance of car maintenance, the false portrayal of the celebrity image, being the business, and being responsible. Ready to leave your office cubicle? 1. Preparing To “Perform” Is 85% Of The Process Preparing to perform on the stage or behind a camera will be a repetitive process unless the artist truly invokes his or her creativity. Rehearsing for projects with short turn around-time like a soap-opera is one of the few endeavors that do not require a lot of preparation but do require talent. From PlayBill (LINK 1): “A typical Broadway show rehearses six days a week for eight hours a day — from around 10 AM-6 PM. The actors work for seven of those hours, and the rest is breaks”. The unfortunate part the actor must accept is that their part in the production is never quite as time-friendly as they would of hoped for. Repetition can become tiring for many actors, stealing their creative energies. A confident actor will find enthusiasm in improving their work output and never settle for complacency. A true artist is one whom consistently looks for ways to improve their craft so that their final product is optimized to be received at its best for any audience. While constantly tweaking your planned performance may be exhausting, it will leave no regrets once the show is complete if rehearsed with full effort from the entire ensemble. If you aspire to perform in the dramatic arts, hard work-ethic is highly encouraged due to the demanding circumstances of preparation and performance. 2. The Market Is Saturated But Feasible Throughout recent history the entertainment industry has established well-known location strongholds in both Los Angeles, California and New York City, NY. Many aspiring and professional actors have continued to move to these locations to be “found out” or advance their resume. Although these locations still offer plenty of opportunity the competition is fierce and not necessarily an ideal location if just starting out. Due to rapid growths in various technologies, actors can now submit for auditions across the country with a single-click. The emergence of new markets has been steadily rising due to actors being able to find work without flying across the country. Emerging markets include: Albuquerque (New Mexico), Atlanta (Georgia), Austin (Texas), Boston (New England), Charlotte (North Carolina), Chicago (Illinois), Miami (Florida), New Orleans (Louisiana), Portland (Oregon), San Francisco (California), and Toronto (Canada) (LINK 2). If you are considering an acting career it may be a wise choice to consider moving or applying to jobs where competition is not as fierce as LA or NYC until your skill-set is sharpened. As previously mentioned, technology allows human-beings to communicate within milliseconds across the globe for the first time in history. The days of sending a *Game of Thrones* raven with a message scribbled on paper are fortunately long gone. If you have a device with internet access there are now a large amount of resources available for connecting to possible acting opportunities both free-of-charge and paid memberships. Some great casting platforms to consider using are: Backstage (free or paid), ActorsAccess ($2/submission or $68/yr for unlimited submissions), Casting Frontier (free or various paid monthly and annual plans), Casting Networks (free with agency representation or a $25 annual fee), Mandy (completely free), and NYCastings ($11.95/month, LINK 3). By utilizing these websites an actor can find opportunity through their determination of continuously applying to applicable roles. 3. Romantic Relationships Can Be Challenged Jealously is a natural frustration due to our human condition. Actors whom become involved in a romantic or sexually influenced script may find discomfort when informing their significant other of potential situations. If an actor has a significant other in show-business than jealously may not be as big of an issue as someone with a significant other working in an unrelated field. Each relationship is different but contemplating how your real love interest would react to seeing you on screen with a stranger in bed is important to consider. A significant part of the challenge for someone pursuing an acting career while also in a relationship is the lack of time the couple may be able to spend together. The actor has to sacrifice most if not all of their free time to the craft. Now, the hopeful actor would desire the lack of free time from result of the actor working on a project for longer periods than the average 8-hour work day. In this case, the relationship may benefit from income earned but suffer from the lack of personal time spent together. But in most cases, free time for the actor is compromised by their enrollment in courses throughout the week (usually when off their day job) which consume the entire evening. These courses also known as “workshops” can oblige the actor to a considerate amount of time committed from start to finish. Most structured conservatory programs revolve around a two-year commitment usually every-day of the week. On top of all of this is the actor’s actual career progression which involves commuting in stand-still traffic for 3 hours to get to their next audition(s) and then commuting back to their home. 4. Your Day Job May “Suck” Or You Can Try One Of These Jobs If your day job sucks already then no worries on this subject. For both young and older aspiring artists with no industry connections, the problem of time and money management are put to the test. Teenagers, 20-something’s, and all ages must face the battle between the balance of present income and future aspirations. This battle is one that will challenge most not growing up with financial freedom to explore their interests. It is important to remember that each day-job does not define who you are and what you want to be. A job that you hate now can become the stepping stone to a bright future you never would have been able to get to without your present occupation. If you can approach the day with an optimistic perspective and commit to your current situation as a “means to an end” than the time spent studying, training, and creating work as an actor will be much more of the dream you want to live on a full-time basis. After researching the top occupations for aspiring and working actors, possible options for you include: Extra Work (the pay is decent, and you get the best experience you could ask for which is to watch the professionals you admire do their work on set), Production/Agent Assistant (this one is great because it allows you to make connections on set and gain true industry experience), Freelance jobs (take advantage of any opportunity that can allow you to make your own schedule such as being an Uber driver), Waiter/Bartender (this one is the one you hear about the most, for good reason due to the flexible schedule and possibility of earning), Personal Trainer (create your own schedule and get paid to help yourself and others maintain a healthy lifestyle), Dog Walker (if you are an animal lover and want the freedom to work around auditions this could be a great choice), Nanny/Babysitter (if you love kids and desire a flexible schedule), Promo work/Modeling (finding jobs on Craiglist or similar sites can lead to both experience and possible connections), Catering (if you desire a new experience each time and enjoy hospitality this can be a wonderful option), Tutoring (if you enjoy teaching others this can be the perfect opportunity to use those math classes you haven’t used since school), Video editor (if your friends are fellow actors then this is a perfect chance to help with editing their demo reels and improving your own skill-set), Substitute Teacher (this is great experience for anyone looking for a flexible schedule while also developing your skills for any audition room where you must command respect), and Temping (temp agencies provide a great opportunity for individuals whom are proficient with computers/typing which allow for flexible schedules and good pay) (LINK 4). 5. Money For A Date May Need To Be Spent On A New Headshot or Gym Membership Do you have a crush or possible love interest you want to impress? Well, there may come a time when you have to prioritize your goals and sacrifice funds spent on a hot date. Being an actor is a costly process that promises no return. Investment in progressing your own process is a reality that many actors learn to accept. While it would be a generous sentiment to consider asking your love interest on a date, it would also be money allocated that could be spent on the new headshot that could land your first big role or the gym membership that provides the physical appearance required. It is critical for every actor to consider their budget and plan accordingly. Successful actors learn to sacrifice instant gratification for the future. This budgeting lifestyle may seem selfish to people around you, but in reality you are being responsible for the life you want to live. The New York Film Academy lists several suggestions for cutting back on costs and prioritizing expenses which include creating an essential and nonessential cost list. Essential expenses include housing, food, utilities, transportation, internet, and cell-phone. Nonessential expenses include just about everything else, including clothes, drinks, Starbucks, and leisure activities. It is also recommended to reduce expenses by opting for cheaper internet and cell phone plans (LINK 5). Cutting back on expenses may be painful at first, but keep the goal in primary focus. Once you can maintain a healthy lifestyle through performing there will be plenty of opportunity to treat yourself and others. In fact, the experience of purchasing nonessential goods will be much more rewarding. 6. Car Maintenance Is Essential If There Is No Public Transportation The majority of your time as an actor will revolve around commuting to work or the next audition. If you do not live in a city with great public transportation options such as New York and in some areas of Los Angeles one should expect to depend on their transportation. The maintenance of your vehicle is extremely important if you do not want to lose an audition opportunity due to your car not being able to make it to the audition. Driving from location to location is necessary for all actors whom find themselves with several auditions within only a couple hours. Depending on the vehicle you own, wear and tear of sitting in gridlock traffic combined with adding mileage to your car becomes another responsibility for the actor to keep in healthy condition. Although there are great public transportation systems in New York City and parts of Los Angeles many developing locations in the entertainment industry do not have the fortune of giving aspiring actors the convenience of bus and train transportation. Unless, you plan to move directly to NYC or LA it is best to plan on consistent travel daily. Car maintenance is vital whether you own a 2019 or 1990 model of your car. Planning for regular mileage maintenance by following the owners manual located in the vehicles glove-box will save both time and money, things that the actor cannot afford to lose to their competition. An article from “iDriveSafely” recommends to keep track of changing your oil and oil filter, checking tires monthly, inspecting all other fluids, wiper blades, battery health, air filter cleanliness, and examining belts/hoses in the engine bay (LINK 6). 7. Some Actors May Be Such A Fantastic Actor You Have Doubt The entertainment industry is fierce and will not stop to wait for your perfect performance. Throughout your experiences of working with different personalities of talent it can be easy to label yourself as not good enough. While your friend lands a role you both auditioned for and you are still stuck waiting tables, doubt and comparison can be a heavy burden. While giving into the temptation of doubt seems reasonable, it will only postpone time you could use to improve your skills. Instead of doubting and comparing yourself to others a much healthier alternative is to be happy for the others success as you would expect If you landed the job. An excerpt from an article on Backstage significantly encapsulates why comparison is the wrong measuring stick: *Although it can be hard not to compare yourself to others, remember that comparing yourself to someone else is an inaccurate measuring stick, and it can erode your self-esteem and send you into depression. When you compare yourself to others—whether in regards to a relationship, a career, or other achievement—you are only comparing yourself to your perception of others. Everyone has different life circumstances and different paths. You are on your own unique journey, and it may take longer or go in a different direction. However, it will never be the same as anyone else's, and it has just as many opportunities and possibilities. (LINK 7)* It is critical as an actor to remember your own growth and individual talent as a performer. Comparing yourself to another is a lifelong game that is not required to be played. Instead, take up a new course or make a new project free-of-charge for inspiration. The best work is the work that we create without expecting a reward from it. When facing doubt in your ability, you can remember this quote from Benjamin Franklin: “When in doubt, don’t”. 8. The Actor Image In Modern Culture As human beings we have an inert force within us called the ego. Unfortunately, Hollywood and the entertainment industry have developed a stigma around some of the top-performers as being “egocentric”. Egocentric and actor are practically synonymous in today’s culture. This largely in result from the United States media coverage placing importance on things that do not benefit the culture. You can see this played out when the news coverage is focused on the latest Disney star gone bad. News anchors spend nearly the same amount of time “reporting” on Miley Cyrus’ newest indecency as they spend informing American’s about the atrocities that are bein g violated against our fellowman across our nation and the world (LINK 8). An egocentric actor is a bad actor. It is important for each actor to do daily introspection so they can self-reflect on the art they are providing rather than being the center of attention. Many actors whom are both new to the industry and experienced suffer from wanting to steal the show. When an actor wants to be the most clever person in the room they are not making art with any collaborative effort. It is a strength for actors to be able to control their value of self-importance so they can listen to their scene partner without the distraction of waiting for their next line. Everyone deserves to shine if they have made it as far as working in Hollywood. If there is a fraud among the talent group, the truth will come out quickly. If you desire a lifelong career in the entertainment industry it is best to remain humble and know that each person working beside you has just as much reason to be there as you do. Do not make the mistake many people make both in the entertainment industry and in other workplaces. 9. Acting Is A Sole-Proprietor Business In The Beginning The entertainment industry is known as “show business” because in the sum of things it is an actual business more than anything else. The business is made up of the actor (the individual CEO) and the many other actors contributing their brand of style. The intelligent actors quickly learn that they themselves are the actual business and will market their strengths rather than weaknesses. It is important for the actor to remember that any successful business succeeds by offering something another business cannot. Actors are their own products. Cultivating productive business relationships requires putting yourself out there- through auditions and other means(LINK 9). Developing your own business requires thoughtful planning and execution. An actor can structure their own artistic perspective on the basic principles of any business. These principles include becoming a great leader, developing a successful business plan, offer a great product or service, surround yourself with great people, create a great marketing plan, generate great numbers, staff your company with great managers (talent agents), perfect a great sales pitch, create great customer experience (find what is entertaining about you to bring viewers back), and live a great life (balance is key)(LINK 10). You are responsible for your business while you are alive as an actor. Being available 24-7 is a healthy advantage for the working actor. By keeping up-to-date on emails, phone calls, and texts the actor will be able to effectively communicate and open doors before they are walked through by another business. 10. Acting Is Will-Power There is nothing more valuable in life than the dedication of ones’ will-power. Within most any venture in life we can choose to fully commit or scrape by meeting only the bare minimum. Labeling insufficient work ethic with excuse is not a healthy crutch for the actor. A large portion of success behind the scenes of an actor is their perseverance and motivation to run through failure or personal tragedy. Keanu Reeves, a well known Hollywood actor has experienced quite a turbulent life, but managed to become one of the most sought out actors today. His story summarized in an article by ReelScene recalls his past pains: *At a young age of three years old, his father left their family. They stayed in touch for a few years, but after the divorce, their father fell out of contact. Keanu struggled with dyslexia making his education more challenging than most. Because of that, he left school without earning a diploma. However, even when he left school, he was determined to overcome his condition. As a result of sheer determination, he overcame his condition and is now an avid reader. At age 23, his closest friend, River Phoenix died of drug overdose.In 1998, Keanu met Jennifer Syme and the two immediately fell in love. In 1999, Jennifer got pregnant but sadly, after eight months their child was stillborn. Because of that, they were devastated by her death and it eventually ended their relationship. 18 months later, Syme died in a car accident. (LINK 11)* A well-rounded actor whom is not preparing for a performance will constitute their free time being patient for their next role while also productive. Staying active is critical for the actor to maintain their fuel tank of desire. Maintaining healthy habits such as working out, reading, training, traveling, and trying to find new hobbies are great ways for the actor to keep their will-power strong during the layover periods in their career. LINK 1: [http://www.playbill.com/article/ask-playbillcom-rehearsal-schedule-com-146459](http://www.playbill.com/article/ask-playbillcom-rehearsal-schedule-com-146459) LINK 2: [https://www.backstage.com/magazine/article/great-film-markets-outside-nyc-la-9730/](https://www.backstage.com/magazine/article/great-film-markets-outside-nyc-la-9730/) LINK 3: [https://www.studiobinder.com/blog/best-free-casting-websites/](https://www.studiobinder.com/blog/best-free-casting-websites/) LINK 4: [https://www.actoraesthetic.com/blog/survival-jobs](https://www.actoraesthetic.com/blog/survival-jobs) LINK 5: [https://www.nyfa.edu/student-resources/how-to-budget-as-an-aspiring-actor/](https://www.nyfa.edu/student-resources/how-to-budget-as-an-aspiring-actor/) LINK 6: [https://www.idrivesafely.com/defensive-driving/trending/routine-vehicle-maintenance-101-what-you-should-know](https://www.idrivesafely.com/defensive-driving/trending/routine-vehicle-maintenance-101-what-you-should-know) LINK 7: [https://www.backstage.com/magazine/article/compare-actors-15083/](https://www.backstage.com/magazine/article/compare-actors-15083/) LINK 8: [http://www.playersofthestage.org/all-the-worlds-a-stage/2015/3/11/the-actor-and-ego](http://www.playersofthestage.org/all-the-worlds-a-stage/2015/3/11/the-actor-and-ego) LINK 9: [https://www.backstage.com/magazine/article/dealing-business-side-acting-52698/](https://www.backstage.com/magazine/article/dealing-business-side-acting-52698/) LINK 10: [https://www.thinkadvisor.com/2013/05/09/10-principles-of-business-success/?slreturn=20190622114234](https://www.thinkadvisor.com/2013/05/09/10-principles-of-business-success/?slreturn=20190622114234) LINK 11: [https://reelscene.co.uk/actors-stay-motivated/](https://reelscene.co.uk/actors-stay-motivated/)
HELP! How would YOU invest a large sum of money (70-75k) into acting? (+ is drama school worth it) by actingthrowawayx • last post Sep 23rd
I'm moving to the UK with a family member this December (I'm only 16) and I've been wondering about going to a drama school. Is it really "worth it"? I have other things in my resume (so going to a drama school for only the sake of having at least one line in my resume isn't necessary) and have a family connection to a UK agent from one of the "bigger" agencies (would obviously prefer to not name the agency). I'm very serious about acting and I've been performing in different community theaters and seeking lessons ever since i was around 12. Unfortunately there are barely any resources/opportunities to become better at the craft for teens/kids in my country so despite all of my efforts i still don't consider myself "ready" to start seriously auditioning in a bigger market immediately. I wouldn't describe my acting as bad at all but i know that i have potential to do much better. I really want to attend more acting classes/workshops and I'll have the chance to do that in the UK but I've been wondering whether that could be "enough" (given the fact that i have NO IDEA what serious, traditional acting classes are like, there aren't even any in here). Would going to a drama school first be better in your opinion? I have around 75k$ in my trust fund so i won't go through the burden of taking student loans and working 3984234 jobs to pay them off if i do decide to get a degree in acting in one of the more expensive schools like RADA but i feel like wasting so much money (around 40k$ depending on the drama schools) on something that could be learned outside of drama school for much cheaper is ridiculous. My family may be well-off but that doesn't mean that i should be spending money like an idiot, plus i don't want to be asking my parents for money outside the ones in my trust fund after i turn 18. I could spend these 40k on rent for around 3 years or invest them into something that will "boost" my career much more than a degree will. On the other hand 3-year full-time programs may be better than normal acting classes from the perspective of you making much more improvement in a shorter amount of time because all you're doing all day long is act as opposed to attending a couple of classes a week. Once again though, i really have no idea due to my lack of firsthand experience with "normal classes" so any kind of insight would be helpful. In terms of my resume - i have 1 series regular role, 2 guest star roles, 1 indie film role and plenty of amateur theater work. I know that it's not anything "too impressive", but it's still better than nothing, especially for an aspiring actress. Also, me already having some work in my resume is not my only advantage. I have a quite mature-looking and objectively attractive face (despite being only 16) so i could comfortably go for both teen and more "mature" roles. Plus i have a traditionally thin body so my look is very marketable. Despite the UK industry not caring about "looks" as obsessively as Hollywood does, i also have the trendy "big lips, small nose and light almond cat-eyes" IG girl look that most of the general public is obsessed with nowadays (no, i don't have any surgeries so it does actually look natural)+ As i already mentioned i have connections that could help me get genuinely good representation easily. The thing is though, I've never wanted to be "a star", i genuinely want to become a SERIOUS actress, despite having it much easier than 99% of the working actors in the industry, therefore i want to improve my acting as much as possible. What would YOU do if you were in my position? How would you invest said money? Will you seek an agent first or take a year or two (or even three) to improve your skills beforehand and get a backup degree for a career outside of acting? What's the FIRST thing you would do after arriving in the UK (asides from getting some better quality headshots)?
SAG reinitiation by Anubidayz • last post Sep 23rd
So I was a child actor, but I stopped working during High School and never paid my dues during that period. According to my dues statement, my membership was terminated earlier this year. Does that mean I am non-union or am I SAG-E? Am I subject to rule 1 still? Would be awesome if someone knew the answer.
Check out this interview with Tom Schalk by APrettyNormalPodcast • last post Sep 23rd
Got the chance to speak to a voice actor about the industry, sub vs dub in anime and even got to do a little voice acting at the end! check it out https://www.podbean.com/ea/pb-e37nr-c08237
Can anyone suggest a good Wordpress theme for my website? I'm dumb. by ronton • last post Sep 23rd
Hey folks! I'm looking to build a website for my voice acting, and have already purchased a domain, as well as hosting through Wordpress. However, I'm not the most design-savvy (or particularly computer-savvy) and I'm having trouble deciding on a theme that will suit my needs (and importantly, be easy to use). Does anyone have any suggestions as to a theme that's easy to customize for voice acting? Or even just any tips on building the website? I've looked at a few voice actor websites that I liked, but wasn't able to figure out how they were made. Thanks!
looking for non native english female voice for short VO by jacksachs • last post Sep 23rd
Hi! as the title suggests i am looking for a non native english speaking female voice actress to help me finish the film i have been working on for a year. the film itself is a mixture of film and 3D motion graphics and the voice over is a poem that was created using a machine learning algorithm, trained on recollections of dreams which were collected online (if that makes any sense). it is roughly 3 minutes long but there is not speaking throughout. in short it is a semi abstract poem. the combination of the film and the voiceover are quite dream-like / floaty - so i'm looking for the voiceover to reflect this. im looking for something thats not typically \*voice acting\*, something more conversational and non theatrical . the piece is personally funded and 100% non commercial - i am open to hear about your rates but i'm afraid i wont be able to pay industry standard. please get me on [hello@jacksachs.co.uk](mailto:hello@jacksachs.co.uk) or reply here! if possible, a reading of the following sentence would be great in your response \*I used to have a recurring dream of a sunday at the bottom of the ocean\* i hope we can work together :-) Jack
Finding Breakdowns Without an Agent by GO_1313 • last post Sep 22nd
I live in the southeast, have one credited TV speaking role to my name (on a nonunion cable docudrama), am SAG-eligible, and have a paid membership to Actors Access, but I was wondering why this website was considered so essential when the amount of breakdowns I was seeing were still...
(Screen) acting opportunities in Vienna by TJmyDAY • last post Sep 22nd
Hi! Vienna is such a cultural city but how is the acting industry for international actors (not speaking German - yet)? Any advice where to find out about the castings or seek opportunities (in particular for screen acting)? Any great places to do workshops? Thanks!
Learning accents without a dialect coach? by xpurplelightx • last post Sep 22nd
Is there ANY way cheap to learn different accents on your own? I find it hard to believe that all aspiring actors can afford a dialect coach and whatnot.
Any interviews similar to this one? by tyler35855 • last post Sep 22nd
https://youtu.be/u2JLRtWlq0o This is kind of a niche question... But I recently watched this conversation between Megan Fox and Diablo Cody where they talk about the filming and release of Jennifers Body (2009) Are there any other conversations (videos/podcasts (etc.), Where actors, directors, writers, producers, talk about the making of a film? and also about the release, critical reception, etc. Something that gets into detail about the behind the scenes aspects of filmmaking and Hollywood.
What are your recommendations for firearm courses for actors in LA? by girlonthespectrum • last post Sep 22nd
LA/Actors/Housing by CuspChaser111 • last post Sep 22nd
Hi guys, I’m making the move to La soon and I was wondering what advice you have on finding housing - especially actor friendly housing ? I’m happy to sublet and I’ve been saving up. Any sites to use or avoid is very helpful. Thanks!
Actors: Do you make restaurant reservations for after the opening night of a show? by Robert_de_Saint_Loup • last post Sep 22nd
The cultural system of practices generated by the theatre going public and those who work in the theatre can differ quite greatly. On the one hand, the factions of society who visit the theatre the most; either through subscription packages, memberships, are just for pleasure, are also the factions of society with the disposable income and cultural capital to attend the theatre and develop an interest in theatre attending. On the case of actors, my experience with them (I live in NYC and have many actor friends) have made see that actors differ quite greatly in lifestyle and cultural practices than the patrons of the theatre. The latter being more disposed to attend a play and then go to a restaurant with their entourage while the former will typically go to a bar or a friend’s apartment for drinks. Now this practice of ‘going to a restaurant after the theatre’ is something that dates quite back to the 1700s when many of the aristocrats will see a play in London and then attend a dinner at their country club or other type of club. Following this, we also see that in France and Italy, it was common in the 1800s for the wealthy patrons to attend a play or an opera and end their evening at the restaurant of the hotel they are staying in or perhaps an extravagant restaurant in town. The case of actors, even when they go to see plays themselves (the play of a friend for example) they still typically have preferences to bars and cafes over restaurants. The example, I can show is that in Midtown Manhattan; it is quite common for patrons of the theatre to make reservations at Carmines, Cafe Un Deux Trois, Russian Samovar, and all the trattorias and Italian restaurants among the theatre district. Am I being closed minded or is there also a practice of making reservations to a restaurant after a show for actors? If not, why is it that the theatre going public and the theatre workers have such different lifestyles and cultural dispositions despite sharing a unique space and appreciation.
Where Do Actors Find Good Casting Calls? by dulcet10 • last post Sep 22nd
I feel like I read about actors finding big roles online. I recently read Finn Wolfhard saw the Stranger Things casting call online, Sierra Capri from On My Block on Netflix said the same, and so did Mena Massoud for Aladdin. So my question is: where do actors find these casting calls? I look at Backstage and Actor's Access frequently but nothing like those roles ever pop up.
Building “Instagram” for actors? by discowhale • last post Sep 22nd
Hi guys! Wanted some thoughts on this. Not new to acting necessarily. Been pounding the pavement for a while. But one thing that has changed with the business is Instagram. I mostly do comedy and am trying to build my following on that. And I’m trying to reach a bigger audience and get more followers....but REAL followers. I have a little over 1K...and have been told I need something close to 10K to get more “attention”. This all feels silly to me. But I guess it’s a thing now. Anyone have any tips for building your Instagram in an authentic way?
With all due deference to rule 6, I am looking to hire a Drama Teacher either in China, or willing to relocate to China (Beijing) by l_Dont_Get_Sarcasm • last post Sep 22nd
My school has been running a LAMDA course for a couple of years with some encouraging results. We focus mainly on Poetry and prose, public speaking and performing arts in our LAMDA course in addition to teaching STEM, ESL and music among other things. The LAMDA course has so far been run by myself and my colleagues for the past few seasons, but we are not actors, so in order to expand the project I'm looking to hire someone who knows a bit more about performing arts, preferably with a solid background in English Literature. I will be upfront: Pros: Good salary. New hires can expect to earn between 20-25K RMB per month. (please consult google for local currency) Excellent students. almost all of them are Chinese, but they are International school students, so there is usually not much need to work on their English. Students are aged around 6-18. Good campuses/Location. The lessons are taught between 3 separate campuses in the Shunyi district of Beijing. The whole area is brand new and very clean/modern. There are lots of international schools here, so a great place for foreigners to live. The Cons: The school is a training centre, so most of our students come to us at evenings and weekends, so you will work some antisocial hours, though the workload isn't especially high. The school is located in Shunyi, this is a nice area but it is a long way from the city centre and about 1 hour away from the fun parts of beijing by taxi. (about 20 mins from the airport) The staff are insane. I mean this in the nicest possible way, but they are extremely disorganized and clueless. This doesn't always have a huge effect on the teacher's work, but is a hurdle on occasion. The ideal applicant will focus mainly on teaching various topics, but mostly LAMDA, with an occasional ESL or other classes depending on their abilities. They will help with the tracking and management of student goals and participate in occasional public speaking and performance events in support of the students. Some teaching experience and a degree is necessary for Visas. Please feel free to PM me if you are interested. EDIT: Beijing is also a great place to land some pretty random and obscure acting roles if you don't mind appearing in commercials for fruit cups.